And now we’re posting disco with anime in it… if we only knew what this blog would turn into.
I wasn’t much for the overly cheerful vocals in some of my favorite anime movies, I choose the English dub, but it sure does sound good stylized to disco-house. Hopefully more foreign tracks fall into our laps like this, but any other language is a hard sell — only other one I know of right meow.
Also, check out YEARS’ rainbow vector thrill ride if you’re into this.
Shiny Toy Guns reminds me of a few different music influences all rolled into one. First off, Chad Petree’s vocals sound a helluva lot like Damon Albarn’s of Gorillaz and Blur. A similar inflection in their voices, which seemed like a British thing but Chad’s from Oklahoma.
Other influences include Last Lynx and their ‘Killing Switch‘ song. It’s that male // female duet against a lighthearted, upbeat beat that lump the two songs together. It also reminds me of Shallow Hal’s club montage with that 90’s perception of what 70’s disco sounded like — but I’m not even gonna try to attempt to convince or prove it to you.
I need to see this in a much more massive way. Whether it’s at a huge festival or on a movie that depicts it better, this one has bigger than ballroom potential. Luminaire doesn’t change it up much in his remix of GOLDSTAR, but a little bit in a lot of ways and really flips shit towards the end.
The first comment that pops up on this song’s SoundCloud page is “deep.” I had my doubts at first, but Jade Blue & Frequency get pretty heavy with the textured bass.
Vocals sound like they’re coming from Disclosure’s infamous ‘White Noize,’ or more specific the one word lyric “lately.” Mind you, this rendition as well as Disclosure’s ring too well in my ear not to be from the same singer.
The world may never know (and I don’t want to).
When I post a remix it’s usually because I’ve found the most impressive vocals in a sound more my style. In Lxury’s case though, this ‘Benediction’ remix is more about his sound than Ali Love’s borrowed vocals. Lxury’s take on London’s new style in house blended with Japan’s vaporwave sound is rich, bold & a nice step forward for EDM.
Aeon Magazine just released an article on the role of repetition in music. I haven’t quite read it all yet, but I gotta believe our love for repetition in music comes down to simply knowing the next note, especially when dancing.
I’ve given a lot of shit to musicians that make their music too repetitious, but if you’re talking about a melody so catchy repetition is exactly what it needs. I play songs over & over again and isn’t that really the same thing just on a slightly larger scale?
In the article, they also give an example for you to test out yourself. Check out the two sound bites sequentially and see if a regular sentence can turn into a chorus (though not the best you’ve ever heard).
Malinchak was my man in 2012 with his deeply touching ‘So Good To Me.’ And although his 2013 was far better than most, it took til 2014 for us to realize the massive amount of hits he has. Malinchak supplies some melancholic disco and there’s really nothing we love more right now.
Like Jessie Andrew’s Drake remix or Solidisco’s Kanye remix, 95 Royale chose to ditch the main vocals from ‘Salsoul Nugget‘ for a pure chorus mix. ‘Bend the Rules’ may not show any signs of a remix or edit in its title, even though it clearly is, but when ya cut something up better than the original I can’t blame ya too much for your lack of association.
Shak’s ‘Nothing Is’ is a calming affect at its best with a high pitched stringed melody that keeps me thinking back about one of our first posts, Ian Pooley’s ‘Stonyridge Terrace.’ Stronyridge was part of our second edition of beats to blaze to: electronica and ‘Nothing Is’ may just be in number three. Though I think it’ll be classic rock centered.
Zhu’s ‘Superfriends’ starts with a pitched down rap that I can only assume isn’t original ’cause it’s laid out so damn cunningly and this is only Zhu’s second release that we know of. But I’ve exhausted my resources and the blogosphere claims this to be all Zhu’s doing, vocals and all. And that’s not even the best of it, he or she (who knows) can throw one hell of a fiendish beat together. Zhu’s got triple threat written all over her (I hope it’s a gal, somehow).