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Music that Got Me Blogging About Music (Part 2)

All along the West Coast (minus The Bay)

In the second installment in our “Music that Got Me Blogging About Music” series (first), we’re going to be covering most of the West Coast. The only part we’re not is The Bay Area, which’ll be covered in Part 4 (out of 5). In Part 2, however, we’ll be going from the Pacific Northwest all the way down to SoCal.

The SoCal picks you may know, if you know your West Coast hip-hop, but my Pacific Northwest choices are some of my most prized. Take a look at ‘em and tell me what you know, I bet you’ll find something you’ve never heard before – and if you don’t, hit me up, I may have a blogging gig for ya.

Check ‘em Out »

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The Beautiful by Abyssinian Creole

"Beauty is your true nature."

Banner of Gabriel Teodros and Khingz

First, I gotta say a little on AbCreole before I get to the featured song. Back in the early days of this site, I featured an album by AbCreole, Sexy Beast. It is, without a doubt, one of my favorite hip-hop albums of all time. I wanted to get their music out, again, because I feel most of you probably haven’t searched that far back on the site, and they are definitely worth mentioning, again… and again. Unfortunately, they haven’t created anything new since, other than collaborating on some solo projects, so I decided to put a favorite of mine from Sexy Beast. If you like this one then check out their others in my original post on Sexy Beast. And so with that I present you the feature, “The Beautiful” by Abyssinian Creole…

The reason I chose “The Beautiful” is because of the lyrics (if I wanted to go for the beat, it would’ve been “Unconfined”). Although, every track on Sexy Beast has its own deep meaning, this one especially rings true for me. The two MC’s, Teodros & Khingz, spit such inspiring lyrics that seem to flow more fluid than syrup on waffles (they’re the lyricists, not me). Most of their music, including this one, deals with their African roots, but like I said in the original post – their music may not directly relate to everyone, but it can be appreciated by anyone.

Another funny note about my post on Sexy Beast – Khingz from Abyssinian Creole commented on the article, pointing out my mistake in thinking they were under the Mass Line Media label. Let’s just hope my research skills have improved since then…

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No Label (Esma Remix) by Gabriel Teodros

"If we label this, just picture what we might miss."

Banner for Lovework

I’ve been following Gabriel Teodros on Facebook for a while now (yes, I’m an Internet stalker, selectively though :D). He made an interesting comment a little while back about a guy who wanted to fight him ’cause the guy thought he was a terrorist! It reminded me of my friend’s story about flying out from Tucson when a kid came up and asked if he was a terrorist. Now, I can understand why a kid would say this; kids speak their mind (that’s the beauty in ‘em), and don’t usually mean anything by it, but in Teodros’s case, it’s inexcusable. As Lincoln said, “better to remain silent and be thought a fool than to speak out and remove all doubt”.

But this isn’t a politic blog (thank god!), so let’s get to the music. Teodros has created some damn fine music. With Khingz in their group, Abyssinian Creole, and his solo works, not to mention his side projects (well, I guess I just did), Teodros has created some inspiring lyrics on soulful beats. His style stems from deep African roots with a NorthWest flavor, covering topics on racism (hmm… wonder why?), sexism, and basically anything but the usual bubblegum pop. His lyrics may not be relatable to everyone, but can be appreciated by anyone!

I decided to feature No Label (Esma Remix) first, so check it and tell me what you think… (I do like hearing your opinion, occasionally ;))

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Sexy Beast by Abyssinian Creole

"Try 'n' find the awe."

Banner for Sexy Beast

Sexy Beast is Abyssinian Creole’s first full length album, which premiered in late 2005. The album clearly expresses the group’s African roots in a raw and poetic way. Each song is a unique perspective of the two emcee’s history, which may or may not pertain to everyone, but can be appreciated by anyone.

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