Super City 50 was a one night EDM event held the night before Super Bowl 50 at the Oakland coliseum. My photographer bailed last minute, but luckily I had a few friends going. I’ve gone to festivals alone before and it’s one of the easiest ways to find new friends, but organizers could do a lot better job to encourage it.
People will find the easiest way to connect with each other and drugs help out a lot. I saw all sorts of people on all kinds of things and it’s sad to see how much the law contributes in creating an unsafe environment. Laws change slowly, but the festival experience is about to change rapidly. And that change starts online.
We’re all connected 24/7 and using that to start conversations online will help people meet up more easily offline, at festivals. The closest thing I can find to what I’m talking about is Red Bull Sound Select, which is based around a community for curators. The best way to get people connecting around music online, in my opinion.
I went to Treasure Island Music Festival this year to see two performers. I’ve been a fan of Viceroy’s productions since 2012 and was amazed by deadmau5’s live “4D projection” in London around the same time. Unfortunately my expectations were high, which usually doesn’t lead to good things.
A few days before the festival I got a promo email from deadmau5’s team giving us pointers on what we should cover with his TI set. The one thing that caught my eye was letting us know that
deadmau5 is not a DJ. He is and should be referred to as an electronic musician or electronic music performer.
Deadmau5 in’t a DJ. Sure, technically. Funny thing is the day before I read an article on some all about the buzz music blog that deadmau5 got rated one of the worst DJ’s of this year (second behind David Guetta). I think most people consider any live performance by an electronic producer as DJing. And his performance was dated. […]
I only heard about CRSSD fest for the first time last week (actually second, long story) and booking a hotel in San Diego isn’t cheap. Plus flights are ungodly now, so Road Trip! I would’ve given up on this much hassle a long time ago (a week), but look at this lineup.
I’ve gone to a half dozen festivals this year and all of ’em combined don’t add up to what CRSSD has got. Zhu and Bonobo right there makes me there. It’s not really an option after that.
But if you’re not convinced of the lineup yet, check out the playlist we put together. That’s a lot of artists to see in two days. And I usually don’t go to festivals for the music.
I’ll be driving down from San Francisco Friday afternoon, so if anyone needs a ride hit me up!
The music at most edm festivals mostly miss, but sometimes ya find a hit. Unfortunately that hit wasn’t the music this year at Beyond, but the visuals.
I met with a visual supervisor from the Mad Hatter’s stage and he let me check out what he does at a live set. Let’s just say there’s not much glamour in his performance, but the performance he puts on was breathtaking. Not for the epileptic though. It seems the visualsm from the lights to the costumes and exhibits are evolving quicker than the music at these festivals.
I’m not much for the harder, bass driven music that’s still popular today, if you couldn’t tell yet. So like every year before it I put together a playlist that I’d love to see live (mixed right). The first year I did this was general high bpm dance tracks, but the second year I went specifically for the bass. This year was the best of bass since we started Silence six years ago. It may not be defining what I love now and probably won’t for many years, but it did have its place and may once again. It’s all about soul right now (and has always been).
Symbiosis Gathering and festivals like it are an experience everyone should involve themselves in at least a few times in life, especially for the type that aren’t already going. Symbiosis brought together electronic music and other activities for mind growth & body. I went for the music, but I got more out of everything else.
People are picky in what music they’ll listen to, especially me, but other activities for growth are much more universally appreciated. That is, if you’re open to learning. I got a chance to listen to a few panels while dodging the daily scorching heat and every one of ’em gave me at least a little new perspective.
One particular speaker comes to mind was Shylah’s talk on natural birth. She took all of three minutes to flip me from ‘seems like an option some people should look into’ to ‘your child’s birth is pretty much one of the most important moments in your life (and theirs) and of course we’re getting it wrong, like always.’ She went off on a few other like-minded tangents that felt more rooted in emotion than actual urgency, but her zest towards it all was refreshing.
As much as the panels and music were worth the adventure out to Oakdale where the festival was held, all of the brief interactions were what made it so memorable, most memorably my missed connection [see below].
Hieroglyphics is a hip hop group out of Northern California. Each year they celebrate new hip hop talent with their own festival in Oakland on Labor Day. I got the chance to cover their show this year and even though there were over a dozen quality performers to see on each stage, I was there for one.
It took me over three hours to get to Hiero Day, public transit wasn’t doing so well. When I got there the temp had to be hitting on 90 and everyone was looking for shade to sit in. But I had to find Anderson .Paak. The main reason I was there.
I caught him right before his performance on the Third Eye stage. I ran up to him like a giddy fool and blathered about my love for his music. When I realized how foolish I was sounding, his manager assured me that they all felt the same way too. We talked a bit longer about other LA emcees, I actually told him the only other one that could compete with him was Doja Cat. He got a kick out of it.
His performance on stage had just as much character as his music, along with the short time I talked to him. The day was a highlight I’ll be holding on to at least until next Labor Day.
Doing some digging on the Symbiosis website and social, I noticed that Madelyn Grant had liked their Facebook page – she’s featured on Emancipator’s latest single, Seven Seas. So instantly I thought, Madelyn might be there too! I asked her, she’s not :(
She’s one of the main reasons I keep this thing around, so I gotta at least try to get her out here and play live with Emancipator at Symbiosis. I think it would be their first time playing live together, at least I’m pretty sure it would be. And who cares! She needs to be there!
So what do we gotta do to make this happen? Mind you, I’m well unaware of the logistics of getting her out here. Or if she’s even available. And I’m probably just being selfish and no one wants it that bad. But they should! And I have to try and so do you if you feel so inclined.
Outside Lands begins my favorite time of the year. It’s good weather in San Francisco, except in Golden Gate Park where it’s held, and there are plenty of fun things right around the corner. Treasure Island Music Festival, Beyond Wonderland & SF MusicTech to name three.
This year’s lineup for OSL is looking to be one of its best. I’ve compiled 12 of my favorites, not including Elton, D’Angelo, St. Vincent, Leon Bridges & Toro y Moi. Their SoundCloud presence is lacking and 8tracks doesn’t give us enough numbers to give a damn about dat.
Below the playlist we have two highlights from the festival, Odesza’s set and meeting Toro y Moi.
A great live show needs two things. The right friends and and the right music. And Friday at Folsom might just top any other show I’ve ever been to. Not only is Snakehips headlining, but FKJ is playing his debut live set!
I’ve only ever written about a show once before solely to get more people to go. This is my second attempt. And I’m MUCH more excited about this one.
Only a few people I go to the club with regularly would know how much I love to dance. But only if the right friends and music are there and the two usually don’t come together often.
Many great producers are not as great live. It’s a whole different game. Something I know FKJ excels at and I’m pretty damn confident Snakehips will too. Both are making the best dance music today, and I don’t say that lightly.
Just see for yourself.
– Make sure to dance
– Even if it’s on your seat
Touch Sensitive always helps make an entrance. Whether it was Le Youth at the Rickshaw last year or Flight Facilities at the Regency a week ago, I always walk in when he’s playing his best on the bass. And he always makes me feel like a badass while doing it (which doesn’t happen much).
I did wonder how much of his set was script and how much he winged it, but I don’t think I made that too clear on Twitter. Thanks Touch for indulging in my drunkin ramblings.