Between trap and future bass is something special. Not only is it some of the sexiest music out right now, but pushes the edges of music more than any other. Pop is catching up to it, hip hop is there, but its depth still goes unrecognized. And that’s where the problem with playlisting it comes in.
More than any other, this Up to Nogood playlist is reliant on YouTube Music & SoundCloud. Apple Music and Spotify just don’t have the catalog. Not even half.
One thing Spotify does do best is discovery. Digging through music has changed from listening to thousands of songs on my SoundCloud stream to find something fresh down to hundreds with what Spotify recommends. Automation has a long way to go in really helping me out, but Spotify is leading it.
One thing none of them have are analytics for playlisters. One of the most crucial things in making a better playlist. 8tracks is actually the only one I know that does.
“I’m shy at first, but once you get to know me I do the stupidest, most random shit.”
I saw this quote and thought it was the best description of me in one line. I even got the t-shirt (seriously). My grandfather gave me the nickname Corky when I was little and the sentiment has stuck. I’m a bit odd, as we all should be, and a lot of my favorite music is too.
Originally these series of lists were all about kawaii music, which I dubbed VAPOR + VAPOR 2.0. Eventually the playlists expanded into all sorts of music along the future/trap spectrum, split into three categories – o f f b e a t, Sex trapt, and Future glam fucks. Quirky takes a little from each.
My dad bought a 2013 Corvette and wanted to get a custom license plate. The guy’s a real charmer, but he couldn’t convince the dmv agent to put ‘4play’ on his license plate.
I thought of beats4play when starting up our YouTube channel – I think Silence Nogood was taken – and I loved how it brought on a few more meanings than my dad’s original line.
Here’s a solid hour and some of music foreplay.
2015 was the year of live music for us. We covered eight festivals. I don’t think I’ve been to that many before in my life.
Hip hop seemed to make a return on here. That’s what we started on, but hit a major dip from 2010 to 2013. It started back up in 2014 with Kendrick Lamar, and predecessors have been poppin’ up all over the place since. Some with possibly more potential than Kendrick himself. One at the top of this list.
Other genres in electronic dominated the year even more. We got out a good amount of Kawaii in the first half, but future & trap took over the second. And of course house has been most dominate. Going from the deeper, heavier side and splitting into future & chill house near the end, as well as the funkier side of house music to jack to.
The amount of new singers seems to have dipped compared to past years, but the quality hasn’t. Anderson Paak, Madelyn Grant, Liz Vice & Joey Dosik to name out of the dozen others with clear personalities in their voices.
We’ve collected 29 tracks in total and a list of our 12 musicians with the most potential. Plus our biggest accomplishments of the year below that, the playlists. We put together 35 in total! That’s up from 25 last year.
You should also dance to last year’s list.
I’ve been to a handful of music festivals this year, but rarely did I dance. A lot of the house & techno at these festivals were more for raving than dancing and I prefer the midtempo soul anyway. Something you find in a lot of hip-hop and trap these days.
This playlist is all about what I love dancing to most right now and if you really love to dance you will too. I guess most of this would fall under trap music, but like every other style it seems ruined by mainstream.
It may sound funny at first, but this is what the future of dance music sounds like. It’ll at least be up there with house. I’m tellin ya!
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The first time I ran into Madelyn Grant’s name was on Odesza’s Sun Models. I had recently uploaded the track to SoundCloud and she had contacted me about including her name in the title. The only reason I hadn’t in the first place was because they really chopped and skewed her vocals, making her voice barely recognizable. But she was real nice about it and it seemed more than fair.
About two months later and I see Madelyn Grant on FKJ’s Waiting. I didn’t remember she was on Odesza’s track at first, but once I did I was all the more in love. Madelyn has a breathtaking voice, but even better she knows how to use it – a much bigger problem with most vocalists.
Since then Madelyn has collaborated with a favorite of mine, Emancipator. I asked her how she got to collaborate with all these legitimate producers and she said, I sent them my demos.
That’s it. In Odesza’s case they were requesting female vocalists, but the other two she just sent them a sample. That’s all it took. How the fuck does that happen? Oh wait, that doesn’t. Minus with Madelyn.
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I’ve put together a playlist of my favorite songs of her’s as well as another list for producers she should also send her music to. Although, this time I think they should be doing the reaching out.
I love high hats especially with something sexy wrapped around em. I first found this off beat, soulful shit in our vapor lists, but unlike that this is much more hip hop based and much sexier.
We get into some future glam towards the middle and end it a little lighter with my favorite hip hop out right now. So stick til the end.