This was probably the most trouble I’ve had trying to pick out a song from a certain artist… ever! Atmosphere is one of the most prolific rap groups out there (good prolific, not bad). So, I decided to feature two songs off his album, You Can’t Imagine How Much Fun We’re Having… lucky for you! 
Atmosphere may not be my favorite hip-hop group, but they’re definitely one of the most respected. They’ve been consistently good, with every single album bringing something new & different. The group actually came out with a free album online, Strictly Leakage, which I featured a song from, called Crewed Up, about two months back. Not only that, the two started a record label, Rhymesayers Entertainment, back in ‘95 that sports some of the best underground acts i’ve seen in a while.
Sean Daley (MC for the group) is a true character, and is an all around genuine act (for good or bad). Every time I see him online he’s reppin’ Minnesota, praising how much he loves it. Though, I can’t really blame him, grew up there myself, and it’s a beautiful & unique place. But back to Atmo, Daley might be the driving force of the group, but Anthony Davis (DJ, Producer) is the backbone with beats that seemed destined for Daley’s rhymes. Check out The Arrival & Musical Chairs to get a glimpse of what these guys can do! I will definitely be featuring more of this talented group, so subscribe to my RSS feed, so you’re well informed… and so I feel more liked 
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Crewed Up begins with Stage One’s naturally smooth & melodic voice. He, like most artists one here, seem to produce a naturally flowing wit. Next up, St. Paul Slim takes over with one of the best flows on the track with a humorous & sarcastic rhyme. The next few MC’s (Muja Messiah, YZ, Brother Ali & Tok Wright) do a great job of keeping with the beat, and yet add their own distinct flavor. I wasn’t the biggest fan of YZ & Blueprint (mentioned later), but compare ‘em to today’s mainstream, and they aren’t half bad. I saw Toki Wright & Brother Ali back at college in good ol’ Tucson. I thought Wright did a fine job opening for Ali, but Ali’s performance was mediocre at best, even though I’ve got a lot of respect for his work. Second to last, Blueright gives a decent performance, but really nothing to write home about. His name isn’t mentioned above because I ran out of room, 
so i’ll give him a link to redeem myself. Finally, Slug wraps (or raps) it up in a way in which is all his own – the man can weave his rhymes with ease (or presumably so). Overall, this may not be in Atmosphere’s “best of” compilation, but it does showcase some of what the Rhymsayers crew have to offer.
Also, mad respect for Ant in providing another fine-tune.
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Mel Gibson and the Pants is that strange child no one gets at first, but eventually realizes their genius(ness)…
I reviewed MGatP’s album (w/ Guitar) about two months back, but didn’t give Beat it Loose (a song on the album) much thought because I wasn’t quite sure what I felt about it, yet. Well, a good two months later and I finally have a solid opinion. Beat it Loose is becoming one of my favorite songs by the group/band. At first, I was a little skeptical about the beat, like I am with a lot of other MGatP songs, but it grew on me… like a lot of other MGatP songs. The song features Doomtree’s Cecil Otter & Harold Sanders Jr. (MC for MGatP) on the mic. The two work well together, and do a phenomenal job of flowing off each other and the beat (which I can’t imagine is easy). This may not be something you enjoy at first, but give it time… trust me, it’ll grow on you… or at least one of the songs on this album will.
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I’ve always wondered what style of hip-hop people outside the U.S. like. I decided to show a friend of mine from Wales Doomtree’s Flex, but had a feeling it wouldn’t be his “cup of tea”. I asked him if he liked it, and he told me “it sounded like a bunch of angry white kids”. At first, I got defensive, but eventually saw his point. The song sounds like a bunch of coked-up, hyperactive guys who may not know half the shit they say, but say it well.
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Hailing from my hometown of Minneapolis, Minnesota, Mel Gibson and the Pants (MGP) are a band with a peculiar sound with an even more peculiar name. But don’t let the name throw you off, MGP is a midwest group with a quality sound. Though their music includes a midwest style, MGP comes up with a new flavor of hip-hop incorporating electro-rock, drum & bass, and of course hip-hop. With Riley Hartnet’s maginifecent guitar riffs and Harold Sander’s (J.R.) thought provoking rhymes, MGP pulls off something never “seen” before.
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