Abel Tesfaye’s vocals are touching on holy in House of Balloons, backed by Doc Mckinney & Illangelo’s deep ‘n dirty beats and this is an experience into the dark side of soul.
When I heard The Weeknd’s first single, “What You Need“, about a half a year back, I remember thinking that this is some of the sexiest shit. Well, I wasn’t quite sure where Abel would take it next, but House of Balloons has a grip of tracks that are equally as impressive, spewing even more […]
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In for some more glitchy/choppy breakbeats by Paper Diamond. I gotta say, “Electric Smile” is one of his best so far – seems to keep me more in tuned than a lot of his tracks off Levitate. Wish there were some dirty pop samples put in, but sometimes it’s good to keep those out (for integrity’s sake).
Make sure to check out my post of Paper Tiger’s Levitate on SFCritic.
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When I first heard KeithCharles Spacebar’s “PrettyBrownEyedGirl”, I thought it was a prank. His flow just reminded me too much of a fairly well-known East Coast/Midwest rapper, one I couldn’t put my head to. The whole vibe reminded me of AbCreole, who are actually from Seattle, but knew I was thinking someone more nationally known. It’s frustrating as hell, but I still can’t figure it.
But besides that, KeithCharles vibe is smooth as hell, especially with those neo-soul beats behind ’em. The beats actually remind me of a couple of my favorite producers, though these I can name.
Besides his minor references to video games classics, KeithCharles’ BeforeCommonEra is also similar in sound to D.C. producer K-Murdock. Both posses beats with a forward-thinking, experimental style that incorporates […]
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Yea, I’ve been posting a lot of shit hip-hop, lately. But these mashup mavericks craft fine electro-beats around rappers who may not be the most relevant to our lives, but have something that many rappers overlook, a personality.
I see too many well versed rappers concentrate too hard on the meaning and not on how the rhyme flows with the beat – remember, you’re not rapping to a beat, the beat’s rappin’ to you (… you get what I mean). As much as hip-hop is about meaning, the first thing to music is feeling – and Rick Ross with the help of Tim Gunter’s mashup of Mord Fustang’s “Electric Dream” is nothing but feel (good) music.
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Goulding has got a damn sexy voice, as we all know, but pair it up with some top notch dubstep RMX’s and ya got trip-hop’s worst nightmare unleashed. When I first started searching for Ellie Goulding dubstep remixes, I didn’t think there would be this many well done, but there were, all with their own flavor.
Enjoy ’em as much as I did putting ’em together. If you have any other Goulding’s gone dubstep, make sure to hit ’em up in the comments below.
First Zedd remixes a pop song to perfection. Now he’s taking Zelda’s classic theme song and electro housing the shit out of it. Big things are a comin’ from this Mighty Morphin PR villian – looks pretty jacked in that pic, too ;)
The track officially drops on the 21st with a bonus electrixx remix. Follow me on Facebook and I’ll hit you up with it when it releases.
Here’s the second single off Atmo’s upcoming album, The Family Sign. Slug’s down to earth rhymes seem to be consistent in “She’s Enough” and all of his latest work – I guess that’s what comes with age, more stories to tell and less ideologies to preach. Whichever Slug you’ve grown to love, it’s good to see the MC come to age.
Verdicts still out till the album drops April 12, see you then.
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I was looking at my ‘tracks to post’ when I ran across Mos Def & Talib Kweli. For a second I was confused on why they were there, I haven’t heard anything new from the two in a while and didn’t think anything recently emerged. Then I saw who produced the tracks, DJ Deckstream, and realized why I need to post these up.
Deckstream is one of my favorite nu jazz producers from Japan. He’s got a shit load of good tunes to chill to, but up until recently lacked good rap support. In Deckstream Soundtrack 2.0, the producer steps up his rap game featuring some talented rhymers, including Mos Def on the original “Life is Good”. But on the two remixed versions that dropped last year, Mos Def gets some support by the other half of Black Star […]
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What makes this so ‘cool headed’ isn’t just the melodramatic wizard, Kid Cudi, but also Travis Barker’s sedated beat. I swear everything Cudi touches turns to gold, but in this I gotta give props to Barker.
In each track I’ve heard so far off his upcoming mixtape, Give the Drummer Some, Barker somehow crafts a beat that fits the featured performer well, damn well. Whether it’s Kid Cudi or Lupe Fiasco & Pharrell Williams, Barker takes their rap to a new level – or at least in a new flavor.
The mixtape is set to release on the 15th. Can’t wait to hear it in full.
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I’m still weary about this Childish Gambino, he’s got such pristine raps and a pretty damn decent set of vocals, but his style needs some getting use to.
His latest release, the Childish Gambino EP, however, is habituating me to this fine rapper’s sound. With heartfelt raps and clean, high-pitched vocals, this man’s musical range is only second to his comedic talent.
Make sure to listen in closely, it’s well worth an active ear.
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