I don’t listen to much Lily Allen music, I think we all know that mainstream music isn’t my thang, but hearing her on Oblivion’s dubstep remix of “Not Fair,” all I can think of is damn what a kinky little bitch. And there’s nothing better for a heavy dubstep remix than one kinky little bitch.
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We’ve got another Lana Del Rey remix, this time Balam Acab takes her “Video Games” and blends in one atmospheric beaut. With a mild bass buzzer below and pretty synths from above, Acab captures Lana’s gentle & vulnerable vocals just right. The synths get a bit overwhelming at times, but in a way I kind of like (kind of).
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I may be diggin the electronic scene a bit too much lately, but I still got so much love for the classics. In fact, if you aren’t throwin in a little brass or any of the other families into your electro-set, you’re seriously lacking.
Big Gigantic’s “Rise and Shine” is a perfect example of this blend of electronic, brass and percussions. With one sultry leading sax by Dominic Lalli and a rockout drum performance by Jeremy Salke, this shit barely needs the electronic touch – but for the sake of today’s youth infatuated electro-goers, the mix of it all sets any raver off right.
The “Rise and Shine” single is off their upcoming album, Nocturnal, which is set to release early, early 2012. Cannot wait for that saxy beast.
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Camo + Krooked created the official remix of the James Bond theme for Activision’s GoldenEye 007 : Reloaded. I don’t know how this game is gonna stack up to the N64 original, but Camo & Krooked’s dubstep rework of the original theme adds just enough electro-bass goodness to keep it up with the times, yet doesn’t go too far with it (thankfully).
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Skrillex’s remix of “Cinema” took Gary Go’s vocals and stepped ’em to an even higher level with those synths. But where Skrillex went with the stereotypical, over-chaotic dubstep drops, Stephan Jacobs went a different route.
Jacobs’ remix goes for a breakbeat // glitch vibe that feels like a clusterfuck at first – happens a lot in glitch – but after a few listens you warm up to the seemingly chaotic mess and start to vibe hard to it in your head. I still haven’t found a remix to “Cinema” that’s got the full package, but we’re definitely stepping it up on each remix.
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Damn it’s good to hear some De La Soul revived. And damn does Bobby C revive it with a classic feel, bringing out those funky instrumentals more than ever before. Which actually brings up my biggest qualm with hip-hop, like De La, from back in the day – the instrumentals never seemed to be fully expressed. Was it because that was the standard or just a lack of quality production Either way, Bobby C fully expresses it here.
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Just put up Xaphoon’s remix of “Marvin & Chardonnay” and now we get a mashup from The Hood Internet with instrumentals borrowed from Wolfgang Gartner’s “The Way It Was.” I can’t quite say which I like better yet, but damn does each have a sick beat to back up Sean & Kanye. Which one do you like better
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This isn’t that complicated of a remix – a hypnotic bass buzzer below with a few electro-glitches on top – but it makes the vocals in it all the more soothing. I love what bass//electo music does to folk songs… as long as they don’t go too far with it.
What do y’all think Got any other Edward Sharpe electro-remixes in ya pocket
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House usually either bores the shit out of me or inspires like no other. Garcia’s “I Remember You” is a light-weight, progressive piece that takes the right turns at the right times to keep me engaged, but still just lets me sit back and enjoy the ride.
This is only the low-quality preview, so I’ll keep you updated on the final version – though, I don’t know how he’s gonna perfect it anymore.
[audio:Remember-You.mp3|titles=I Remember You (Original Mix)]
I can.not get enough of this guy, I’ve been all over the Vodoo Farm SoundCloud page and it has some of the most overlooked sounds on the damn site. Until I can get a SoundKlout feature on him, here’s another one of my favorites of his.
Voodoo’s remix of “Wheelz of Steel” takes these Dirty South Stars and drops the usual dubstep // glitch combo on ’em. But unlike the usual, Voodoo doesn’t overdue the drops and has a nice balance of the highs & lows.
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