Tom Misch will be playing his first show in San Francisco, November 11 at the Rickshaw Stop. I sure as hell will be there, even though I have no ticket and it’s sold out. Help me.
I love Misch so much for his guitar playing, producing, singing and podcast Are We Live, co-hosted with Jordan Rakei, Barney Artist and Alfa Mist. I’ve listened to every damn episode.
In one of the episodes, Misch talks about how he’s more known now for his singing than anything else. He’s a good singer, but how he plays guitar and puts a song together is far more amazing to me. I do understand why people attach him to his voice though.
Our voice is the most human sound in music. It’s got greater dexterity than any instrument and we connect to it more than any other sound. It’s often what completes a song to me. The beat has a much harder time resonating deep without it.
And when you’ve got a good one, people will be drawn to it. Even if your guitarin’ is just as good (better).
The 10th and final Treasure Island Music Festival was a rainy one. I’ve been to festivals with some showers before, but the rain got many crammed in tents for hours a day, if they could find one, and a few sets were cancelled. People were pissed.
By the second day I saw a long list of people’s complaints on Treasure Island’s Facebook & Twitter. They were selling their tickets for $20 and a hug or bitching about how unprepared the festival was for the storm. The Tunnel stage could barely handle the rain and the grounds should’ve been more accommodating to the conditions. Even the fans knew the rain was coming a week before.
The festival was still something to remember. People concentrate too much on the music and the creature comforts, but forget why we’re really there. To experience something together. If the music gets delayed, all the better to find people to share some stories with.
Let me know if you’ll be at Treasure Island this year. Close it out with us :)
Last month I gave a quick tip to musicians pitching blogs. To treat it as much of an art as they did their music. But most need some help and it can be a bitch to find someone who knows how.
Two years ago I found out about Jake Udell and his TH3RD BRAIN artist management at SF MusicTech. What intrigued me was that he managed Zhu. I’m as impressed with Zhu’s rollout of NightDay as the actual music. Since then the team has signed Gallant and most recently NoMBe with their new Accelerator program. When you see a management group develop multiple artists so well that it makes their name as reputable as their artists, you want to send people their way.
TH3RD BRAIN’s Accelerator program opens the doors for musicians and their management to learn from experts of the emerging music industry. Treating the program like a traditional accelerator found in startups might sound like a gimmick at first, but their approach sounds promising, which you can take a glipse at.
I do think they should expose a lot more of what they do there. Opening the doors to TH3RD BRAIN’s knowledge and expertise to everyone could help out a lot of musicians. Because, trust me, they need it. More importantly for TH3RD BRAIN, it will attract the artists they want next. As much as they’ve channelled some of the best so far, it never guarantees what’s next.
— In other words, Jake needs to bring back his podcast —
For the second year in a row at Symbiosis I wasn’t prepared.
With camping equipment, the right clothing and food. All the things you should prepare for when your off the grid for a few days. But one thing makes those problems a lot easier to deal with, friends. It’s easy to survive in the city alone, but not out there.
There’s no better place for short bursts of conversation with people than places like Symbiosis. Even the occasional longer, deeper ones and more rare one’s that last past the moment. But there’s one thing that can make finding these connections easier than ever, friends. The more friends you have in your own camp, the more connections you have going around Symbiosis.
It’s hard to get friends there, but it’s much harder to survive & prosper without them.
I was a big fan of Lenny Kravitz back in middle school. And what I mean is I listened to Fly Away on repeat while playing Beetle Adventure Racing on the N64, and I played that shit often. That’s a fan when you’re 13.
When I saw him on the lineup for Kaaboo, I was pretty set on going, but Jimmy Buffett sold me… My Uncle is one of the biggest Parrotheads on the planet, or at least Minnesota, so I had to see what Jimmy was all about.
Lenny Kravitz and Jimmy Buffett weren’t the only two the lineup had to offer. Kaaboo 2016’s long list of talent stretches from Hall & Oates and Macy Gray to Aerosmith and Ludacris, none of which played together.
The comedy was right up there too, but there was one thing missing for me. The electronic acts. My almost perfect lineup was about 20 miles South of Kaaboo, one year ago in San Diego at CRSSD fest, and this electronic lineup looked nothing like it.
There was one producer I wanted to see. Even though he produces a lot of pop vocals that aren’t for me, with over three hundred tracks on SoundCloud, RAC had a handful that I liked, especially that Zee Avi remix. Beautiful voice.
I get a good amount of pitches from artists and I’m not the best about responding. I barely read what they have to write (pro tip: keep it short), mainly because they all say the same shit. It’s flattering they’ve found me, but get to know me first. I promise I’ve got good music. And if I don’t, then who gives a shit about me anyways.
The best advice I can give to artists about pitching bloggers is to treat your promoting as an art as much as you do your music. I know you want to spread the net wide, and fast, but you don’t compromise your music to get more fans, so don’t with your relationships to the people that are here to help (sometimes, when they like your music).
This is not to call out Roman Kouder, but his typical marketing strategy clouded his great music. I liked a few of his tracks before, but thanks to Darren of Tipsy Tortoise, I listened to a song on Roman Kouder’s SoundCloud page and kept liking each song after.
A few days ago I had the bright idea of making this list to hold us over until Frank Ocean dropped his album. That day it did.
The reason I love Frank so much, and why I’m overshadowing all these other artists for him, is because there’s a difference between him and them, for me. All of these singers have at least one good song, but it’s the song, not their singing, that I love. With Frank it’s different. I just love hearing his voice. On anything. Few other singers do that for me.
Not to discredit any of these artists. All of them have that potential, especially Breezy Lovejoy. Now known as Anderson .Paak. It took me two years to come out with another list of favorite male singers. Still got a lot of catching up to do compared to my favorite females.
Outside Lands 2016 hosted my long awaited show from The Knocks. I had a run in with one of the members, Patts, on my blog almost six years ago and it was a major influence for what I do on here now.
He didn’t like what I had to say about Chiddy Bang’s remix of The Knocks ‘Dancing With the DJ’ and told me “if you don’t like it don’t post it.” I get what he was saying and as much as I stand by my words, I haven’t posted a single track I haven’t liked since (maybe one). I don’t give a fuck about music I don’t like (fuck might be a little harsh).
Their performance may not have been the highlight of OSL (he’s next), but it was so much fun to party with The Knocks & friends in the sun at Golden Gate Park. And they played all the hits, ‘Comfortable’ being one of my favorite dance songs of all time.
The first playlists on Silence for the first few years were all best of year. In 2014, it turned into focusing on best of genres. Over the past year, I’ve tried to be more creative about it.
This list is really just remixes of famous songs in a groovy house kind of way. But not titling it so specifically allowed me to broaden the song selection, which made room for more fun things to dance to.
My obsession with EnormousTunes has been growing over the year, but another music fanatic friend first told me about them before that. She made a list about this time last year and I can see now what she saw back then, especially with artists like Calippo, Sons of Maria, Nora En Pura and Me & My Toothbrush on both of our lists. Frey & Croatia Squad are my top two though.
EnormousTunes reminds me of Ghetto Funk in that the label defines a genre, but where as Ghetto Funk is also the name of the genre, EnormousTunes is what I think of when I think of G house. If I had to describe G house: a kick that comes from the gullet or gutter (gully?), something like that, falling on the tech/no house sound. A lot of them are remixing classic rap songs, also like Ghetto funk. But going through Enormous’ SoundCloud page, I realized that’s not all they do.
I found a lot more styles of house in there. This list starts with the best, gets into old disco & rap turned house and ends on the deep side.