Back in ’08 I started to get into Japanese hip hop pretty heavily. I cycled through most of the popular DJ’s out there and was impressed by their use of soul and jazz samples. One thing in particular attracted me to some artists over others – the use of MC’s. Nujabes is no doubt my favorite for this very reason, but a few others have also done this with much success, notably DJ Krush. Although, I’ve checked out a couple of his albums and really enjoyed it, I think I need to take another look at this talented DJ.
Only the Strong Survive is one of only a handful I listen to of his on a regular basis. CL Smooth’s, featured MC on the track low-toned, voice glides soulfully over Krush’s jazz instrumentals. What does me in on this track is the kick drum along with the brass instrumentals, really hits the ear right. Give it a listen and give a shout out to your favorite DJ from Japan (I want more!).
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I’ve come across a few covers songs lately, so I thought I’d contribute a favorite of mine from DJ Deckstream’s Music Castle. Deckstream is a DJ/producer from Japan who could be classified in either hip-hop or jazz depending on the song/album. In Music Castle, Deckstream covers quite a few different oldies, all with a nu jazz style. Some famous songs include Tom’s Diner, Tripping Out, Just the Two of Us and my personal favorite, Sweet Child O’ Mine.
I chose Deckstream’s remix of Sweet Child O’ Mine because of its dreamy, relaxing take on a classic by Guns N’ Roses. One thing I would’ve loved to have seen on the track, along with a few others, is the original vocals included. It would’ve been interesting to hear Axl Rose’s voice over these instrumentals, but as this album is more intented as background music that may have been why Deckstream had chosen to leave him out.
This song actually brought up an interesting question in my mind: would you consider this a cover or remix? What are the differences? I think of a remix as cutting up a song, rearranging it, adding or removing parts and really making it your own. Compare this to covering a song where the song is relatively kept in its original form, but the performers put a little of their own style into it. As you can tell I marked this as a cover. What do you think?
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As promised (from the last post), here is Akin & Cise Star featured in another classic beat from Nujabes. This may not be my favorite of his (that would be Blessin’ it), but it’s one of many in which he combines classical, jazz instrumentals in an elegance all his own; and of course slaps on a few talented MC’s to go with it. Although I’m not one who critically analyzes lyrics too often, this one has some soul searching lyrics – follow along at MetroLyrics, but watch out for the pop-ups and ad trickery (shady ass lyric sites). I guess, this is just more proof of Akin & Cise Star’s vocal talents, not to mention the talents of Nujabes.
As always, post your thoughts, follow along on Twitter, and give back some love.
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I’d say Crescent Moon is what first got me into DJ Okawari (right before Animal Forest. At the time (around a year ago), I became increasingly interested in Hip-Hop from Japan (the DJ’s not the MC’s), and came across Okawari’s second album, Diorama. Diorama is more of a Nu Jazz style with Hip-Hop influences, and doesn’t feature any MC’s (something Okawari should possibly reconsider for his next album?… I vote yes!). His music (this song in particular) for some reason brings me back to the song 3030 by Del with the quote, “while I float to Neo-Tokyo with Opio”. Probably because Okawari is from Tokyo, and his music reminds me of a night out in Tokyo, but most likely because I have nothing else to talk about, so I need a filler :)
I’ve been getting a lot of Japanese hits on my site lately (mostly looking at Okawari), and if any of you know of any similar music to Okawari then please post some of it on here! I need an expert to point me in the right direction… anyone? :D
One other thing, I also posted this on Animal Forest, but it’s also worth mentioning here – the cover artwork for this album is incredible! Check it out in it’s entirety here or just click the image at the top (the beautiful vector’d girl).
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DJ Okawari is one hard fella to find. Well, most Japanese artists I’ve researched are… probably ’cause I don’t know Japanese. Anyway, here’s another Japanese DJ that blends up a mix of electronica, jazz and hip-hop… nothing special, I know, but give it a listen. It has a solid beat accompanied with a soulful sax (you know I love me some sax).
Another thing I’d like to point out is the amazing artwork for this album. But, to truely appreciate its intricacies you need to look at the full-sized version, provided here. All cover art for Okawari’s albums are done by Marumiyan.
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The fusion of hip-hop & jazz has caught my attention the last few years. Other than the U.S., Japan has pushed the boundaries of DJing farther than ever before, merging various genres with hip-hop, and have shown that hip-hop can expand beyond the borders of the U.S. Although, I must say, MCing is still (mostly) confined to the American dialect, but that’s beyond the scope of this article. A good example of Japan’s talent is producer & DJ Nujabes. Nujabes is a master at cutting classic jazz tracks, as well as including some of his own instrumentals, and mixing them with some profound American MCs. I think this is where Nujabes really pushes forward, he recognizes that MCs in Japan won’t be recognized wordwide, so he collaborates with talented American MCs. A good example of his work is Blessin’ it off of his first studio album, “Metaphorical Music”.
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DJ Deckstream is a well established producer in Japan that has worked with several well-known emcees including Moka Only, Pep Love, Mos Def and Talib Kweli. His album, “Music Castle”, is a stretch from his usual upbeat, hip-hop style to a jazzy, chilled-out set of covers. The album covers such classics as Tom’s Diner, Just the Two of Us, Sweet Child o’ Mine and a few others from genres in classic rock to rap.
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