My obsession with EnormousTunes has been growing over the year, but another music fanatic friend first told me about them before that. She made a list about this time last year and I can see now what she saw back then, especially with artists like Calippo, Sons of Maria, Nora En Pura and Me & My Toothbrush on both of our lists. Frey & Croatia Squad are my top two though.
EnormousTunes reminds me of Ghetto Funk in that the label defines a genre, but where as Ghetto Funk is also the name of the genre, EnormousTunes is what I think of when I think of G house. If I had to describe G house: a kick that comes from the gullet or gutter (gully?), something like that, falling on the tech/no house sound. A lot of them are remixing classic rap songs, also like Ghetto funk. But going through Enormous’ SoundCloud page, I realized that’s not all they do.
I found a lot more styles of house in there. This list starts with the best, gets into old disco & rap turned house and ends on the deep side.
The first track on a playlist is an important one. The majority of people probably don’t get passed it, so you got to set the tone right away. I usually do my personal favorite song, but I always have reservations with that. Autograf is a good example.
Metaphysical is a perfect start to Autograf’s music. It’s not a remix of a popular artist and has a beautiful singer that doesn’t get old & irritating after a while. The Autograf trio has about nine other songs worth featuring, but only one hits heavier far above the others. Their Temptation remix.
I like their remix of ‘Ain’t too Proud to Beg’ so much it’s sparked another playlist I’ve been compiling: think the best of Motown with some heavy house. This list, however, is based off of all Autograf music.
Kaytranada ditched out on me and the rest of the crowd in two different locations. Once opening for Disclosure at The Greek in Berkeley and the other this past year at Symbiosis. Finally, I got to see him live at Mamby, the festival’s second year on Lake Michigan in Chicago.
My expectations weren’t too high for Kay. My favorite producers DJing live haven’t been anything phenomenal at festivals in the past and going in with high expectations is a recipe for disaster (see Mayer Hawthorne). However, I was pleasantly surprised to see how well he kept the crowd bouncing.
Bass is what gets people moving. I’ve seen plenty of it, but Kaytranada live was the most stark example. When the bass wasn’t bumping the people weren’t bouncing. Get that signature kick in there and Kaytranda has the crowd in a jig. Guess this is why house music and its many iterations are what we love to dance to most. Except Bill Withers, of course (soul music) […]
Odesza’s Above the Middle was my first love of theirs and even though it starts off rocky, as I originally pointed out, once the vocals kick in it’s the sound that inspired this list. Especially hearing it live at Outside Lands in 2015. Ever since hearing it first back in 2013, I’ve found a set of songs just as inspiring.
The whole thing reminds me of a dream I had at least 10 years ago. It’s probably the most vivid dream I’ve ever had. I a woke (in the dream) falling from the sky, but I wasn’t frightened of falling. More fascinated by how enormous the sky and ocean were around me. I remember there was a castle in the distance (yes, like the Disney one). It was like I was falling to get there. It’s also the most beautiful dream I can remember.