First off, these festivals with acronyms for names leave little to the imagination, which doesn’t make it easy to remember. I got BFD mixed up with TBD with the promoter and I feel like a dipshit. As I should. Always good to start off with a little humility.
BFD, or as I recently found out its full name, Big Fucking Day, leaves a lot more to the imagination and is Live 105’s annual summer festival at the Shoreline in Mountain View. The show had three stages this year: the main stage, one for local bands and a tent for the electronic acts. Of course I was there for The Offspring, not really, I was there to see TOKi. And Joywave.
Up until a few days ago, I knew starRo for his relaxing tunes, California & Seduction. I did like House Party when it came out, but the SoundCloud ad in front ruined it for me – and I annoyed the shit out of starRo about it.
Going through his entire SoundCloud catalogue and explore.fm, I see where he’s taking his sound and I love it, every which way. I don’t see many (hardly any) producers do as well with one sound as starRo has done with a few of his […]
Finding a name and cover art is the biggest pain in the ass putting these playlists together.
Our “Next to You” playlist is all sexy house beats, but naming it with some variation of Sex & House (ex: House Be Sexy) gets old fast. You do want those keywords for discoverability, but the name of a playlist is its second introduction, the artwork is its first. Both are important to catch the listeners eye initially.
I just fell in love with the Flamingosis track, Next to You. It may not have the same vibe as the rest of the list, but the name couldn’t match it more.
The popularity of mashups have been quickly dying off since 2012, mostly due to major label pressures on SoundCloud and other music services. I miss ’em, so I finally decided to put together a list of my most favorite ones.
I split mashups into two categories. The first takes samples from many pop songs all compiled into one. The first few on our playlist are good examples. The other is a vocal track mixed in with an instrumental. It might not have as many moving parts as the other, but I bet it’s just as difficult to make it sound right, if not more. Putting two sounds together and making them sound like one is hard for any producer, let alone one working with sounds people are so familiar with.
Judge for yourself, but it’s important to keep in mind that mashups are for fun and don’t always sound the most polished.
Late Night Jazz was going for new producers’ takes on jazz, but we got some criticism on if they were really jazz songs. I even questioned a few, but all had some form of jazz style in it.
I stretched the style a lot more this time around, so we decided on a word not as narrowly defined. Some beautiful guitar, sax and piano playing on these 20. This kind of music is not getting appreciated enough. Here’s mine.
I grew up listening to Prince mostly because of my pops, living in a suburb South of St. Paul, but didn’t appreciate the Minneapolis music scene until I got out of it and left for college out West.
There I started to appreciate hip-hop and R&B on a much more personal level, getting in much deeper with Prince & Atmosphere. When I studied abroad I got into other Minnesota acts: Solid Gold, GAYNGS and Mel Gibson & the Pants. Finally, in the Bay Area it was Polica, Tickle Torture, thestand4rd, and most recently, Morly. Well, kinda.
I stayed in Minneapolis for a few years after college and covered Theophilus London at The Loft in early 2012. There I heard one of the openers and I fell in love (with her voice). It belonged to Katy Morley, now Morly. I remember tracking Astronautalis and her down to see if they had any music released. She didn’t, but I remember her telling me something was in the works.
Four years later and I run into her music while researching a post on Minneapolis (this one). Her voice is even more touching and her piano playing stands out more.
It’s good to have such talent sprouting from the Twin Cities. Here’s a dozen or so and their songs.
Prince won’t be known for how good of a sound he created, but how many different styles he did it in. I see so many of his predecessors show a glimpse of his depth, only to keep sticking on the same track. It’s hard to get one sound down in this life, let alone two (don’t even get me started on three), but fuck the fans and go off on your own. It’s all yours until you make it theirs.
Here’s a good glimpse at Prince’s legacy from one of my favorite shows in music, Pharrell & Scott Vener’s OTHERtone on Beats1. — We’ll have a list up tomorrow of today’s Minneapolis sound —
We were looking to put together a tech & ghouse playlist, but we realize that FREY was on half the tracks. Until we can get a dozen more artists to feature with him, FREY will introduce you to the sound. Reminds me of the next stage in ghetto funk. FREY is the next Bobby C Sound Tv.
The list of soul started off as general relaxing remixes, but it was pretty much all some sort of soul so we trimmed it down to that. Apparently I only like hip hop and soul now.
While prepping for Figgy’s live debut, I went through his entire catalogue on SoundCloud, come to find half of it missing. SoundCloud has been more stringent on allowing sampled and remixed tracks recently, giving the major labels access to directly pull songs and even accounts from their service – Figgy was close to getting banned.
SoundCloud more recently introduced its Go premium service that includes offline, ad-free listening and a deal with the major labels that’ll increase their catalogue to compete with Spotify (it’s still in the works). What’s under the radar is that this deal may stop take downs for sampled and remixed songs and instead become a source of income for the labels – not that anyone gives a shit.
What we should give a shit about is producers will be able to keep their remixed and sampled songs on SoundCloud, probably at the cost of an ad. But at least we’ll get to use them for playlists. Until then, we’ve had Goldroom fill the void.