As this bitch of a year comes to a close, there isn’t anything better than soulful singers to give it some grace. I haven’t put together a soul singers playlist for about a year, so there’s a lot of musicians to cover (72!)
In our last Lip Service playlist, it had soul, but no women. I think it’s as important as ever to show appreciation to the women you love, and I love these musician. Or I’m sure I would if I knew them.
This one’s for the woman I do, Lizzzz.
2015 was the year of live music for us. We covered eight festivals. I don’t think I’ve been to that many before in my life.
Hip hop seemed to make a return on here. That’s what we started on, but hit a major dip from 2010 to 2013. It started back up in 2014 with Kendrick Lamar, and predecessors have been poppin’ up all over the place since. Some with possibly more potential than Kendrick himself. One at the top of this list.
Other genres in electronic dominated the year even more. We got out a good amount of Kawaii in the first half, but future & trap took over the second. And of course house has been most dominate. Going from the deeper, heavier side and splitting into future & chill house near the end, as well as the funkier side of house music to jack to.
The amount of new singers seems to have dipped compared to past years, but the quality hasn’t. Anderson Paak, Madelyn Grant, Liz Vice & Joey Dosik to name out of the dozen others with clear personalities in their voices.
We’ve collected 29 tracks in total and a list of our 12 musicians with the most potential. Plus our biggest accomplishments of the year below that, the playlists. We put together 35 in total! That’s up from 25 last year.
I was talking to my coworkers about the music in my Late Night Jazz list. While it’s definitely not the music of the early turn of last century, it still gives me that feeling of jazz for the evening, unconventional as it may be. It’s all covered in electronic sounds and that’s where our opinions stray.
Same goes with our funk-infused playlist, The Funk Shall Be Within You. It may go off into electro at times, but the feeling of funk is strong throughout and I don’t think any word could describe it better, especially electronic. Other than nufunk or any other made up offshoot, but that’s a whole other debate.
Looking back over this last list for 2013, I’ve realized one major flaw to it. There are no women on here. We’ve had our love for women this year, but this list contains our most obsessed about music with musicians consistently present throughout the year.
Doja Cat was our closest girl, but we only fell for one of hers. She did have a lot of other potentials that fell short because the production wasn’t to the level of that voice. Producers, this girls got talents!
London Grammar probably has the most right to be up here, but I credited their best to their collab with Disclosure and I didn’t fall for ‘Strong’ in time (wish it was still 2013). They’re also two-thirds dude, so that didn’t help them either […]
[soundcloud url="https://api.soundcloud.com/tracks/87671232" iframe="false" params="player_type=tiny&font=Arial&color=292929" height="18" /]Electronic is overtaking the industry and has done the same on this blog more & more each year. Our list of electronic music is so massive this year we split it in two.
First up is our best electro soul of 2013 that ranges from funk & jazz to R&B & dubstep (melodic dubstep). We weren’t sure if we wanted to include the remixes from our last list, 2013’s Top Remixes, but there is just as much soul in the remixes as any of the originals. Make sure to play through all 25, it’s got a good ebb and flow to it.
Also, stay tuned for our next list in electro: electronic dance music – and not that bullshit shit.
[soundcloud url="https://api.soundcloud.com/tracks/91014703" iframe="false" params="player_type=tiny&font=Arial&color=292929" height="18" /]The only thing more difficult than writing is categorizing these damn top 2013 lists. I messed up our last 2013 favorites, the lady vocals, so I thought I would clarify this list for all of us.
A few years back this would have been called, “Indie to R&B,” in fact it was, but the latter has flipped producer-side and is more accurately classified under electronic for us this year.
While this is obviously intended to be centered around indie & pop music, including alternative & folk, genres are hard to pin down, especially to one or even two nowadays. So to give this list a more accurate, less appealing title, the music here is centered around a vocal-bases.
Like rock before it, indie & pop have become rock’s sliding scale contemporaries, putting the singer smack out in front. Which compared to electronic goes back to a composer or producer-bases, like jazz and classical before it.
And yes, there are elements of electronic, jazz & disco on this list, which is why I had to go on this rant in the first place.
[soundcloud url="https://api.soundcloud.com/tracks/84712987" iframe="false" params="player_type=tiny&font=Arial&color=292929" height="18" /]From the first two tracks I’ve listened to of Thundercat’s, thanks to Flying Lotus’ Brainfeeder label, it’s plain to see he brings a vocal sentiment to his funky bass guitar jams. I haven’t heard the rest of Thundercat’s Apocalypse album yet, but I hope it keeps up the consistency that I heard on “Heartbreaks + Setbacks” & ‘Oh Sheit It’s X.’ Still in much demand for soulful vocals like Stephen “Thundercat” Brunner’s.
Apocalypse is set to release June 4. In the meantime, check out Thundercat’s catalogue.
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