Wait, we get a funky disco track wrapped up all newage nice This is too good to be true. Luminaire puts the disco into electro and rocks it out precise. But I’m still wondering who the hell is singing that soulfulness. Whoever it is, I’m diggity down fo so mo! (for some more)
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It’s good to have some downtempo, slightly tripped out beats back from Appo. I couldn’t pick anyone better to remix “Devil Woman” than him. A perfect tune to chill out to on this cold & blustery day.
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Goddamn, do I love me some Party Ben! Every time I see him come up on my SoundCloud Incoming, I pretty much know I’m gonna post it, especially with vocals like these.
I’m really surprised I haven’t featured more Gotye remixes on here, but thankfully I held off ’til now. Party Ben mixes in a Roxbury-type club banger with some of the most memorable lyrics of 2011. Really didn’t know how this would work mixed for the club, but PB pulls it off better than ever.
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Over the past 12 months, Adventure Club has wowed us again and again with there smooth dubstep remixes of indie rock songs. Recently, the duo released their second original, “Do I See Color,” a track that displays pretty much everything we’ve come to know and love about Adventure Club: nice vocal chops, sexy basses and a sound universal enough to be liked by most, yet unique enough to soundly occupy its own niche within the genre of dubstep (possibly sharing some space with Flufftronix and Dirty South Joe’s ‘Love Step’ series) […]
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Zeds Dead’s Adrenaline EP starts off with some ghoulish tunes, moves into the moobah and slices it out with their signature sound. Definitely some unique shit on here and shows their progressive, alternating style.
Check out the previews below and hit it up on Amazon
First time I listened to this I got so hyped. See, I had some sort of a brain fart and thought that XV, Wiz Khalifa & Figure got together to make a legit dubstep // hip hop collab (overlooked the “remix”). Well, even though this is just a remix, it’s a damn good one at that. Sill not topping my favorite Khalifa remix, but I’d love to see Khalifa & XV go in the dubstep direction.
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Ya ever having a shitty day and a new track comes on and almost instantly turns it all around Well, Alexandre Louvré’s Disco Edit of Kool & The Gang’s classic “Get Down On It” did exactly just that. Props to Alexandre for putting this out just in time when I needed it most, though I should give mucho credit to Kool and his gang.
[audio:Get-Down-Edit.mp3|titles=Get Down On It (Alexandre Louvré Edit)]
A relative newcomer to the scene, Ryan Enzed has demonstrated his mastery of creating and combining synths in his numerous youtube tutorials about vsts and DAWs, such as Massive and Logic Pro. He champions the newest style of electro, ‘complextro,’ characterized by complex bass and melody lines made up of multiple synths.
With a few solid beatport releases, and an official remix of Martin Solveig’s ‘Hello’ (as well as a banging bootleg of Nicky Romero’s ‘Toulouse’), Ryan Enzed appears ready to show the EDM world what he can do in 2012.
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When I first heard the new dubstep trailer for Red Tails it sure as hell got me going! I wasn’t the biggest fan of Knife Party’s remix of “Unison,” but throw in some hair-raising fly footage and it makes for one hell of a match.
Some of you don’t like this new style of dubstep the kids are calling “brostep.” And as much as I agree with you to a certain extent, there’s no doubt that the dubstep (or brostep) makes this Red Tails trailer. I watched one of the trailers with out it and it wasn’t NEARLY as heart racing. Hell, it didn’t seem interesting at all. Which makes me wonder if they’re going to use it for the actual movie… Doubt it.
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I would say to tread lightly on such classics as this, but then I’d be a hypocrite. Many don’t believe, for good reason, that dubstep should be destroying such nostalgic tunes, but I have different beliefs.
Voodoo Farm’s tirade on “A Day in the Life” isn’t meant to do anything for the original fans of the track (I wouldn’t try to understand electro either if I was 50). But what dubstep remixes are trying to do, as well as many other types of remixes, is to bring our favorites from back in the day and turn them on to new sounds. Like it or not, it’s all for the love & appreciation of their originals, so no hatin’ on love (unless it does actually suck).
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