My obsession with EnormousTunes has been growing over the year, but another music fanatic friend first told me about them before that. She made a list about this time last year and I can see now what she saw back then, especially with artists like Calippo, Sons of Maria, Nora En Pura and Me & My Toothbrush on both of our lists. Frey & Croatia Squad are my top two though.
EnormousTunes reminds me of Ghetto Funk in that the label defines a genre, but where as Ghetto Funk is also the name of the genre, EnormousTunes is what I think of when I think of G house. If I had to describe G house in a dozen words: a kick that comes from the gullet or gutter (gully?), something like that, falling on the tech/no house sound. A lot of them remixing classic rap songs, also like Ghetto funk. But going through Enormous’ SoundCloud page, I realized that’s not all they do.
I found a lot more styles of house in there. This list starts with the best, gets into old disco & rap turned house and ends on the deep side.
The first track on a playlist is an important one. The majority of people probably don’t get passed it, so you got to set the tone right away. I usually do my personal favorite song, but I always have reservations with that. Autograf is a good example.
Metaphysical is a perfect start to Autograf’s music. It’s not a remix of a popular artist and has a beautiful singer that doesn’t get old & irritating after a while. The Autograf trio has about nine other songs worth featuring, but only one hits heavier far above the others. Their Temptation remix.
I like their remix of ‘Ain’t too Proud to Beg’ so much it’s sparked another playlist I’ve been compiling: think the best of Motown with some heavy house. This list, however, is based off all of Autograf’s music.
Kaytranada ditched out on me and the rest of the crowd in two different locations. Once opening for Disclosure at The Greek in Berkeley and the other this past year at Symbiosis. Finally, I got to see him live at Mamby, the festival’s second year on Lake Michigan in Chicago.
My expectations weren’t too high for Kay. My favorite producers DJing live haven’t been anything phenomenal at festivals in the past and going in with high expectations is a recipe for disaster (see Mayer Hawthorne). However, I was pleasantly surprised to see how well he kept the crowd bouncing.
Bass is what gets people moving. I’ve seen plenty of it, but Kaytranada live was the most stark example. When the bass wasn’t bumping the people weren’t bouncing. Get that signature kick in there and Kaytranda has the crowd in a jig. Guess this is why house music and its many iterations are what we love to dance to most. Except Bill Withers, of course (soul music) […]
Odesza’s Above the Middle was my first love of theirs and even though it starts off rocky, as I originally pointed out, once the vocals kick in it’s the sound that inspired this list. Especially hearing it live at Outside Lands in 2015. Ever since hearing it first back in 2013, I’ve found a set of songs just as inspiring.
The whole thing reminds me of a dream I had at least 10 years ago. It’s probably the most vivid dream I’ve ever had. I a woke (in the dream) falling from the sky, but I wasn’t frightened of falling. More fascinated by how enormous the sky and ocean were around me. I remember there was a castle in the distance (yes, like the Disney one). It was like I was falling to get there. It’s also the most beautiful dream I can remember.
My first recollection of Flamingosis is not a good one. For me his name is tied to the reshare scheme [trading reshares] I saw a bunch of decent, and better, producers doing on SoundCloud sometime back, even if I’m not 100% he was doing exaxtly that.
Recently I caught his song Next To You and gradually fell in love. I love how he plays with the vocals on it. It always feels like a surprise.
So naturally I went through all of his SoundCloud and found plenty more music to speak about. His music is like that Late Night vibe I love, but with good old soul singers on top.
In the over 100 tracks I listened to, the hardest thing to do was to cut some of the good ones. That’s always the hardest thing to do in making a mix. Cut the fat, as good as it is.
First off, these festivals with acronyms for names leave little to the imagination, which doesn’t make it easy to remember. I got BFD mixed up with TBD with the promoter and I feel like a dipshit. As I should. Always good to start off with a little humility.
BFD, or as I recently found out its full name, Big Fucking Day, leaves a lot more to the imagination and is Live 105’s annual summer festival at the Shoreline in Mountain View. The show had three stages this year: the main stage, one for local bands and a tent for the electronic acts. Of course I was there for The Offspring, not really, I was there to see TOKi. And Joywave.
Up until a few days ago, I knew starRo for his relaxing tunes, California & Seduction. I did like House Party when it came out, but the SoundCloud ad in front ruined it for me – and I annoyed the shit out of starRo about it.
Going through his entire SoundCloud catalogue and explore.fm, I see where he’s taking his sound and I love it, every which way. I don’t see many (hardly any) producers do as well with one sound as starRo has done with a few of his […]
Finding a name and cover art is the biggest pain in the ass putting these playlists together.
Our “Next to You” playlist is all sexy house beats, but naming it with some variation of Sex & House (ex: House Be Sexy) gets old fast. You do want those keywords for discoverability, but the name of a playlist is its second introduction, the artwork is its first. Both are important to catch the listeners eye initially.
I just fell in love with the Flamingosis track, Next to You. It may not have the same vibe as the rest of the list, but the name couldn’t match it more.
The popularity of mashups have been quickly dying off since 2012, mostly due to major label pressures on SoundCloud and other music services. I miss ’em, so I finally decided to put together a list of my most favorite ones.
I split mashups into two categories. The first takes samples from many pop songs all compiled into one. The first few on our playlist are good examples. The other is a vocal track mixed in with an instrumental. It might not have as many moving parts as the other, but I bet it’s just as difficult to make it sound right, if not more. Putting two sounds together and making them sound like one is hard for any producer, let alone one working with sounds people are so familiar with.
Judge for yourself, but it’s important to keep in mind that mashups are for fun and don’t always sound the most polished.
Late Night Jazz was going for new producers’ takes on jazz, but we got some criticism on if they were really jazz songs. I even questioned a few, but all had some form of jazz style in it.
I stretched the style a lot more this time around, so we decided on a word not as narrowly defined. Some beautiful guitar, sax and piano playing on these 20. This kind of music is not getting appreciated enough. Here’s mine.