I haven’t heard anything that breakthrough in hip-hop lately, so I thought I’d dig through my collection and find something noteworthy. Blackalicious, along with the rest of the Quannum crew, were a main reason for my first interests in hip-hop. Their West Coast, laid-back vibes made me rethink what hip-hop was all about. Nia may have had some killer tracks, but Blazing Arrow created a vibe that marked the Blackalicious sound.
Blazing Arrow may not be the most acclaimed album of its time, but it had a strong following and pushed hip-hop forward across The Bay. Gift of Gab put out some cunningly crafted rhymes, but without the backup of Chief Xcels beats, his words wouldn’t have flowed so freely. I put up some of the best from the album, but its entirety is well worth a listen.
If you’ve got anything fresh that reminds you of these two, post it up in the comments below.
On a side note, in case some of you’ve notice my site has been down for a couple of days. I’ve resolved the issue with my host and hopefully this shit doesn’t happen again. It was a pain in the ass, and I’m hopin’ for some smooth sailin’, at least for a while.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
Came across Binary Star while testing out a three-day trial of MOG. I’m not so sure about MOG’s fees – can’t justify $10 a month to use on the iPhone, but it’s got some promising features.
Anyway, I was pretty impressed by Binary Star’s “Honest Expression”, so I decided to check out the rest of their album, Masters of the Universe. It’s got a few standout tracks, and the rest of the album is better than most of the shit I’ve heard lately.
What I love about these guys is their witty lines laid out throughout the album. Although some aren’t so politically correct, “Rodney King ain’t never felt a beat like this”, it’s refreshing to hear some uncensored music.
What I don’t love is their obvious hate of mainstream, money hungry rappers. I’ve come across a few different talented MC’s who spend too much time hatin’ on the mainstream. Although I completely agree with ‘em, it’s not something I really give a shit about. Leave a track for that and move on, they’re many more pressing issues to cover.
Other than that these guys have got something and hopefully will ignite another album soon. Though it’s been 10 years since their last LP, so I wouldn’t count on it. But I’ll make sure y’all are the first to know, just follow me on Twitter… or Facebook… or my RSS Feed… ;D
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
I’ve been a long time fan of the Quannum collective, but never got into Shadow’s work past Entroducing. Recently, the DJ Shadow team contacted me about featuring a new remix project – a compilation of remixes done by Shadow’s fans – so I thought this would be a good chance to check out more of his work… well, kinda…
Initially going through the album, I thought that most of the DJ’s did a decent job at putting their own spin on Shadow’s music, but none really stood out. There’s some that caught my ear but failed to keep my attention.
So I thought I’d turn to you guys. I’ve posted a couple of tracks on here for you to listen to and hopefully give some feedback on. If you want to listen to the full album it’s posted over at solesides. Hopefully we can find the track(s) that carry this album forward. I’ll post my thoughts in the comments below after I get a few more listens in.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
Mayday’s latest EP’s, Technology & The Thinnest Line, came out over a year ago, just a couple of months apart from each other. Although they may not stack up to their first album, each has at least one catchy single.
The Thinnest Line features a single titled “Evil” – although, I don’t have much to say about it, its lyrics are too true… no offense, ladies ;). “Technology”, on the other hand, reminds me of my past years in college. My roommates and I senior year had a running joke about how obsessed I was with technology. It reminded me of just a few of the stupid things we did back then. Good times. “Technology” may have some corny lines, “USB, you and me connect so desperately”, but the rest of it isn’t half bad. I mean how bad could it be, it’s about technology.
I still can’t decide which sound I like better of the two. What do y’all think? I’m leaning more towards “Evil”, right now.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
What first got me into underground hip hop was its eclectic use of instrumentals. Nothing but Silence is an interesting example of this, with a beat that I can best describe as gothic or horror-like… horror hip hop? Anyone want to help me out on this one? Anyways, the beat is tight and drops on key several times (e.g., check out 1:24). Ethic & Sapient, as well as the featured Grayskul members, lay down some rhymes that were made for this beat (makes sense ;)). I wish I knew a little more about Debaser’s style, but their new album just dropped this last May, so maybe that’ll give me a better understanding of ‘em. Check the song, love it, do whatever with it.
You know, after listening to Crown Control another time ’round, I’m starting to like some other songs off it, so I thought I’d include another track – Less Human – just because… and the sick beat.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
Back in ’08 I started to get into Japanese hip hop pretty heavily. I cycled through most of the popular DJ’s out there and was impressed by their use of soul and jazz samples. One thing in particular attracted me to some artists over others – the use of MC’s. Nujabes is no doubt my favorite for this very reason, but a few others have also done this with much success, notably DJ Krush. Although, I’ve checked out a couple of his albums and really enjoyed it, I think I need to take another look at this talented DJ.
Only the Strong Survive is one of only a handful I listen to of his on a regular basis. CL Smooth’s, featured MC on the track low-toned, voice glides soulfully over Krush’s jazz instrumentals. What does me in on this track is the kick drum along with the brass instrumentals, really hits the ear right. Give it a listen and give a shout out to your favorite DJ from Japan (I want more!).
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
I wanted to pay tribute to Guru’s lifework in honor of his passing just under two months ago. He may not’ve been the most well-known MC, outside the underground, but he had (has) one of the most distinct voices in hip hop. I listened to Gang Starr a while back in college and was impressed when I first heard Guru’s flow. I was never too engrossed in his music, especially his solo-work, but I’ve always had mad appreciation for the impact he’s had on hip hop. Here is one of my favorites from Gang Starr – it may not be their most well-known, but it’s what first introduced me to Guru’s talent (among a few others).
Some of you may have heard about the whole controversy surrounding Guru’s death – check it out @ Pitchfork. All I have to say is that it’s sad to see Solar, recent producer for Guru, trying to gain off a friend’s death. But I guess we don’t know the whole story (I guess). What do y’all think of the situation? R.I.P. Guru
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
(Download Link in Full Article)
Loading ...