We haven’t had a single on Silence since Embody’s Make A Stand, which was over two months ago. I guess we’re all about the playlists now and singles are even more selective. But Grynpret has something special with his Airplane Food.
I cannot tell you what this style of electro is going to do for dance, though it’ll take a few years to even have a chance mainstream. This vaporware style I can best refer to it as takes from anime & classic video games, I believe Yoshi is on here, and slaps some solid electro funk in. The sound is penetrating, for better or worse, but is exactly the right formula for the progression of dance music, at least for one style.
The same styles of EDM from last year seemed to dominate Beyond Wonderland this year. Mainly progressive house and various forms of bass music. I like a lot of both, but this mainstream shit sounds so manufactured. It’s like old people buying into infomercials, but at least they have an excuse (they’re old).
I know I sound like the typical music blogger bitchin about the mainstream, but I bring it up so someone will help me understand why people settle for this shit. There are just so many better alternatives. And a few were actually on side stages at Beyond. I guess the lack of awareness is the biggest problem.
So every year, since last year, we’ve put together a list of our favorite EDM tracks for Beyond. Since we’ve already covered house this year with our tropical house & deep house playlists, we decided to go for bass.
It does include deep house & electro funk, but we tried to highlight as much glitch & lazers & shit as possible. Just remember, bass is more for the feeling & dance than for the sound.
Like the iPhone every year, this is our best playlist yet! It really is.
House has been my obsession for the past few years and my favorite kind is the mid-tempo, upbeat summertime jams. Which may or may not turn out to be called Tropical House. Or Summer House. Or Horizontal Disco. It’s up in the air really.
A few tracks do stereotypically incorporate the steel drums, but we did cover more ground than that. We also decided this should be more comprehensive than our usual playlists because we wanted to get all the trop house personas in one place. There are quite a few interesting characters.
I had a good talk with a few of my coworkers yesterday about remixing and they brought up a good point. A lot of remixers just don’t add enough to the original to warrant credit.
So many of the remixes I favorite on SoundCloud turn out to be not all that different from its original. Often times this is because dj’s are adding in simple edits, something as simple as a synth, to make the music more danceable.
The point of a remix is to take something from a song, whether it be a vocal or other memorable part, and update it into a more modern sound or flip it into a completely different style, among others I’m sure.
I actually had to get rid of a few that were originally on here because of that very problem. They brought something new to the song, but it’s really the same tune, just an edit. And maybe producers should start labeling it as such.
We still get a lot of hip hop submissions, despite our lack of featuring hip hop these days. We did manage to gather a good bunch to show our appreciation for the style that inspired this blog in the first place, including one of our biggest inspirations, Raw Poetic.
Now this list has as many hip hop influences as influences elsewhere, however, the emcee is our focus. The syntax & phonetics rap has brought to music is why we loved it the most in the past and why we love it the most right now.
Doja Cat wasn’t on our best of last year for the very same reason she will be this year. She’s always had a flow and a way with words, but now she’s teamed up with some legitimate producers to have it all.
I feel like Peter Rosenberg talking about Nicki Minaj, before their whole shit show, but Doja’s got the personality & style I haven’t seen in hip hop since I started this thing. I loved her original Nunchucks this time last year, but this new album has one that might top even that.
I taught a friend a new word this week. I thought it summed up Outside Lands pretty well and most festivals in general. It’s got a negative connotation to it, but a TA at my University once defined himself as a hedonist and at the time it sounded like the most honest look at one’s life I had ever heard. I don’t mean it in its extreme, as it’s often taken, but to some extent it’s what most festivals are in the business for, the senses.
This list is best for the late hours at the club and seems to be replacing glitch & bass music for the darker side of dance – as apposed to its more feel-good Disco House counterpart.
It really should have a two words tops title because Deep House & UK Garage is too much. I thought deep dance fit well, but I don’t think I like it enough. Help me out, word people.
Each year we put together a playlist of our favorites that are performing at Outside Lands, but we got bored of that this year. So we decided on putting together a bunch of Kanye mashups & remixes instead, ’cause Kanye would want it that way. Except them being remixes maybe.
A little disclaimer. For the most part, don’t take these too seriously, especially the first one. Some of the tracks even fall outta sync at times, but each has their moment.
Just prepare yourself with these “unofficial Kanye collaborations” and hope he debuts his official one with Disclosure this Friday at OSL. It could happen. It should happen.
#3 is the best, by the way.
‘Make a Stand’ reminded me of the laid-back disco guys like Chris Malinchak are pushing into popularity, but something is slowly added at the beginning to completely transform it by the end.
I don’t know exactly what this sound is called, all I can think of is glam rock but in the electro sense. Not that glam rock sounds like this (I’m not looking it up). But glam with electro sounds fitting.
I actually first heard it in Jade Blue’s Instinct I think.