Blackmill continues to amaze me with a style of dubstep that few are attempting, melodic dubstep. Most dubstep producers are taking to the rave scene, throwing together aimless tracks and trying to pull off the most progressive sound. And as much as dubstep is the experimental hotspot right now, a focus is still necessary in putting it all together, though that focus may still seem a bit odd to anyone outside the dubstep scene.
Props to Blackmill for deviating from the norm, even though it may seem more “normal” than the actual dubstep scene right now.
[audio:Spirit-Of-Life.mp3|titles=Spirit of Life]
My knowledge of rap outside the U.S. is… well, minimal. The problem is that rap, like music, has a language barrier. But, to go one step further, rap also has a barrier in dialect, which for most other music isn’t as big of a concern. For example, when I hear Canadians rap, my spine cringes when they pronounce about as aboot (e.g. Classified). Thankfully some talented hip-hop artists have broken this barrier, one being Pete Philly of Pete Philly & Perquisite.
I could get into more on why there are these barriers, but, honestly, who gives a shit. :) Let’s get to the music…
[audio:MysteryRepeats.mp3|titles=Mystery Repeats](Download Link in Post)