It’s been three years! I miss SXSW live and in Austin, but a pandemic broke us up for a few years and all other live events.
2022 is my fifth year at South by! Looking back, I realized that live music was the second most important reason I go. More importantly, it’s to better understand culture and how it ticks. There’s no better place for that than live music, and SXSW is one of the best showcases around the world.
There’s been a theme with every showcase and this year pushes my boundaries like all good things do. I may have thought back in 2016 with my Women Behind the Boards post that there was and still is a lack of popular DJ’s who identify as women. I don’t know if I can say the same for lead vocalists, thankfully. The latest example, all of my top picks at SXSW 2022. Half of which I got to see, half sadly I did not.
TEKE::TEKE and Annabelle Chairlegs had such good performances (separately) that I saw them again (separately). They had some of the most expressive faces I’ve ever seen in a show, see pictures above and below. Sadly, I only got to see Joseph once, but it was in the majestic St. David’s Historic Sanctuary and their voices gave me many goosebumps.
There were also three of my other most anticipated vocalists I didn’t get to see live. Petty Booka was online only :( I’d love to create a play about their music, which is a blending of Japanese and Hawaiian music. The music had such strong visuals for me. Luna Li cancelled her tour, which I was suppose to see in San Francisco and Austin, but I did catch her set online when she was in Oakland. It was one of those weekdays where I couldn’t make the trip, ugh. Still, a lovely show. Jacks Haupt was the only show I actually could’ve missed and did so because my plane arrived in Austin a few hours too late.
I miss the days of Hypem at SXSW, seeing Anderson .Paak more than a few times, but the music is just as rich in culture from around the world this year. Thanks to my photographer, Chris, and for the company, Regina and Alejandra <3
