Odesza’s Above the Middle was my first love of theirs and even though it starts off rocky, as I originally pointed out, once the vocals kick in it’s the sound that inspired this list. Especially hearing it live at Outside Lands in 2015. Ever since hearing it first back in 2013, I’ve found a set of songs just as inspiring.
The whole thing reminds me of a dream I had at least 10 years ago. It’s probably the most vivid dream I’ve ever had. I a woke (in the dream) falling from the sky, but I wasn’t frightened of falling. More fascinated by how enormous the sky and ocean were around me. I remember there was a castle in the distance (yes, like the Disney one). It was like I was falling to get there. It’s also the most beautiful dream I can remember.
First off, these festivals with acronyms for names leave little to the imagination, which doesn’t make it easy to remember. I got BFD mixed up with TBD with the promoter and I feel like a dipshit. As I should. Always good to start off with a little humility.
BFD, or as I recently found out its full name, Big Fucking Day, leaves a lot more to the imagination and is Live 105’s annual summer festival at the Shoreline in Mountain View. The show had three stages this year: the main stage, one for local bands and a tent for the electronic acts. Of course I was there for The Offspring, not really, I was there to see TOKi. And Joywave.
Up until a few days ago, I knew starRo for his relaxing tunes, California & Seduction. I did like House Party when it came out, but the SoundCloud ad in front ruined it for me – and I annoyed the shit out of starRo about it.
Going through his entire SoundCloud catalogue and explore.fm, I see where he’s taking his sound and I love it, every which way. I don’t see many (hardly any) producers do as well with one sound as starRo has done with a few of his […]
Finding a name and cover art is the biggest pain in the ass putting these playlists together.
Our “Next to You” playlist is all sexy house beats, but naming it with some variation of Sex & House (ex: House Be Sexy) gets old fast. You do want those keywords for discoverability, but the name of a playlist is its second introduction, the artwork is its first. Both are important to catch the listeners eye initially.
I just fell in love with the Flamingosis track, Next to You. It may not have the same vibe as the rest of the list, but the name couldn’t match it more.
We were looking to put together a tech & ghouse playlist, but we realize that FREY was on half the tracks. Until we can get a dozen more artists to feature with him, FREY will introduce you to the sound. Reminds me of the next stage in ghetto funk. FREY is the next Bobby C Sound Tv.
While prepping for Figgy’s live debut, I went through his entire catalogue on SoundCloud, come to find half of it missing. SoundCloud has been more stringent on allowing sampled and remixed tracks recently, giving the major labels access to directly pull songs and even accounts from their service – Figgy was close to getting banned.
SoundCloud more recently introduced its Go premium service that includes offline, ad-free listening and a deal with the major labels that’ll increase their catalogue to compete with Spotify (it’s still in the works). What’s under the radar is that this deal may stop take downs for sampled and remixed songs and instead become a source of income for the labels – not that anyone gives a shit.
What we should give a shit about is producers will be able to keep their remixed and sampled songs on SoundCloud, probably at the cost of an ad. But at least we’ll get to use them for playlists. Until then, we’ve had Goldroom fill the void.
I Do Love You (It’s Alright) reminds me of Forest Gump. It’s like three movies in one. Going from trap to soul to disco, SO:DF changes up the key more times in one song than techno has in its 30 years plus.
I gotta figure out who they sampled on here, specifically in the disco interlude. 2:37 hits on all sorts of sexy.
Soda Island is a collective of 8 or so producers, all of which are my favorite names in an emerging style of electronic. Kawaii is what I hear it called most, or more generally future bass, but I like vapor. Bubblegum funk works too.
Along with the rest of this future bass movement (let’s rename), the folks at Soda Island are doing to electronic what jazz did to classical music. Rewriting the rules.
My dad bought a 2013 Corvette and wanted to get a custom license plate. The guy’s a real charmer, but he couldn’t convince the dmv agent to put ‘4play’ on his license plate.
I thought of beats4play when starting up our YouTube channel – I think Silence Nogood was taken – and I loved how it brought on a few more meanings than my dad’s original line.
Here’s a solid hour and some of music foreplay.
I first met Lauren in 2011 on Twitter because of a Facebook Ad I was running about a SoundCloud initiative I was doing for Silence at the time (I love how convoluted that sounds). As many people as I’ve talked to on Twitter over the years, I’ve never met someone so honest about her love for music. Someone without another agenda. And I see her dedication every day.
I usually don’t start my daily SoundCloud listening until later on in the day, but this girl is up at the butt crack of dawn listening to the shit out of it (she seriously wakes up too early) and she always gets in the comment or reshare before I do. The one thing I’ve given her shit about is what she’s doing to contribute in music, but she’s been doing something about it […]