I feel like this should’ve flooded the blogs a couple months back when it first appeared, but from what I can tell it didn’t – though I’m sure someone will prove me wrong… anyone It’s just that this acoustic version of Florence’s “Shake It Out” is so.damn.lovely, so why no posty I’m guessing it still hasn’t been officially released, but who knows.
Make sure to check out the video of her recording it below and this dubstep remix of “You’ve Got the Love” (Sogood).
[audio:Shake-It-Out-Acoustic.mp3|titles=Shake It Out (Acoustic)]
I’ve actually had my ups and downs with this one, it’s not that I ever disliked it, I just didn’t have as strong of a feeling for it. I love that signature Pretty Lights sound, but there’s really nothing new as far as experimenting and that’s why I love the dude so much in the first place.
Still, it takes us back and makes for one hell of a Run-DMC remix… although, it’s still not on the level of his 2010 unreleased remixes (yet).
[audio:Its-Tricky-Remix.mp3|titles=It’s Tricky (SSX Pretty Lights Remix)]
Sex Ray Vision tune up the electro in Dirty South’s house banger, “Walking Alone” and I’m honestly just here for those vocals, simply lovely. But I gotta give it to SRV as well, they’re always doin dirty on their remixes.
[audio:Walking-Alone-Remix.mp3|titles=Walking Alone (Sex Ray Vision Remix)]
I’m one of those annoying assholes that plays a song to death and then again, let’s just say I enjoyed every minute of this, so a cool, nu-disco recook of Adele is welcome as always.
The one thing I cannot stand is a remix/mash that takes popular vocals, such as Adele’s, and remixes it with the same.old.shit (EDM nowadays). If you’re gonna remix, or especially mash, it better sound like nothing I’ve heard before, and that’s just what Carlos Serrano did.
Blending in a classic Daft Punk hit that hasn’t been mashed to death was refreshing to hear. Didn’t really like how he kept the original vocals from “Something About Us,” but it’s blended much better than most mashers pull it off.
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On Thursday, Del threw this up on Facebook, “Here’s the deal yall, help me hit 20K fans on here and I’ll release a new Deltron track. Tell a friend to tell a friend.” So he hit 20k Friday and released “Bioscientists” … though it may not technically be a Deltron track. Today, Del stated, “Just so everybody knows, Dan and Koala were not a part of that track. It was a Deltron solo joint I was fucking around with content wise and wanted to share with yall.”
Some are bitching, as always, about it not being produced by the two and, although, I can see where they’re coming from, Del was the original creator and “Bioscientists” still plays into the Deltron story. I will say that it was a bad move to promote it as Deltron without making it clear from the start that Kid Koala & Dan had nothing to with it.
[audio:Bioscientists.mp3|titles=Bioscientists]
Remixes for Kaskade’s “Room For Happiness” have been popping up left and right throughout the blogosphere but through the clutter comes Feature Cuts’ banging Dubstep remix of the song. The up and coming Houston-based EDM producer combines the beauty of Skylar Grey‘s voice with some heavy bass and synths that takes the song to another level.
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Was wondering if I was gonna see Biggie or 2pac mixed into this Watch the Throne hit, but never thought I’d get the pleasure of both. DJ Rob Dinero & O’neal McKnight present one well laid mashup with Biggie’s “Notorious Thugs” up first. The cuts are right on point and goes hard up until the 2pac transition, which is my only gripe with it. It sounds off for a few, but ends well with 2pac’s “Loyal 2 the Game” rhymes.
Make sure to check out the video too, good shyyt.
[audio:Niggas-In-Paris-Remix.mp3|titles=Watching Over the Throne (DJ Rob Dinero & O’neal McKnight)]
With the success of “Paddling Out” and its strange music video, now we get a Gartner take on it all. I can’t say it closes in on the original, but it’s nice to see two equally talented, yet quite different, artists pairing up for one kickin remix.
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NiT GriT throws up something more melodic than his usual and I like it all the more. “Purple” has that relaxing viibe to it, but in an abstract kind of way that I’d expect from a bass hound like GriT.
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Joe Maz had me at DiscoTech, a disco duo which he was a part of, but now he’s up to some fiine solo work.
In his latest remix, Maz takes on Foster the People’s “Color On The Walls (Don’t Stop)” and electro-guitars the shit out of it, making it ever more dance worthy. This man needs to start pumpin more of these ’cause these are dance floor killers… especially in Miami (bet they do already).
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