Lately I haven’t given myself enough time to sit back and not think. There’s so much to do and it’s fun doing. But you gotta give the mind some time to catch up. Hopefully this will help get me in the mood. Let me know if it does for you. Sometimes I need a reminder, and so do you.
Other listening:
Beats by Day
Late Night Beats
Late Night Jazz
Electro Relaxations
BottleRock music festival has been held in Napa for the last five years and it’s damn fancy. It’s something I’ve been trying to get to for years, but unfortunately 2017 came around a difficult time. My girlfriend’s friend had recently passed away. We missed Friday, but thought it would be good to get into a different space for the long Memorial weekend.
We may not have had the time of our life in Napa, where it’s held, but it helped take us away from our typical routine. It gave us a chance to take a breath. Festivals aim to give you the best experience possible and to some extent usually pull it off, but more importantly they’re the place to see people at their best. A getaway filled with music, food and wine. And that’s exactly what we needed.
Saturday was a little rough. Trying to get a hold of where everything was and get our head out of anything too deep. Sunday we got our bearings and had someone special I wanted her to see. Fifteen minutes into Charles Bradley’s set and he had her balling. I was tearing up too. Bradley has a voice even our father’s appreciate, something that connects us all, that makes the deepness feel more full, especially in sadness. He made the weekend and took our mind into the moment instead of worrying about everything else.
Some progress the old sound forward, but Gavin Turek brings it back to the 70’s in her latest EP Good Look for You. But she’s also teamed up with other notable producers, which gives her classic voice new flavor.
Gavin has been working with TOKiMONSTA and their juxed position in genre make for a beautiful collaboration. And even better, there are a number of my favorite young producers giving her a remix, especially Bishiclet & starRo. You know when some of the most talented music makers right now support her sound, including Mayor Hawthorne on his last tour, that it’s not just you.
Upstream’s first year was focused on educating the Seattle music scene about how technology & community are helping drive better business in music. And also gave them a place to show off their skills live. Upstream’s potential is educating other local scenes by recording the panels and making an effort to distribute them online. In turn driving more people in the music industry to come, so they can in turn see what’s happening in Seattle and other local music scenes.
We did find plenty of musicians this year coming from other local scenes to perform. My hometown Minneapolis had quite a few I adore, but I really only went for one local Seattle musician. Unfortunately I didn’t get to see Gabriel Teodros play while I was there, but I did get to watch his panel during the summit. After, I introduced myself and had the chance to tell Gabriel how his music has affected my life and the blog. He recognized Silence Nogood’s name (I hate saying it in public), but when I got back I had to look up the brief conversations we had over the years. There were some gems.
What makes pop music? Or rather what makes music pop? Pop music has gone through many different styles throughout the century, but besides a large marketing budget, the voice is the greatest consistent factor. How many hits have you heard without them? Let me know, I’m keeping tally.
It’s hard to find voices that hit though. It’s not about their sound, but more about how they use it (+ how catchy the lyrics are) and DiRTY RADiO is developing well. I went through their whole catalogue and even though they’ve had the voice for years, it took up until recently to find how to use it. Collaborations with Young Franco, Pat Lok and more are developing their sound into something that’s not only catchy, but for many. Shit pops!
Austin’s Sixth Street is where the main action happens at SXSW by night, along with Rainey St. I walked between the two and the Austin Convention Center in total of 25 miles over the four days. I was wrecked by the end, especially my feet, but I had plenty of stories to reflect on.
Covering big festivals can be stressful at the start. Making sure everything is booked and packed. The red-eye flight there. Figuring out the plan during the festival. But most of all the pressure to find a good story, and get it on paper.
It’s good stress that’s both invigorating and inspiring. Whether you’re there for work or fun, the key is to keep an open mind & heart. There’s always a story to tell, so don’t stress the good stuff.
“I’m shy at first, but once you get to know me I do the stupidest, most random shit.”
I saw this quote and thought it was the best description of me in one line. I even got the t-shirt (seriously). My grandfather gave me the nickname Corky when I was little and the sentiment has stuck. I’m a bit odd, as we all should be, and a lot of my favorite music is too.
Originally these series of lists were all about kawaii music, which I dubbed VAPOR + VAPOR 2.0. Eventually the playlists expanded into all sorts of music along the future/trap spectrum, split into three categories – o f f b e a t, Sex trapt, and Future glam fucks. Quirky takes a little from each.
I gotta give this to my girl. Not only did she push DUCKWRTH’s music on me, but also made sure I saw him at SXSW. I liked his song ‘I’m Dead’ at first, but after seeing him live I’m been obsessing over everything else.
I usually pride myself on pulling the best songs from an artist’s catalogue, but I pretty much like every damn song of his, especially off his latest album, I’M UUGLY. Back in 2014, DUCKWRTH’s music felt like a futuristic ominous acid trip – like Zion I, Illogic, or Deltron 3030 – but he’s expanded his sound since. DUCKWRTH’s even got a half funk, half punk song, and it works. Especially live with that style he’s rockin.
His live show and music is what’s going best for him right now, but all with the help of DUCKWRTH’s fashion style and graphic design work, which he does all of it. Makes for a much nicer package to promote.
Besides the musicians it books, the historic Fillmore in SF is known for its free apples and posters. You can have as many apples as you’d like, but not every show comes with a poster at the end of the night. I talked with one of the coordinators there and she told me that sold out shows and any of the bigger names will get a custom made poster for all attendees.
I’ve gotten three posters so far. My first was at Anderson .Paak & The Free Nationals, then a few months later at The Knocks, and finally for Noise Pop Festival’s 2017 show to see, BADBADNOTGOOD.
I still can’t believe how well a jazz band could rock. BADBADNOTGOOD is known for their low-key instrumental playfulness, and while that dominated the show, it got real rowdy at its peaks, especially towards the end.
Their music isn’t all jazz though. Their experimentation in electronic with jazz is among the best playing now. They had a collaboration with Ghostfast Killa a few years back. And they also recently teamed up with Kaytranada & Goldlink for the best dance song of 2016.
They. played at least a few times last year at SXSW, but I missed one because of The Roots fiasco.
They’re kicking off their tour this year and San Francisco is their third stop. I don’t know if I’ll be going to see them in SF, depends on if the lady likes the playlist, but I’ll definitely be seeing them in Austin at SXSW this year.
Especially since the company I work for is hosting them.
See you there?