Well, funk is back, at least for us. One T’s Audible took our interest in electro funk and pushed it into something more funk electro (emphasis on the funk).
Audible is actually a reinterpretation of One T’s collaboration with Kentaroxiii & Toma Love Child. One T pitched down his verse from the original and brought in Josh Jar’s guitar. And damn if that guitar don’t make this funk, on the highs & the lows.
I’ve listened to way too much music this year, probably around 12,000 new tracks (I tried calculating it). Most of the music was.. unfinished, to say the least, but we found a lot more songs worth keeping than any year before it.
A lot of new music emerged or reemerged over the year. Deep house was the big thing, but many discredit it because of the hype. It had its bad with its good. Our favorite new style goes to what doesn’t seem to have an official name yet. I’ve heard many call it kawaii, but I prefer vapor – this naming shit is more important than you’d think.
We’ve got 30 songs to show off, 11 artists and 20 playlists for you, but if that’s not enough… wait ’til next year.
I’ve gone to a handful of EDM shows & festivals over the last year and I just don’t get how people can dance to most of the popular shit these days (says the hipster music blogger). At least not when you’ve got such better music to dance to (also hipster). So obviously we had to put a list together (very hipster).
Our Dance Party mix for 2014 is geared more towards the club or house party rather than the rave. I guess that’s where we differ from the higher BPM, bombastic music dominating EDM right now.
We get into various forms of house music on here, but there’s plenty of other influences as well — I’m being vague because I just spent way too much of my time putting together this list and I don’t have time to articulate it (like always).
Our last deep house list tacked on UK garage at the end, it does take over much of these lists, but as industry standards go it’s all deep house now. Though most of the house here has some influences from garage — grimier sounds with emphasis off the beat.
Sometimes it’s more about the creativity than the quality in a remix. Some of these aren’t perfect, but they show a lot of potential. And that’s another good reason for remixing, to get producers just starting out vocals actually worth making something new out of.
This is our biggest remix playlist yet. We tried hard to remove as much as we could, I mean that’s our job, but let me tell you it’s just as hard, if not harder, removing tracks from a playlist than adding them in (as we mentioned in our how to playlist music article).
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We start this off by sampling some of the best styles in electro soul and go from the playful down to the more sedentary. There are a few songs that deal with heartbreak, but the sound is still right.
Have fun with your loved one with this one.
I had a good talk with a few of my coworkers yesterday about remixing and they brought up a good point. A lot of remixers just don’t add enough to the original to warrant credit.
So many of the remixes I favorite on SoundCloud turn out to be not all that different from its original. Often times this is because dj’s are adding in simple edits, something as simple as a synth, to make the music more danceable.
The point of a remix is to take something from a song, whether it be a vocal or other memorable part, and update it into a more modern sound or flip it into a completely different style, among others I’m sure.
I actually had to get rid of a few that were originally on here because of that very problem. They brought something new to the song, but it’s really the same tune, just an edit. And maybe producers should start labeling it as such.
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We still get a lot of hip hop submissions, despite our lack of featuring hip hop these days. We did manage to gather a good bunch to show our appreciation for the style that inspired this blog in the first place, including one of our biggest inspirations, Raw Poetic.
Now this list has as many hip hop influences as influences elsewhere, however, the emcee is our focus. The syntax & phonetics rap has brought to music is why we loved it the most in the past and why we love it the most right now.
I usually try to wait at least a week before featuring something new, I’ve got good reason, but when two of my favorite sounds team up, officially or not, I can’t help but celebrate prematurely. Time will tell (about a week) if this is a keeper.
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