Looking to put together a tech & ghouse playlist, I started to realize that FREY was on half the tracks. Until we can a dozen more artists to feature with him, FREY will introduce you to the sound: a stiffer kind of house with deep, gullet chords and famous funk singers from the past.
Reminds me of the next stage in ghetto funk, Bobby C Sound Tv being the best at that.
While prepping for Figgy’s live debut, I went through his entire catalogue on SoundCloud, come to find half of it missing. SoundCloud has been more stringent on allowing sampled and remixed tracks recently, giving the major labels access to directly pull songs and even accounts from their service – Figgy was close to getting banned.
SoundCloud more recently introduced its Go premium service that includes offline, ad-free listening and a deal with the major labels that’ll increase their catalogue to compete with Spotify (it’s still in the works). What’s under the radar is that this deal may stop take downs for sampled and remixed songs and instead become a source of income for the labels – not that anyone gives a shit.
What we should give a shit about is producers will be able to keep their remixed and sampled songs on SoundCloud, probably at the cost of an ad. But at least we’ll get to use them for playlists. Until then, we’ve had Goldroom fill the void.
I Do Love You (It’s Alright) reminds me of Forest Gump. It’s like three movies in one. Going from trap to soul to disco, SO:DF changes up the key more times in one song than techno has in its 30 years plus.
I gotta figure out who they sampled on here, specifically in the disco interlude. 2:37 hits on all sorts of sexy.
Soda Island is a collective of 8 or so producers, all of which are my favorite names in an emerging style of electronic. Kawaii is what I hear it called most, or more generally future bass, but I like vapor. Bubblegum funk works too.
Along with the rest of this future bass movement (let’s rename), the folks at Soda Island are doing to electronic what jazz did to classical music. Rewriting the rules.
My dad bought a 2013 Corvette and wanted to get a custom license plate. The guy’s a real charmer, but he couldn’t convince the dmv agent to put ‘4play’ on his license plate.
I thought of beats4play when starting up our YouTube channel – I think Silence Nogood was taken – and I loved how it brought on a few more meanings than my dad’s original line.
Here’s a solid hour and some of music foreplay.
I first met Lauren in 2011 on Twitter because of a Facebook Ad I was running about a SoundCloud initiative I was doing for Silence at the time (I love how convoluted that sounds). As many people as I’ve talked to on Twitter over the years, I’ve never met someone so honest about her love for music. Someone without another agenda. And I see her dedication every day.
I usually don’t start my daily SoundCloud listening until later on in the day, but this girl is up at the butt crack of dawn listening to the shit out of it (she seriously wakes up too early) and she always gets in the comment or reshare before I do. The one thing I’ve given her shit about is what she’s doing to contribute in music, but she’s been doing something about it […]
All I Need does something I love to see in house, the gradual reveal. Grey Area, Desiree & Michael, start the track with the vocals chopped short, but lay out the full chorus line gradually towards the end. You won’t appreciate it until you listen a few times through, but eventually your mind will start to fill in the chopped up parts in anticipation for the full thing. Makes for a fun dance (in ya head).
One of the first times I heard the term “four on the floor” was in a favorite documentary of mine on house music, but I didn’t get the meaning right at first. Initially I thought it meant the type of laid back house for relaxing – or really for fuckin. Think of it in sexual terms. However, it actually means a consistent drum bass on the fourth beat, which is one of disco and more so house’s key ingredients.
To honor my creative thinking in what four on the floor meant, I give you a playlist of sexy house music. Plus it’s got a lot of what the original definition meant, that consistent drum beat.
What is this ‘the feels’ thing going around this past year? It sounds like a middle school kissing disease. But if someone were to give me good feels, it would sound like FEELS The Anthem. Fitting.
I don’t know what style we’re gonna end up calling this kinda music, I guess they’re going with future bass, but it sure is the future for the two best things to do with music, dance & fuck.