I don’t need to say much for this song, it speaks for itself, especially the video (in the full article). But i’ll say a few words (it’s what I do best)… First, I gotta say, look at Sabzi in the video bumpin’ to his own beat, what a balla! (haha) He’s got to be one of the best producers out today. Producing with two soulful MC’s, Geologic in Blue Scholars and RA Scion in Common Market, as well as a host of other side projects, the guy really spreads his talent far. If I could be taught under anyone, it would be him …or Rob the Viking of Swollen Members …or K-Murdock of Restoring Poetry in Music & Panacea (i’m not picky, any would do :p). Just listen to this damn thing, and experience why the Blue Scholars, among many other Northwest artists, make their place the hip-hop scene. Oh, and post a comment or I won’t know what ya’ll think of Blue Scholars. And then i’ll never post any of their material again!
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I’ve recently had a falling out with Swollen Members. Our relationship hasn’t been doing so well lately. Mainly because of their new album, but prior to that they’ve been one of my favorite groups. Swollen’s got a style all their own, blending Mad Child’s intense, high paced rhymes & Prevail’s cool-headed wit with Rob the Viking’s innovative, dark trip hop beats. The group is originally from Canada, which brings up another reason why I love ‘em… they’re of the few Canadian rappers I know that don’t have the, although humbling, annoying accent; I hear enough “aboots” here in Minnesota, and it makes me laugh if I heard it come out of an MC. Another cool lil’ factoid about ‘em is, among maybe a handful of others, Swollen has taken their music and independently created a successful business out of it, which I give them mad respect for.
The reason I chose Go to Sleep as my second feature from ‘em (the first found here), was because of Barbie Hatch’s stunning voice in the chorus, and a stellar beat by Rob, as per usual. In fact, check out a feature I did of Rob’s, Go for Mine, on his solo-album, Beats to Pillage and Conquer by, found… wait for it… here! (a classic beat, literally)
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Boom Bap Project is a group based out of Seattle, Washington. The group signed with Rhymesayers Entertainment back sometime in ‘04, but I checked Rhymesayer’s website and they weren’t listed, so I’m not actually sure if they’re still with ‘em (their website & MySpace haven’t been updated in a while). My best guess is that they’re pursuing solo acts for the time being. But who really cares, let’s get to the good stuff…
Another one from the “Nogood” vault (i.e. i’ve had this one for a while), but it’s a goodie (I promise). Gotta say my favorite part is the chorus, done by… oh wait, they didn’t give her credit, so I have no idea, but she’s damn good nonetheless (edit: with a lot of digging around, I found out the featured artists, Chocolate & Snafu, though I’m not exactly sure who they are, and which one she is… I’m gonna go with Chocolate). Anyways, the other two performers are apart of Boom Bap, Karim & Destro, rappin’ back ‘n’ fourth with “straight Northwest” style (love it!). I’ve never been much of a fan of the Eastcoast style, other than a few exceptions (e.g. Jedi Mind Tricks). I just like the more relaxed, carefree style of the Northwest. Give it a listen, but unlike every other post, do not post a comment. Please! I beg of you!
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I’ve been following Gabriel Teodros on Facebook for a while now (yes, I’m an Internet stalker, selectively though
). He made an interesting comment a little while back about a guy who wanted to fight him ’cause the guy thought he was a terrorist! It reminded me of my friend’s story about flying out from Tucson when a kid came up and asked if he was a terrorist. Now, I can understand why a kid would say this; kids speak their mind (that’s the beauty in ‘em), and don’t usually mean anything by it, but in Teodros’s case, it’s inexcusable. As Lincoln said, “better to remain silent and be thought a fool than to speak out and remove all doubt”.
But this isn’t a politic blog (thank god!), so let’s get to the music. Teodros has created some damn fine music. With Khingz in their group, Abyssinian Creole, and his solo works, not to mention his side projects (well, I guess I just did), Teodros has created some inspiring lyrics on soulful beats. His style stems from deep African roots with a NorthWest flavor, covering topics on racism (hmm… wonder why?), sexism, and basically anything but the usual bubblegum pop. His lyrics may not be relatable to everyone, but can be appreciated by anyone!
I decided to feature No Label (Esma Remix) first, so check it and tell me what you think… (I do like hearing your opinion, occasionally
)
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Who would of thought that this could be considered Christian hip-hop? As a Cashew myself
, I’m not really into “Christian music”, but after listening to Braille, I guess I’m a fan of Christian hip-hop (or probably just Braille… yea, I think that’s it). Braille doesn’t necessarily have the traditional Christian lyrics – praising Jesus and… well that’s about it – but you do notice the more subtle Christian influences (I guess). But don’t let that dissuade you, his work is legit; it’s not some fluffy religious junk that only Evangelists could appreciate. No, this can be appreciated by all – Christians, Muslims and even those crazy Jews. Braille is a respected hip-hop artist in the Portland area, and is a member of the Lightheaded Crew, which also features Ohmega Watts and Othello. I’ve only listened to his fourth album, The IV Edition, but I’m definitely going to look into some of his other material. Check it out, and let me know if you’d consider this “Christian music”…
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RA Scion is best described as having a conscious style of rap: thought provoking and introspective. Put them in with Sabzi’s original beats, and what do you get?… something that sizzles just below premium cut. As much as I respect the sound Common Market puts out, I can’t put aside that Blue Scholars puts it out better. RA Scion has some praiseworthy lyrics, but Geologic (from Blue Scholars) has a style that is among hip-hop’s best. But that aside, Common Market can put up some chill shiiit, especially from their first album. My favorite track is, of course, Trinity. So give it a listen, and tell me what you think… or i’ll stop posting this shit for you!… maybe.
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I’ll admit it, I was wrong when I said, “[n]ever has a hip-hop album got it so right on the first track”, referring to an article on Mission Statement by Mayday. But, to my defense I did say “I over embellish at times”… which I do.
That aside, never has a hip-hop album got it so right on the first track.
But, seriously… The introduction (or reintroduction) on Blue Scholar’s self-titled album is a slick start to a legit album. Sabzi, DJ & producer, creates one chill beat, which Geologic (MC) lays some mighty fine lines to.
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In honor of Swollen Members’ new album, I decided to feature one of my favorite songs by them. The song, Therapy, initially caught my attention because of its Bay Area sounding beat. It sounds like something Mac Dre or E-40 would use. Along with that, Mad Child & Prevail weave a cunning lyrical composition. I especially love Mad Child’s execution of his lyrics (follow ‘em at Sing365). Mad Child & Prevail have always had a way with words, except, (possibly) in their upcoming album…
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Another group from the well-respected Quannum label, Lifesavas may not be as well-known as some of the members on the label, but they sure are just as good. Lifesavas is a fine mix of hip-hop, funk and R&B. The two MCs mix exceptionally well together with Shines funkified, soulful sounds. Vursatyl has a smart & crafty delivery, supported by Jumbo’s groovy & soulful sound. Lifesavas is considered more fun & free will than my usual selection, and this is exemplified in No Surprise.
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Sexy Beast is Abyssinian Creole’s first full length album, which premiered in late 2005. The album clearly expresses the group’s African roots in a raw and poetic way. Each song is a unique perspective of the two emcee’s history, which may or may not pertain to everyone, but can be appreciated by anyone.
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