Of all the obnoxious, nonsensical electronic styles out there, how the hell didn’t ghetto funk get to be the biggest? Back in 2011, we so badly wanted it to be the next big thing, but didn’t happen. All the decent ghetto funk hits were remixes and the much more garish electronic styles owned the years up ’til now.
The reason I’m such an advocate for this style of electro funk is that like the thing it’s attached to most, remixes, ghetto funk is meant to be taken lightheartedly with a sound much more for mindless dancing – in the best sense of the word – than anything else. I’d actually say it’s my favorite style to dance to overall, though individual songs are a different story.
It kind of reminds me of what swing might have felt like back in the day.
Brink’s ‘This is Halloween‘ & his Beetlejuice remix were my first good glimpse into dubstep’s favorite holiday, but I haven’t heard much more that combine the two so well. But finally just in time for Halloween I found Funk Hunters & SkiiTour’s ‘Candyman’ remix. Not only does it chill to the core, but the dubstep is solid brass to boot.
[soundcloud url="http://api.soundcloud.com/tracks/64824105" iframe="false" params="player_type=tiny&font=Arial&color=292929" height="18"]At times this ghetto wobble sounds so damn strange for Neil Young’s “Old Man,” but once you start flowing along with that kind voice of his, the glitched-out funk gets a bit friendlier with this old timer.
I do completely understand why people can’t get into this style of funk, but they should understand that this is a real progress pusher in the music scene right now, and everything progressive gets shit on at the start.
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