When a woman is giving me nothin but trouble, this is my jam to show her. It may not help the situation, but Lamar can pull it off where no other can. I may not have listened to the original too much, but this Far Soldi edition streams right into my disco ear – which I recognize you all don’t have (but should!).
I’m not usually one to take music advice from other people. Running this blog for four years now has made me very skeptical of people’s motives and all I feel like people are doing is pitching me their friend’s music (or their own). But I do have some people I trust, especially with this one, my sister.
HAERTS shining star is without a doubt Nini Fabi who provides vocals for the group, which have a soft resemblance to Stevie Nicks — but I’m sure there’s a better comparison out there. The instrumentals support her well and sure gets you lost in the sound quickly. ‘All The Days’ is the favorite, but ‘Wings’ is a catch too.
Just Kiddin’s ‘The One’ stays consistent with the beat and doesn’t vary too much. It also doesn’t rely too heavily on vocals, but just the few stems sampled bring the needed high to this one – hits around two and half minutes in.
Gentlemen like MT. OSSA are the musicians to wonder about it. Each month I come across an artist or two that I’m eager to see how their music career plays out.
I recently read The Weeknd’s first interview and saw his Complex cover. Abel is one of three or so artists that I’ve ever reached out to for an interview – mind you, he wasn’t so big back then and at the time was a friend on Facebook (my only claim to fame). I may not have got the interview back then, but it’s inspiring to see an artist grow from nothing to someone so influential. Hopefully, it’s just begun for Abel.
I don’t know if MT. OSSA will rise to the status The Weeknd has, but ‘Love Jam’ is my jam right now. This psychedelic indie whatever you wanna call it puts such vivid images in my mind every time I hear it. But as similar as they feel every time, they’re ultimately always changing. Wonder what it’ll look like in 10 years.
This is not a promotion for Le Youth & Touch Sensitive at the Rickshaw this Thursday, July 18 (well that was). But really I could care less who’s going, except for the few people I know here in the Bay Area who are somewhat into this style.
Unfortunately like most people though, including myself, they’re lazy as fuck. You tell them there’s a show this Thursday with producers who are defining the future of disco, funk & soul and all of them coincidentally are working at the butt crack of 7am the next day.
Well, I call bullshit. Not that they’re bullshitting me, but they sure as hell are bullshitting themselves. To choose a good nights rest over an experience our children would have killed to go see, like us and our envy of 60’s culture, is simply a shame and I won’t have it!
So here’s my second attempt at getting these lazy fucks off their ass for a good show in SF. For the rest of you, enjoy a mix of Le Youth & Touch Sensitive’s best. If you are going to the show in San Francisco, let me know in the comments below. First drinks on me.
I asked WMNSTUDIES if they had any Janet remixes on file – I’m putting together a super solid (yes, super) mix of JJ remixes – but they didn’t have anything finished quite yet. I held off on this super solid mix to see what they could come up with, but I soon started to realize I may not like it. WMNSTUDIES has been pretty consistent so far, but too many times I’ve had to let down an artist and they usually don’t take it too well.
Thankfully, WMNSTUDIES keeps with the quality and mixes one of Janet’s hits into another disco-pop sampler that I’ve been over-obsessing over lately. I don’t know if it’s got the moves to take on a few of my favorite Janet Jackson remixes I got lined up, but they’ve definitely made the cut.
I swear these disco producers start from the drop and work their way to the intro. It’s just the music comes together so well, like a broken vase played in reverse. Mighty Mouse’s ‘Feel Alright’ also kills it with the chorus, but once again no credit was given. Same shit, different dance.
This is such a tease. I hate when producers take classic songs and cut up the vocals to deprive me of the singer’s full range beauty. Yet, somehow Figgy keeps me coming back for more in his more than a remix of Ce Ce Peniston’s original, ‘Finally.’
Figgy drops her voice down low into a soul this 90’s singer wish she had back then. Reminds me of what Krono did with Aaron Smith’s Dancin, pop shit into chopped & screwed soul goodness.
I met Bondax through Moon Boots (love these names) and I’ve been sittin’ waitin’ to get something original of theirs out since. ‘Giving It All’ is a nice little pop tune, but really shines with that infamous chorus I speak so highly of in many of my favorites, especially in these disco-pop tunes. Once again though, the vocals go uncredited (when will we learn!).
Sedric’s voice is a fresh taste of something smooth and the Imaginary Friends trio compliment his soul with a bounce. Producers Jimmy Q & Benny Reiner go with a signature pattern I can’t quite name, garage-ish, and tops it off right with Sapphire Adizes’ smooth sax. The sax always gets me (wait for it).