I had a good talk with a few of my coworkers yesterday about remixing and they brought up a good point. A lot of remixers just don’t add enough to the original to warrant credit.
So many of the remixes I favorite on SoundCloud turn out to be not all that different from its original. Often times this is because dj’s are adding in simple edits, something as simple as a synth, to make the music more danceable.
The point of a remix is to take something from a song, whether it be a vocal or other memorable part, and update it into a more modern sound or flip it into a completely different style, among others I’m sure.
I actually had to get rid of a few that were originally on here because of that very problem. They brought something new to the song, but it’s really the same tune, just an edit. And maybe producers should start labeling it as such.
We still get a lot of hip hop submissions, despite our lack of featuring hip hop these days. We did manage to gather a good bunch to show our appreciation for the style that inspired this blog in the first place, including one of our biggest inspirations, Raw Poetic.
Now this list has as many hip hop influences as influences elsewhere, however, the emcee is our focus. The syntax & phonetics rap has brought to music is why we loved it the most in the past and why we love it the most right now.
This list is best for the late hours at the club and seems to be replacing glitch & bass music for the darker side of dance – as apposed to its more feel-good Disco House counterpart.
It really should have a two words tops title because Deep House & UK Garage is too much. I thought deep dance fit well, but I don’t think I like it enough. Help me out, word people.
Each year we put together a playlist of our favorites that are performing at Outside Lands, but we got bored of that this year. So we decided on putting together a bunch of Kanye mashups & remixes instead, ’cause Kanye would want it that way. Except them being remixes maybe.
A little disclaimer. For the most part, don’t take these too seriously, especially the first one. Some of the tracks even fall outta sync at times, but each has their moment.
Just prepare yourself with these “unofficial Kanye collaborations” and hope he debuts his official one with Disclosure this Friday at OSL. It could happen. It should happen.
#3 is the best, by the way.
Last time we tried to highlight some of the best female singers of 2013, the top one just so happened to be a man. We wanted to carry on the tradition on this list with Zhu, but decided an honorable mention would probably be more appropriate.
The rest are a fine mix of 17 female singers that have such damn beautiful voices. Every single one of ‘em. How all of these ladies haven’t gotten more mainstream airplay this year is beyond me, minus Lykke Li & Little Dragon, but I guess that’s what we’re here for and so are they.
We were so close to putting Zhu at the top of our 2014 R&B list. And even though he didn’t make the cut, he did help us distinguish the difference between today’s R&B and electro soul.
Before, the most notable difference the two was whether it was vocal or producer based, respectively. Where as R&B is focused on the soulful voices of today, electro soul generally cuts & chops memorable voices from the past and blends in heavy electro influences. Zhu is really the perfect intersection between the two, but we eventually came to the conclusion that his deep house influence was more fit for electro soul than the more traditional R&B (“traditional” in loose terms).
Also, keep in mind that even the musicians featured here are still electronically influenced in some way. Most music is nowadays. However, they play much more of a balancing act than their counterparts in electro soul. Hear for yourself and let us know your thoughts on today’s soul music and how you define it.
Nothing is better to dance to right now than this style of electronic music. I thought electro funk sounded fitting as a title, but it’s more commonly known simply as electro and to some extreme electro house and bass music. Though this naming shit is getting outta hand, as necessary as it is.
The sound actually sounds like something between disco-house & bass music, but more experimental than the former and more soulful than the latter. It gets a little strange at times, but that’s exactly what dance music needs right now.
Remixes are more subjective than their original. What I mean is not only is the sound important, but the sound relative to the original as well. How good, how different.
So not everyone is going to like every one of these. Sometimes we’re all just too wrapped up in the original to enjoy it at a new angle and sometimes they’re just not perfectly mastered. Most of these producers haven’t hit big enough to have the resources for that, but it doesn’t mean they don’t know how to put sounds together.
In only two months we’re on our second best of remixes for 2014 (vol 1) and there are too many good ones to count (21). It’s mostly on the electro-house | disco-soul spectrums, but when is it not on here (we love our disco-soul). We also threw in some Ghetto Funk to bring it back.
One thing we’re finding with these 2014 remix lists are the mashups are lacking. I don’t know if my ear is getting uptight or what, but I still can’t find a single damn good mashup in 2014. Well, one of these are technically a mashup, but I bet you can’t spot it.
Highlighting singles have long dominated on here. We’re coming up on our thousandth post, this will make 999, and we’re slightly shifting from singles towards playlists. We really just no longer have time or the writing prowess to cover every single track we love.
Pop remixes especially have fallen back from the spotlight, but we’ve collected quite a few over the past few months and a playlist of the best seemed like the perfect way to share. We may not have much to say about every single track, but they all have taken their original and slapped a new style (usually better than the original).