Came across Binary Star while testing out a three-day trial of MOG. I’m not so sure about MOG’s fees – can’t justify $10 a month to use on the iPhone, but it’s got some promising features.
Anyway, I was pretty impressed by Binary Star’s “Honest Expression”, so I decided to check out the rest of their album, Masters of the Universe. It’s got a few standout tracks, and the rest of the album is better than most of the shit I’ve heard lately.
What I love about these guys is their witty lines laid out throughout the album. Although some aren’t so politically correct, “Rodney King ain’t never felt a beat like this”, it’s refreshing to hear some uncensored music.
What I don’t love is their obvious hate of mainstream, money hungry rappers. I’ve come across a few different talented MC’s who spend too much time hatin’ on the mainstream. Although I completely agree with ’em, it’s not something I really give a shit about. Leave a track for that and move on, they’re many more pressing issues to cover.
Other than that these guys have got something and hopefully will ignite another album soon. Though it’s been 10 years since their last LP, so I wouldn’t count on it. But I’ll make sure y’all are the first to know, just follow me on Twitter… or Facebook… or my RSS Feed… ;D
[audio:HonestExpressionIntro.mp3,HonestExpression.mp3,RealityCheck.mp3,KGB.mp3|titles=Honest Expression (Intro),Honest Expression,Reality Check,The KGB](Download Link in Full Article)
I’ve been a long time fan of the Quannum collective, but never got into Shadow’s work past Entroducing. Recently, the DJ Shadow team contacted me about featuring a new remix project – a compilation of remixes done by Shadow’s fans – so I thought this would be a good chance to check out more of his work… well, kinda…
Initially going through the album, I thought that most of the DJ’s did a decent job at putting their own spin on Shadow’s music, but none really stood out. There’s some that caught my ear but failed to keep my attention.
So I thought I’d turn to you guys. I’ve posted a couple of tracks on here for you to listen to and hopefully give some feedback on. If you want to listen to the full album it’s posted over at solesides. Hopefully we can find the track(s) that carry this album forward. I’ll post my thoughts in the comments below after I get a few more listens in.
[audio:BuildingSteam.mp3,WhatDoesYourSoulLookLike.mp3|titles=Building Steam With A Grain Of Salt (NiT GriT Mix),What Does Your Soul Look Like Part 2 (economics Version)](Download Link in Full Article)
Mayday’s latest EP’s, Technology & The Thinnest Line, came out over a year ago, just a couple of months apart from each other. Although they may not stack up to their first album, each has at least one catchy single.
The Thinnest Line features a single titled “Evil” – although, I don’t have much to say about it, its lyrics are too true… no offense, ladies ;). “Technology”, on the other hand, reminds me of my past years in college. My roommates and I senior year had a running joke about how obsessed I was with technology. It reminded me of just a few of the stupid things we did back then. Good times. “Technology” may have some corny lines, “USB, you and me connect so desperately”, but the rest of it isn’t half bad. I mean how bad could it be, it’s about technology.
I still can’t decide which sound I like better of the two. What do y’all think I’m leaning more towards “Evil”, right now.
[audio:Evil.mp3,Technology.mp3|titles=Evil,Technology](Download Link in Full Article)
It’s been over ten years since the original Deltron 3030 release and we still don’t know much about Event II. I’ve gone through a many a blog posts & forum threads and still can’t come up with shit. But here are the (few) things I got..
On Deltron’s Wikipedia page, reports claimed “the album would be released [in 2008] or the next”. However, this is 2010, which you know.
As I mentioned before, Deltron has been around for just over ten years now. Going through a lot of forum threads, many believe that the album is set to release somewhere around its ten year anniversary (this year). I mean, I hope to Christ they’re right, but these aren’t the most reliable people. We have, however, come across a more reliable source, Del.
Recently, someone posted a link on here (see comment below) with a YouTube video of Del who talks a bit about Event II and features a few clips off it (check it out in the full article).
If I get any other updates, or you do, post it in the comments.
[audio:Mastermind.mp3,Turbulence.mp3|titles=Mastermind,Turbulence (Remix)](Download Link in Full Article)
Thought this would be a good time to bring up the November ballot for the legalization of marijuana in Cali (CuDi seems to be a big pothead). As a pothead myself (well, former), I’ve struggled with justifying the legalization, but I figure what it comes down to is education before illegalization (not the other way around). America needs to start leading by example, as we once did – except for that whole prohibition thing… and slavery… and health-care… but other than that we kill… I don’t mean literally; fuck, I’m digging myself a hole. You know what I mean!
The reason I chose Up Up & Away wasn’t just because I wanted to talk about marijuana, it’s also because of why CuDi seems to be doing hip-hop right. I’m not into most mainstream hip-hop, but CuDi has one sick flow. It reminds me of a drumline: quick, snappy and on key. I don’t have as much appreciation for the rest of Man on the Moon: The End of Day, but some of his latest singles are equally as impressive as this.
If you’re looking for more stoner music then check out my article on beats to blaze.
