We haven’t done a list on hip-hop for years. In 2015: Adam Vida, Anderson .Paak & Goldlink were our hope to revive hip-hop. As much as our love for them have grown more than many, our focus has still been with dance & soul music.
We did collect fifty songs with emcees that got talent. More for their cadence and flow than lyrical depth, but with one usually comes the other (not always). These emcees more than ever before come from different backgrounds with all types of styles and sounds. We’ve even got some from the UK.
I bet the next one in two years will have even more countries.
For the last seven years we’ve been just about the music, and its spread online, but slowly our focus has shifted towards the live scene, as well. In 2015 we started to cover more festivals & shows, but it took until 2016 for that culture to greatly affect what music we’ll remember most.
I first set up Silence Nogood to share my favorite music, but I’ve learned there’s much more surrounding it that needs exposure. Hopefully in the next seven years we do.
As much as our most relaxing playlists get more attention online, I’m sure our dance ones do better off. Plus they’re much more fun to make (it’s involves a lot of dancing). And if you’re not dancing too, it’s not worth listening to (as much).
Pomo will be playing with Kaytranada, Anderson .Paak + The Free Nationals on New Years in San Francisco. We’ve featured the last two artists, but only dipped into Pomo a few times – did not realize whom he’s produced.
People were telling me he did an Anderson .Paak track, but I didn’t realize which one. Then come to find he produced the only Mac Miller song I’ll ever like, which of course has Anderson .Paak featured on it.
He’s also got plenty of good remixes to bring in the New Year. Hope to see you there.
A few days ago I had the bright idea of making this list to hold us over until Frank Ocean dropped his album. That day it did.
The reason I love Frank so much, and why I’m overshadowing all these other artists for him, is because there’s a difference between him and them, for me. All of these singers have at least one good song, but it’s the song, not their singing, that I love. With Frank it’s different. I just love hearing his voice. On anything. Few other singers do that for me.
Not to discredit any of these artists. All of them have that potential, especially Breezy Lovejoy. Now known as Anderson .Paak. It took me two years to come out with another list of favorite male singers. Still got a lot of catching up to do compared to my favorite females.
Outside Lands 2016 hosted my long awaited show from The Knocks. I had a run in with one of the members, Patts, on my blog almost six years ago and it was a major influence for what I do on here now.
He didn’t like what I had to say about Chiddy Bang’s remix of The Knocks ‘Dancing With the DJ’ and told me “if you don’t like it don’t post it.” I get what he was saying and as much as I stand by my words, I haven’t posted a single track I haven’t liked since (maybe one). I don’t give a fuck about music I don’t like (fuck might be a little harsh).
Their performance may not have been the highlight of OSL (he’s next), but it was so much fun to party with The Knocks & friends in the sun at Golden Gate Park. And they played all the hits, ‘Comfortable’ being one of my favorite dance songs of all time.
The amount of music going on in a few small areas around Austin, supported by all the music tech that’s trying to help it flourish, makes SXSW the place where my two loves come together. Quite literally this year with my job and this blog. Both helped me find places to go and people to do it with, but SXSW could’ve helped a lot more.
The SXSW Go app could have better helped with both finding and keeping track of events throughout the night and day, as well as finding the people to spend it with – it’s where the future of live music is going. I did find a handful of good performances and the same amount of not so good, but mostly because of the people in Austin and their recommendations. Some seriously nice people.
Here are a few stories I had with them.
My dad bought a 2013 Corvette and wanted to get a custom license plate. The guy’s a real charmer, but he couldn’t convince the dmv agent to put ‘4play’ on his license plate.
I thought of beats4play when starting up our YouTube channel – I think Silence Nogood was taken – and I loved how it brought on a few more meanings than my dad’s original line.
Here’s a solid hour and some of music foreplay.
2015 was the year of live music for us. We covered eight festivals. I don’t think I’ve been to that many before in my life.
Hip hop seemed to make a return on here. That’s what we started on, but hit a major dip from 2010 to 2013. It started back up in 2014 with Kendrick Lamar, and predecessors have been poppin’ up all over the place since. Some with possibly more potential than Kendrick himself. One at the top of this list.
Other genres in electronic dominated the year even more. We got out a good amount of Kawaii in the first half, but future & trap took over the second. And of course house has been most dominate. Going from the deeper, heavier side and splitting into future & chill house near the end, as well as the funkier side of house music to jack to.
The amount of new singers seems to have dipped compared to past years, but the quality hasn’t. Anderson Paak, Madelyn Grant, Liz Vice & Joey Dosik to name out of the dozen others with clear personalities in their voices.
We’ve collected 29 tracks in total and a list of our 12 musicians with the most potential. Plus our biggest accomplishments of the year below that, the playlists. We put together 35 in total! That’s up from 25 last year.
First it was Doja Cat from LA. Then A-1 from The Bay. Now we’re back down in Los Angeles for Anderson .Paak.
The LA based rapper has a slyer sound than Kendrick and gets together with producers that are just as good. They’re both very good. But I just can’t put to words how much feeling his music gives me when listening to it.
I was actually just listening to a Renman Live episode, I forget who the guest was, but he talks about how being able to describe why you love an artist & song is essential to A&R. Well, I suck at that, but my voice, not my words, express it better. Unfortunately this is a blog, so you wouldn’t know that.