Zhu’s ‘Superfriends’ starts with a pitched down rap that I can only assume isn’t original ’cause it’s laid out so damn cunningly and this is only Zhu’s second release that we know of. But I’ve exhausted my resources and the blogosphere claims this to be all Zhu’s doing, vocals and all. And that’s not even the best of it, her or she (who knows) can throw one hell of a fiendish beat together. Zhu’s got triple threat written all over her (I hope it’s a gal, somehow).
This is the first legitimate hip hop track I’ve posted in over a year. I think that says it all. Of course it took the best in electronic to get me there, but more MCs need to realize the production makes the rap. We may not all connect to the story, but we can with the sound & flow.
I miss hip hop. I can’t believe how little I’ve posted of it this year, but it’s not for a lack of listening. And actually more of a surplus in other soulful styles.
Electro music has stirred up disco, funk and R&B’s past. And as many of you may well be aware, I’m obsessed with the trio. Unfortunately, hip hop & electro haven’t blossomed together to what they will one day. In the meantime, leave it to the mashup & remix artists to bring back our attention to hip hop for a bit.
The Hood Internet has been mashing up my favorite hip hop artists for a while now, many good ones, and now they’ve introduced me to two more. Hood took Gunplay and Isaiah Toothtaker in Blue Sky Black Death’s ‘Frown’ and plopped ‘em into Sasac’s funky ‘All Pleasure’ original. And as much as I love that funkyass beat on top, Blue Sky Black Death’s dark remix sets a mood just as well, albeit the opposite.
I’ve seen Paul McCartney twice now, once in Minneapolis and the other time at Wrigley Field, and I’m still most excited for him at Outside Lands Festival for 2013. Well, Hall & Oates and Jurassic 5 might be my personal favorites to see, but I’m guessing Paul’s performance will still be my favorite in the end. Which brings up a huge predicament, Pretty Lights plays the same time as Paul. Paul does play earlier, but I couldn’t imagine leaving him to go see PL. If I could only get them to play together…
… also excited to see z Chili Peppers… and even more excited for the food.
When a woman is giving me nothin but trouble, this is my jam to show her. It may not help the situation, but Lamar can pull it off where no other can. I may not have listened to the original too much, but this Far Soldi edition streams right into my disco ear – which I recognize you all don’t have (but should!).
I’ve been known to post remixes of terrible rappers before (might make a mix out of it), but rappers like Trinidad James aren’t completely worthless. The trouble I see with alotta good rappers, is most treat rap like poetry and forget it’s still music. And this is where most mainstream rappers succeed, they put character into their style and build a persona out of it, for better or worse. Music is entertainment whether we accept it or not, we just shouldn’t accept shit. But we’re not here to bitch about rappers like Trinidad, we’re here for Mr. Heisenbergs’ remix.
Listening to this ‘All Gold Everything’ remix for the first time, I couldn’t believe the electro anthem that played out. It fit Trinidad’s track so well I thought Heisenbergs must have kept a lot of the same sounds, if not at least the original melody. But from what I see in comparison of the two, it doesn’t have much of the original in it at all, accept Trinidad of course. Heisenbergs’ remix pulls off something the original should have in the first place. Straight party anthem.
Over the past year I’ve been all about disco & soul’s remix revival, but I’m hoping now this is an intro into rap’s. Yung Gud steers Juicy J’s ’30 Inches’ onto one of the smoothest jams of the year. Reminds me of how 2Pac & the Outlawz use to hit.
Head over to Yours Truly for a proper introduction to Yung Gud.
Lately more than ever I’ve had to convince friends that rap like Mac Miller is not so good — it’s easier said than explained though. It’s not that all of this white boy rap isn’t fame worthy, it’s just some of it plain sucks while others simply lack the soul
most a good amount of hip-hop has had in its past. However, even a smaller crowd has managed to pull it all off, which brings us to illphonics.
When I first heard illphonics’ emcee, Fallout, on ‘Your Body,’ I thought it was going to be just that white boy, college rap I try to stay away from. But soon enough I figured out that this has much more all mixed up. illphonics’ jam may have that pop style of hip-hop set in, but it’s mixed with some southern soul. From the chorus to the brass behind it, this is a good mix of pop fun and soul feelings.
I don’t know if the people of Rio have caught on to this shining tribute to their city yet, but I sure as hell would love to be the one to bring it to them. I’ve never been, but Theo’s Rio has given me a clear picture of how pleasant it must be.
Every time I listen to it, it’s like daydreaming back to that 1950′s Rio or some Hunter S. Thompson tropic stupor. Either way, Theophilus London and his Menahan Street Band have made me dream in Rio. I can’t wait for the sunny day where I play this for the first time there. Shit’s national anthem status.
Let me explain…
I’ve been criticizing white boy & UK rap ever since I first laid my ears on it and now I just so happen to be featuring a rapper that highlights both. The world is a changin’ and so am I. REECE may be the definition of what I don’t look for in a rap artist, but I still can’t deny the qualities of his latest single.
‘In the Morning’ is first and foremost a well produced track with one catchy-ass chorus. And unlike the rap I’m most apathetic towards, REECE takes his words and blends them into the beat, rather than just rapping to one rhythm. As far as actual lyrics go, I’m never one to judge people’s words too much, but let’s just say this is geared more towards the pop scene. Still, something different than the usual ’round here.