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Party with Pomo

Anderson .Paak & Kaytranada on New Years

Pomo will be playing with Kaytranada, Anderson .Paak + The Free Nationals on New Years in San Francisco. We’ve featured the last two artists, but only dipped into Pomo a few times – did not realize whom he’s produced.

People were telling me he did an Anderson .Paak track, but I didn’t realize which one. Then come to find he produced the only Mac Miller song I’ll ever like, which of course has Anderson .Paak featured on it.

He’s also got plenty of good remixes to bring in the New Year. Hope to see you there.

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Robots Can’t Dance

How to Cope with Madness

It’s been a mess this last week. When the bombshell of an election result dropped, I landed on one of Robots Can’t Dance’s songs and rolled through the rest of his music. It helped.

Here are 10 of his best (my favorites). Let it get you through any madness you’re going through.

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Sex is Mmm

Don't say it fast, three times

So the title. I was listening to some standup on SoundCloud talking about how sexism sounds too close to “sex is mmm,” and how confusing that can be. May not sound that funny, I know, but like a singer that can make cheesy lyrics sound good, so can a comic. Unfortunately I can’t find the bit again. If you have any idea of what I’m talking about, let me know.

And that’s how I come up with these important, but clearly not that thought out titles. Musicians learn from my failues, the package [artist – title, album art] is everything when it comes to introducing your song.

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Goldlink: Got Rap Game

Part three of the best MC's

Last year three MCs got me loving rap again. A-1 (Adam Raps) was first, and shortly after Anderson .Paak and Goldlink. I’ve highlighted the first two before, but Goldlink is doing as well now as he did back then, so I thought I’d highlight him now.

Fall in Love is my favorite of his and it’s only been out for a month. Rarely does a song live up to its hype when three great musicians get together on it, but Kaytranada & BadBadNotGood work well together with Goldlink’s style.

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I love Tom Misch

I've got to see him live

Tom Misch will be playing his first show in San Francisco, November 11 at the Rickshaw Stop. I sure as hell will be there, even though I have no ticket and it’s sold out. Help me.

I love Misch so much for his guitar playing, producing, singing and podcast Are We Live, co-hosted with Jordan Rakei, Barney Artist and Alfa Mist. I’ve listened to every damn episode.

In one of the episodes, Misch talks about how he’s more known now for his singing than anything else. He’s a good singer, but how he plays guitar and puts a song together is far more amazing to me. I do understand why people attach him to his voice though.

Our voice is the most human sound in music. It’s got greater dexterity than any instrument and we connect to it more than any other sound. It’s often what completes a song to me. The beat has a much harder time resonating deep without it.

And when you’ve got a good one, people will be drawn to it. Even if your guitarin’ is just as good (better).

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The Last Ever Treasure Island Music Festival

The rain couldn't hold down most the performers and crowd

The 10th and final Treasure Island Music Festival was a rainy one. I’ve been to festivals with some showers before, but the rain got many crammed in tents for hours a day, if they could find one, and a few sets were cancelled. People were pissed.

By the second day I saw a long list of people’s complaints on Treasure Island’s Facebook & Twitter. They were selling their tickets for $20 and a hug or bitching about how unprepared the festival was for the storm. The Tunnel stage could barely handle the rain and the grounds should’ve been more accommodating to the conditions. Even the fans knew the rain was coming a week before.

The festival was still something to remember. People concentrate too much on the music and the creature comforts, but forget why we’re really there. To experience something together. If the music gets delayed, all the better to find people to share some stories with.

Let me know if you’ll be at Treasure Island this year. Close it out with us :)

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TH3RD BRAIN | Accelerator

with a nothing but NoMBe playlist

Last month I gave a quick tip to musicians pitching blogs. To treat it as much of an art as they did their music. But most need some help and it can be a bitch to find someone who knows how.

Two years ago I found out about Jake Udell and his TH3RD BRAIN artist management at SF MusicTech. What intrigued me was that he managed Zhu. I’m as impressed with Zhu’s rollout of NightDay as the actual music. Since then the team has signed Gallant and most recently NoMBe with their new Accelerator program. When you see a management group develop multiple artists so well that it makes their name as reputable as their artists, you want to send people their way.

TH3RD BRAIN’s Accelerator program opens the doors for musicians and their management to learn from experts of the emerging music industry. Treating the program like a traditional accelerator found in startups might sound like a gimmick at first, but their approach sounds promising, which you can take a glipse at.

I do think they should expose a lot more of what they do there. Opening the doors to TH3RD BRAIN’s knowledge and expertise to everyone could help out a lot of musicians. Because, trust me, they need it. More importantly for TH3RD BRAIN, it will attract the artists they want next. As much as they’ve channelled some of the best so far, it never guarantees what’s next.

— In other words, Jake needs to bring back his podcast

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Symbiosis Gathering 2016

The one thing to bring to a festival

For the second year in a row at Symbiosis I wasn’t prepared.

With camping equipment, the right clothing and food. All the things you should prepare for when your off the grid for a few days. The one thing that makes those problems a lot easier is friends. It’s easy to survive in the city alone, but not out there. Plus, the more friends you have in your own camp, the more connections you have going around Symbiosis.

And isn’t that the point of the festival? Above music, learning, and even eating. Conversations with people is highest priority.

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Kaaboo Del Mar 2016

+ a playlist with my favorite RAC

I was a big fan of Lenny Kravitz back in middle school. And what I mean is I listened to Fly Away on repeat while playing Beetle Adventure Racing on the N64, and I played that shit often. That’s a fan when you’re 13.

When I saw him on the lineup for Kaaboo, I was pretty set on going, but Jimmy Buffett sold me… My Uncle is one of the biggest Parrotheads on the planet, or at least Minnesota, so I had to see what Jimmy was all about.

Lenny Kravitz and Jimmy Buffett weren’t the only two the lineup had to offer. Kaaboo 2016’s long list of talent stretches from Hall & Oates and Macy Gray to Aerosmith and Ludacris, none of which played together.

The comedy was right up there too, but there was one thing missing for me. The electronic acts. My almost perfect lineup was about 20 miles South of Kaaboo, one year ago in San Diego at CRSSD fest, and this electronic lineup looked nothing like it.

There was one producer I wanted to see. Even though he produces a lot of pop vocals that aren’t for me, with over three hundred tracks on SoundCloud, RAC had a handful that I liked, especially that Zee Avi remix. Beautiful voice.

Advice to Musicians Pitching Bloggers

featuring Roman Kouder's great music (with a decent pitch)

I get a good amount of pitches from artists and I’m not the best about responding. I barely read what they have to write (pro tip: keep it short), mainly because they all say the same shit. It’s flattering they’ve found me, but get to know me first. I promise I’ve got good music. And if I don’t, then who gives a shit about me anyways.

The best advice I can give to artists about pitching bloggers is to treat your promoting as an art as much as you do your music. I know you want to spread the net wide, and fast, but you don’t compromise your music to get more fans, so don’t with your relationships to the people that are here to help (sometimes, when they like your music).

This is not to call out Roman Kouder, but his typical marketing strategy clouded his great music. I liked a few of his tracks before, but thanks to Darren of Tipsy Tortoise, I listened to a song on Roman Kouder’s SoundCloud page and kept liking each song after.

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