Super City 50 was a one night EDM event held the night before Super Bowl 50 at the Oakland coliseum. My photographer bailed last minute, but luckily I had a few friends going. I’ve gone to festivals alone before and it’s one of the easiest ways to find new friends, but organizers could do a lot better job to encourage it.
People will find the easiest way to connect with each other and drugs help out a lot. I saw all sorts of people on all kinds of things and it’s sad to see how much the law contributes in creating an unsafe environment. Laws change slowly, but the festival experience is about to change rapidly. And that change starts online.
We’re all connected 24/7 and using that to start conversations online will help people meet up more easily offline, at festivals. The closest thing I can find to what I’m talking about is Red Bull Sound Select, which is based around a community for curators. The best way to get people connecting around music online, in my opinion.
Most of heartbroke (as fuck) is some sort of soul music along the electronic scale, leaning heavy on electronic near the end.
If you’re in for a lonely Valentine’s this year, I hope this makes for a good background soundtrack.
My dad bought a 2013 Corvette and wanted to get a custom license plate. The guy’s a real charmer, but he couldn’t convince the dmv agent to put ‘4play’ on his license plate.
I thought of beats4play when starting up our YouTube channel – I think Silence Nogood was taken – and I loved how it brought on a few more meanings than my dad’s original line.
Here’s a solid hour and some of music foreplay.
Frisco Disco came from a producer’s name I misread at first, Frico Disco, but I’m sure I’ve heard it somewhere else before. I gotta give it to 95 Royale for introducing us to this style of disco house – disco pop vocals with a heavy house kick – and after more than three years we finally got all the best of it together.
Disco is having another revival. Here’s out toast to it.
2015 was the year of live music for us. We covered eight festivals. I don’t think I’ve been to that many before in my life.
Hip hop seemed to make a return on here. That’s what we started on, but hit a major dip from 2010 to 2013. It started back up in 2014 with Kendrick Lamar, and predecessors have been poppin’ up all over the place since. Some with possibly more potential than Kendrick himself. One at the top of this list.
Other genres in electronic dominated the year even more. We got out a good amount of Kawaii in the first half, but future & trap took over the second. And of course house has been most dominate. Going from the deeper, heavier side and splitting into future & chill house near the end, as well as the funkier side of house music to jack to.
The amount of new singers seems to have dipped compared to past years, but the quality hasn’t. Anderson Paak, Madelyn Grant, Liz Vice & Joey Dosik to name out of the dozen others with clear personalities in their voices.
We’ve collected 29 tracks in total and a list of our 12 musicians with the most potential. Plus our biggest accomplishments of the year below that, the playlists. We put together 35 in total! That’s up from 25 last year.
I first met Lauren in 2011 on Twitter because of a Facebook Ad I was running about a SoundCloud initiative I was doing for Silence at the time (I love how convoluted that sounds). As many people as I’ve talked to on Twitter over the years, I’ve never met someone so honest about her love for music. Someone without another agenda. And I see her dedication every day.
I usually don’t start my daily SoundCloud listening until later on in the day, but this girl is up at the butt crack of dawn listening to the shit out of it (she seriously wakes up too early) and she always gets in the comment or reshare before I do. The one thing I’ve given her shit about is what she’s doing to contribute in music, but she’s been doing something about it […]
All I Need does something I love to see in house, the gradual reveal. Grey Area, Desiree & Michael, start the track with the vocals chopped short, but lay out the full chorus line gradually towards the end. You won’t appreciate it until you listen a few times through, but eventually your mind will start to fill in the chopped up parts in anticipation for the full thing. Makes for a fun dance (in ya head).
One of the first times I heard the term “four on the floor” was in a favorite documentary of mine on house music, but I didn’t get the meaning right at first. Initially I thought it meant the type of laid back house for relaxing – or really for fuckin. Think of it in sexual terms. However, it actually means a consistent drum bass on the fourth beat, which is one of disco and more so house’s key ingredients.
To honor my creative thinking in what four on the floor meant, I give you a playlist of sexy house music. Plus it’s got a lot of what the original definition meant, that consistent drum beat.
The great thing about running your own site is that you get to do whatever you want with it. The problem with it is you do whatever you want and that means you overlook somethings some of the time, letting stupid shit slip through without getting someone else’s opinion first.
JaFunk once again starts out our list of groove music, the first being Groovewit. We decided to call this one Groovetits because sometimes it feels like no one is reading these things. So I thought I’d try to get some kind of reaction. And it was refreshing to know I could post whatever the hell I want. Even though this’ll probably be one of those things that I should have gotten a second opinion on.
Fuck it, at least the music will last.