The first single off his upcoming album, Camp, “Bonfire” is the usual wordplay from Gambino, lyrics that are actually interesting to follow. But what shines are those glorious bass-driven beats. Glorious. Still don’t know about his flow though, but better than that Mac Miller
Look out for Camp to release early this November.
[soundcloud url="http://api.soundcloud.com/tracks/23674730" params="player_type=tiny&font=Arial&color=292929" height="18"]
I was introduced to Budo from his collaborations with Grieves. The two have been makin some bangin work over at Rhymesayers for the past few years. When I first hit up his SoundCloud page, I realized it didn’t include much of what the two have done, but includes some of his other work, namely A.R.M. And, although, A.R.M. and some of his side work are worth checking out, Budo, like every other damn hip-hop artist on SC, needs to get more of their work up on there… please :)
[soundcloud url="http://api.soundcloud.com/tracks/21851669" params="player_type=tiny&font=Arial&color=292929" height="18"]
Wick-it takes my two favorite styles on SoundCloud, dubstep & mashups, and goes to town on pop classics all the way down to underground hip-hop. I do prefer his mashup skills over his dubstep ones, but it’s good to see someone expanding beyond their usual territory.
This is also another one that was hard to narrow down (like Funk Ferret). Although, Wick-it has so many damn tracks, over 70, that I was bound to bring in a few more. If you like the first eleven, I’m sure you’ll like The Rest.
[soundcloud url="http://api.soundcloud.com/tracks/19490909" params="player_type=tiny&font=Arial&color=292929" height="18"]
Not gonna lie, I’m not too familiar with J. Cole’s work. I saw this posted on Gambino’s SoundCloud and liked the beats & flows. The lyrics are that standard metaphorical, pun-intended rap, but pretty damn witty, nonetheless – I mean, we got Gambino here after all.
[audio:Who-Dat.mp3|titles=Who Dat Pt. 2 (feat. SD & Childish Gambino)]
Funk Ferret has too much good music. This is the first SoundClouder that I couldn’t narrow down to a handful of tracks. Not that I’m complaining, it’s just for the life of me I could hardly remove one track from here to keep the list ‘selective’. It may just be my infatuation with the funkiness, but I think Funk Ferret puts something to it that makes it extra FUNKalicious.
[soundcloud url="http://api.soundcloud.com/tracks/8148227" params="player_type=tiny&font=Arial&color=292929" height="18"]
This is our first label in the Soundklout series. The biggest reason I chose them first is because there are slim pickings when it comes to hip-hop on SoundCloud – I’m trying to recruit more.
Rhymesayers is a collective of hip-hop acts from all over the U.S., but is based out of Minneapolis, MN. I was originally going to show a few tracks from their most notable act, Atmosphere, but thought there’s a lot more to Rhymesayers than just that. However, if you don’t know Atmo, get to, they maybe overrated compared to the rest of Rhymesayers, but they’re underrated compared to the rest of rap.
[soundcloud url="http://api.soundcloud.com/tracks/11060906" params="player_type=tiny&font=Arial&color=292929" height="18"]
There are many things to say about the music coming from DOSVEC, aka DJ Whatt, but what stands out the most is his ability to mash emerging styles. Mashup artists are the purveyors of what styles should already be working together, but haven’t quite gotten the clue, yet. DOSVEC takes many opposing styles and makes our ears’ adjust to something that’s a bit experimental now, but commonplace in a few years.
[soundcloud url="http://api.soundcloud.com/tracks/3497781" params="player_type=tiny&font=Arial&color=292929" height="18"]
Really wanted to feature Kyprios as one of my first SoundKlouters, but there was one problem – he only has 6 tracks up on SoundCloud. I usually try to find artists with at least 20-30, so I can weed the better from the… not so better. But I knew how much I wanted him in a few weeks back, so I thought if all 6 tracks were solid he’d be up next. Let’s just say they were.
[soundcloud url="http://api.soundcloud.com/tracks/20439001" params="player_type=tiny&font=Arial&color=292929" height="18"]
Going through D.veloped’s first few songs, I was amazed to find the mashups he had whipped up. Usually I’m not into mashups with a lot of tracks, super mashups, but D.veloped’s cuts and slices are well beyond his years (unless he’s old). What I actually found most interesting was the progression I saw from his older tracks to his newer ones. In just over a year, D.veloped’s choice in music and flow between tracks has improved tremendously. Every time I see a new track posted up of his on SC, I know it’s gonna be better than the last.
[soundcloud url="http://api.soundcloud.com/tracks/18218087" params="player_type=tiny&font=Arial&color=292929" height="18"]
I was first introduced to K-Murdock through his stylings with Restoring Poetry in Music (RPM). He’s not technically a part of the band, but has contributed to it, as you’ll soon see. I’ve mostly gotten to know his work through Panacea and more recently his collaboration with Mega Ran, entitled Forever Famicom. But now going through his SoundCloud, I’m beginning to realize how much more he has to offer.
I’ll admit, I was a Raw Poetic fanatic and didn’t want to hear anything K would do without him. It took me long enough to listen to him and Mega Ran, but now hearing everything else, I realize how expansive his sound is. As much as I love his work in Panacea, I began to lose touch with them in their more recent albums. Going through all his other side projects on SC, from his work with rap artists I’ve admired for years to some absolutely gorgeous female vocals I’ve never heard, I’m pissed I didn’t get to it til now.
[soundcloud url="http://api.soundcloud.com/tracks/16281872" params="player_type=tiny&font=Arial&color=292929" height="18"]