I’m surprised I haven’t heard a dubstep // glitch-hop remix of “Jump” yet. It had to be one of the top one-hit-wonders of the 90’s and defined the style for a while.
In The Bolivian Marching Affair’s (TMBA) remix of “Jump,” the electro gunplay hits right from the start. With outlandish breaks & glitches, this really shows where music is heading, for better or worse. However, to all those who don’t understand it, try to remember that this style of music is more about feeling it than actually listening to it (which is true, to a certain point, for all music).
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Wick-it does a number on this MJ classic, however, I do get mixed feelings at times. On the one hand, he’s got the drops down with a good, long coast that lasts – on the other hand, I felt he didn’t push the power in MJ’s vocals enough, not giving the buildup it’s necessary oomph.
Be as it may, it’s still a healthy remix for the Autumn season + I’m always up to hear those sweet, sweet vocals of Michael’s <3 View Full Article »
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In this bass rollover of Timberlake’s “Cry Me A River,” Telmini twists Justin’s “dreamy” vocals into a hypnotic, bass coiling beast. My only issues may be the drops – I like ’em one minute and not so much the next.
An Awesome remix, nonetheless.
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I’m just as sick as everyone else with these more bitter than sweet “Bittersweet” mixes, but Krafty Kuts deviates from the original just enough with a funked out feel and some fine reggae lines from MC Dynamite.
Takes some advice from Krafty Kuts, if you’re gonna remix something as overly remixed as this, do something different (don’t just lay down acapellas).
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