[audio:UpUpandAway.mp3|titles=Up Up & Away](Download Link in Full Article)
What first got me into underground hip hop was its eclectic use of instrumentals. Nothing but Silence is an interesting example of this, with a beat that I can best describe as gothic or horror-like… horror hip hop Anyone want to help me out on this one Anyways, the beat is tight and drops on key several times (e.g., check out 1:24). Ethic & Sapient, as well as the featured Grayskul members, lay down some rhymes that were made for this beat (makes sense ;)). I wish I knew a little more about Debaser’s style, but their new album just dropped this last May, so maybe that’ll give me a better understanding of ’em. Check the song, love it, do whatever with it.
You know, after listening to Crown Control another time ’round, I’m starting to like some other songs off it, so I thought I’d include another track – Less Human – just because… and the sick beat.
[audio:NothingbutSilence.mp3,LessHuman.mp3|titles=Nothing but Silence, Less Human](Download Link in Full Article)
Back in ’08 I started to get into Japanese hip hop pretty heavily. I cycled through most of the popular DJ’s out there and was impressed by their use of soul and jazz samples. One thing in particular attracted me to some artists over others – the use of MC’s. Nujabes is no doubt my favorite for this very reason, but a few others have also done this with much success, notably DJ Krush. Although, I’ve checked out a couple of his albums and really enjoyed it, I think I need to take another look at this talented DJ.
Only the Strong Survive is one of only a handful I listen to of his on a regular basis. CL Smooth’s, featured MC on the track low-toned, voice glides soulfully over Krush’s jazz instrumentals. What does me in on this track is the kick drum along with the brass instrumentals, really hits the ear right. Give it a listen and give a shout out to your favorite DJ from Japan (I want more!).
[audio:OnlytheStrongSurvive.mp3|titles=Only the Strong Survive](Download Link in Full Article)
I wanted to pay tribute to Guru’s lifework in honor of his passing just under two months ago. He may not’ve been the most well-known MC, outside the underground, but he had (has) one of the most distinct voices in hip hop. I listened to Gang Starr a while back in college and was impressed when I first heard Guru’s flow. I was never too engrossed in his music, especially his solo-work, but I’ve always had mad appreciation for the impact he’s had on hip hop. Here is one of my favorites from Gang Starr – it may not be their most well-known, but it’s what first introduced me to Guru’s talent (among a few others).
Some of you may have heard about the whole controversy surrounding Guru’s death – check it out @ Pitchfork. All I have to say is that it’s sad to see Solar, recent producer for Guru, trying to gain off a friend’s death. But I guess we don’t know the whole story (I guess). What do y’all think of the situation R.I.P. Guru
[audio:Work.mp3|titles=Work](Download Link in Full Article)
Today I was reminiscing about past summers and favorite pool-side songs, when I remembered one of my favorite groups from college, Latyrx. What the hell ever happened to those guys They had two exceptional albums and then split ways. Originally, my favorite of the two was Lyrics Born over Lateef (the Truth Speaker), but as time progressed and careers developed the tables turned. Lyrics Born has shifted more to a pop sound, which is all in good, but not my thing; while Lateef has hooked up with the likes of Z-Trip, Chief Xcel and Blackalicious, which is much more my thing.
Wherever they are now, what they did then was truly and will always be in my sentiments. Cloud 9, along with Lady Don’t Tek No, The Bumpin’ Contraption, Balcony Beach and a whole shit load more, have truly altered my thoughts of music and what to consider as good hip hop. Take a look at Latyrx’s works and pay tribute to ’em by commenting below… yep, that’s how you it.
[audio:Cloud9.mp3|titles=Cloud 9](Download Link in Full Article)
I can’t believe I haven’t featured a song from Triangulation Station or, for that matter, any of Opio’s other solo projects before. Yea, he’s got some more recent work out now, but this album is his masterpiece. Opio is from one of the best hip hop groups of all time, Hieroglyphics. Comprised of a talented pool of MC’s, Hieroglyphics was the best of the best in the late 90’s/early 00’s (for an underground group). The only MC from Hiero that comes close to Opio’s talent is Del who collaborated with Dan the Automator & Kid Koala to construct Deltron 3030, a revolutionary hip hop album that’ll still be talked about for years to come… or should, at least. But enough of all that, let’s get to the good stuff…
“Granite Earth” is one of many stylistic songs from Triangulation Station. The reason I chose to feature this song is because of the chorus by Pigeon John coupled by the overall mood/lyrics of it. Opio & Pigeon John create a harmonic duo that’s on key throughout the entire piece. I’ve heard a couple stories about Pigeon John and how foolish he is in concert (my friends think he is an absolute joke because of it), but he’s got one smooth voice on this track and some thoughtful lyrics, as well (which I’m sure Opio wrote up). To be honest, though, I’ve checked out one of Pigeon John’s solo albums and it was nothing to defend.
So, what do you all think of the two on this track Anyone seen either of them live
[audio:GraniteEarth.mp3|titles=Granite Earth](Download Link in Full Article)