One of the first times I heard the term “four on the floor” was in a favorite documentary of mine on house music, but I didn’t get the meaning right at first. Initially I thought it meant the type of laid back house for relaxing – or really for fuckin. Think of it in sexual terms. However, it actually means a consistent drum bass on the fourth beat, which is one of disco and more so house’s key ingredients.
To honor my creative thinking in what four on the floor meant, I give you a playlist of sexy house music. Plus it’s got a lot of what the original definition meant, that consistent drum beat.
The great thing about running your own site is that you get to do whatever you want with it. The problem with it is you do whatever you want and that means you overlook somethings some of the time, letting stupid shit slip through without getting someone else’s opinion first.
JaFunk once again starts out our list of groove music, the first being Groovewit. We decided to call this one Groovetits because sometimes it feels like no one is reading these things. So I thought I’d try to get some kind of reaction. And it was refreshing to know I could post whatever the hell I want. Even though this’ll probably be one of those things that I should have gotten a second opinion on.
Fuck it, at least the music will last.
What is this ‘the feels’ thing going around this past year? It sounds like a middle school kissing disease. But if someone were to give me good feels, it would sound like FEELS The Anthem. Fitting.
I don’t know what style we’re gonna end up calling this kinda music, I guess they’re going with future bass, but it sure is the future for the two best things to do with music, dance & fuck.
I’ve been to a handful of music festivals this year, but rarely did I dance. A lot of the house & techno at these festivals were more for raving than dancing and I prefer the midtempo soul anyway. Something you find in a lot of hip-hop and trap these days.
This playlist is all about what I love dancing to most right now and if you really love to dance you will too. I guess most of this would fall under trap music, but like every other style it seems ruined by mainstream.
It may sound funny at first, but this is what the future of dance music sounds like. It’ll at least be up there with house. I’m tellin ya!
I went to Treasure Island Music Festival this year to see two performers. I’ve been a fan of Viceroy’s productions since 2012 and was amazed by deadmau5’s live “4D projection” in London around the same time. Unfortunately my expectations were high, which usually doesn’t lead to good things.
A few days before the festival I got a promo email from deadmau5’s team giving us pointers on what we should cover with his TI set. The one thing that caught my eye was letting us know that
deadmau5 is not a DJ. He is and should be referred to as an electronic musician or electronic music performer.
Deadmau5 in’t a DJ. Sure, technically. Funny thing is the day before I read an article on some all about the buzz music blog that deadmau5 got rated one of the worst DJ’s of this year (second behind David Guetta). I think most people consider any live performance by an electronic producer as DJing. And his performance was dated. […]
This has the most hypnotically pleasing sound I’ve ever heard. I’m just gonna cut that clip out, put it on repeat and use it as white noise when I’m sleeping. Just kidding (I’ll try it once).
I don’t think I’ve ever heard it before, but I’m sure I’ll be hearing it again. Wait until you get to the drop of dontloveme’s Dunes and you’ll hear it too. Let me know if you’ve heard something similar before.
See it on our next future glam fucks.
I only heard about CRSSD fest for the first time last week (actually second, long story) and booking a hotel in San Diego isn’t cheap. Plus flights are ungodly now, so Road Trip! I would’ve given up on this much hassle a long time ago (a week), but look at this lineup.
I’ve gone to a half dozen festivals this year and all of ’em combined don’t add up to what CRSSD has got. Zhu and Bonobo right there makes me there. It’s not really an option after that.
But if you’re not convinced of the lineup yet, check out the playlist we put together. That’s a lot of artists to see in two days. And I usually don’t go to festivals for the music.
I’ll be driving down from San Francisco Friday afternoon, so if anyone needs a ride hit me up!
The music at most edm festivals mostly miss, but sometimes ya find a hit. Unfortunately that hit wasn’t the music this year at Beyond, but the visuals.
I met with a visual supervisor from the Mad Hatter’s stage and he let me check out what he does at a live set. Let’s just say there’s not much glamour in his performance, but the performance he puts on was breathtaking. Not for the epileptic though. It seems the visualsm from the lights to the costumes and exhibits are evolving quicker than the music at these festivals.
I’m not much for the harder, bass driven music that’s still popular today, if you couldn’t tell yet. So like every year before it I put together a playlist that I’d love to see live (mixed right). The first year I did this was general high bpm dance tracks, but the second year I went specifically for the bass. This year was the best of bass since we started Silence six years ago. It may not be defining what I love now and probably won’t for many years, but it did have its place and may once again. It’s all about soul right now (and has always been).
Symbiosis Gathering and festivals like it are an experience everyone should involve themselves in at least a few times in life, especially for the type that aren’t already going. Symbiosis brought together electronic music and other activities for mind growth & body. I went for the music, but I got more out of everything else.
People are picky in what music they’ll listen to, especially me, but other activities for growth are much more universally appreciated. That is, if you’re open to learning. I got a chance to listen to a few panels while dodging the daily scorching heat and every one of ’em gave me at least a little new perspective.
One particular speaker comes to mind was Shylah’s talk on natural birth. She took all of three minutes to flip me from ‘seems like an option some people should look into’ to ‘your child’s birth is pretty much one of the most important moments in your life (and theirs) and of course we’re getting it wrong, like always.’ She went off on a few other like-minded tangents that felt more rooted in emotion than actual urgency, but her zest towards it all was refreshing.
As much as the panels and music were worth the adventure out to Oakdale where the festival was held, all of the brief interactions were what made it so memorable, most memorably my missed connection [see below].
I sent a friend Zhu’s Automatic yesterday. She seemed to like it.
I sent a friend Zhu’s Automatic yesterday. She seemed to like it.
It didn’t show the artist & title though, so she wanted to know who it was, but I thought why not keep it a mystery. That’s what Zhu would do. Hopefully she reads this post and gets her answer.
Automatic is the start to Zhu’s next project, Genesis Series. It’s just as mysterious as his first, but that whole no-persona persona seems like a gimmick compared to the sounds he’s creating. Automatic is a small progression from his earlier work, but it’s still a hit meant for mainstream. Or ideally for mass consumption. Just not as redefining as his first EP, Nightday.
The string work at the start and the deep toned piano three verses in were definitely a step up in sound. He makes sounds out of instruments with clarity I’ve never heard before. The high hat trap at the end was a nice touch, along with the sax solo, but that could have been hinted at towards the beginning. Would have tied it all together better.
AlunaGeorge’s vocals fit into Zhu’s sound almost better than Zhu himself, but his ghostly vocals make for a good backdrop. Wonder what other collaborations are in store for Zhu’s Genesis Series. I’m sure it’ll be top talent.