No Ceremony’s “Hurt Love” is utterly addicting. With melodic vocal samples backed up by a simple piano loop, it’s making waves through the blogosphere, as well as my mind. The simplicity of the song makes it a haunting masterpiece. And the official video only adds to their painstakingly mysterious persona.
[audio:http://silencenogood.net/wordpress/wp-content/uploads/2011/09/01-HURTLOVE.mp3|titles=Hurt Love]
Not to float their boat anymore than I already have, but Coyote Kisses is the most promising electro-heavy, dub-steppy group I’ve heard over the past year (little competition). Their melodies are spot on and change up their tune just enough to keep us on our feet every.damn.time.
How these two haven’t been signed to PLM or anything else legit is beyond me, but once they get their act together, drop the whole college thang and start seriously stepping towards their quite obvious chosen carrer path, I know they’ll be hittin heavy in this scene.
[soundcloud url="http://api.soundcloud.com/tracks/14645895" params="player_type=tiny&font=Arial&color=292929" height="18" width="55%"]
I realized with these ghetto funk producers that choosin the right tracks doesn’t rely too much on the production as much as the choice of vocals. For the most part, if you pick the right producer that ghetto funk will be alive in every track, but their choice of singers & MC’s separates the good from the ghetto great.
Originally, this feature was going to be about the Ghetto Funk collective which Bobby C is a part of. Going through all their music, I realized half of my picks were from Bobby C. So I decided to give this post up to him and leave the rest of the Ghetto Funkness for later.
[soundcloud url="http://api.soundcloud.com/tracks/15625706" params="player_type=tiny&font=Arial&color=292929" height="18" width="55%"]
I am Retrotation, and I will be your host today. Just earlier I unleashed my latest release unto the dubstep world entitled, “I Dream of Dragons.” Sit and listen, and please feel free to close your eyes and enter into the realm of your imagination.
[soundcloud url="http://api.soundcloud.com/tracks/23375982" params="player_type=tiny&font=Arial&color=292929" height="18" width="55%"]
More than a few tracks on Mimosa’s SoundCloud do this SoundKlout justice. He’s got a real knack for taking the strange and whipping it with some melody. I do hope he gets some more tracks up on there soon – like the rap artists featured on SoundKlout before him, I think SC is only a taste of Tigran’s talent.
[soundcloud url="http://api.soundcloud.com/tracks/14461102" params="player_type=tiny&font=Arial&color=292929" height="18" width="55%"]
When I saw this posted up on the Pretty Lights site, I made a little girlish yelp. Ever since I saw the live version on YouTube, I was obsessed with this industrial, bass-heavy grinder.
Lately, I’ve been talking a lot about bass producers over complicating their drops. Take the advice in Pretty Lights ‘Truth’ that it’s not about how dirty the drop can get. Like all writing, whether it’s music or language, use only what’s necessary! and forget the rest!
[audio:Know-Truth.mp3|titles=I Know the Truth]
I was introduced to Budo from his collaborations with Grieves. The two have been makin some bangin work over at Rhymesayers for the past few years. When I first hit up his SoundCloud page, I realized it didn’t include much of what the two have done, but includes some of his other work, namely A.R.M. And, although, A.R.M. and some of his side work are worth checking out, Budo, like every other damn hip-hop artist on SC, needs to get more of their work up on there… please :)
[soundcloud url="http://api.soundcloud.com/tracks/21851669" params="player_type=tiny&font=Arial&color=292929" height="18"]
Wick-it takes my two favorite styles on SoundCloud, dubstep & mashups, and goes to town on pop classics all the way down to underground hip-hop. I do prefer his mashup skills over his dubstep ones, but it’s good to see someone expanding beyond their usual territory.
This is also another one that was hard to narrow down (like Funk Ferret). Although, Wick-it has so many damn tracks, over 70, that I was bound to bring in a few more. If you like the first eleven, I’m sure you’ll like The Rest.
[soundcloud url="http://api.soundcloud.com/tracks/19490909" params="player_type=tiny&font=Arial&color=292929" height="18"]
Released this a while back, but had to feature ’em for SoundKlout. There’s only a few DJ’s who can mixx up pop songs together in a fashion like this, but when I find ’em it gives me just a little more hope for the mainstream music scene.
DiscoTech has a consistent club fun viiibe, but each track hits me right in a different way. I haven’t heard much from them lately, but there’s bound to be some fresh shit coming from these Euro-rave liberators. can’t wait
[soundcloud url="http://api.soundcloud.com/tracks/6081202" params="player_type=tiny&font=Arial&color=292929" height="18"]
Of course I found out about Paper Diamond with my utter obsession with all things Pretty Lights. At first I wasn’t too impressed with his music, I think I expected the holy ghost to pop out or something, he did just get signed to the best label alive!, but after a few steps in I realized he wasn’t just some Pretty Lights clone. He brings something different to the label, a certain madness that music’s progressing into (well, some of it).
[soundcloud url="http://api.soundcloud.com/tracks/17497931" params="player_type=tiny&font=Arial&color=292929" height="18"]