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Oren Lyons · Forever Found

with powerful vocals to back up this beast of a piece

Oren Lyons’ first single, ‘Forever Found,’ starts off as a pleasant orchestral piece, but doesn’t get to its glory quite yet. Kristianne Bautista’s vocals may not come off that heavy at first, but once she builds on it, her power soars along the way.

One thing I did notice needing some fine tuning was its production. I felt at times like the quality was degraded, and even though this could just be my attempt at trying to find something to criticize (or maybe just my speakers), it’s been stuck in the back of my head since the very first listen.

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Frank Ocean ·· Channel Orange

Can't get away from 'Lost.' It's always that melody... or is it?

Running through Channel Orange over, I can’t stop going back to ‘Lost.’ I mean, I connect with a few of the others, mostly which were already released, but I just can’t get away from that melody in ‘Lost.’ The lyrics haven’t really hit me like a few of his others have, but I’m never one to look into lyrics all that much – ’cause usually when I do, some ass has to correct me, and usually they’re right. Or it could be the words and I just don’t know it, yet. Wish I could get a little more lost in life, physically – got the mental down.

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Frank Ocean · Sweet LIFE

"my tv ain't HD that's too real"

‘Sweet LIFE’ is the latest single off Frank O’s Channel Orange. Co-produced by Pharrell Williams, ‘Sweet LIFE’ changes gears from his last single, ‘Pyramids,’ with a simply smooth, jazzy vibe. Frank lays down those ever lucid lines and reminisces about high society’s secluded life of luxury. Effortlessly lovely as always, Frank.

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The New Soul of R&B

with eleven 'hipster R&B' tracks carefully soulected

Ever since I started up Silence, I’ve always wanted to discover the next big thing in R&B, mainly because of my disliking for its mainstream counterpart over the past few decades. The problem with finding this underground soul that’s about to reinvent R&B is that they’re not easy to dig up online, but I managed to do it, eventually.

I got my first taste of neo soul, or so I liked to call it, when I heard the super-group out of Minneapolis, Gayngs, play ‘The Gaudy Side of Town.’ The group gained a decent following, but never enough to start a movement, even in light of all the names behind the project. Six months later, however, a duo out of Toronto created one soulful tune that set the spark for soul & R&B’s reunion, their name was The Weekend […]

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Frank Ocean · Pyramids

He just keeps gettin betta

A new Frank Ocean with the usual sensual seduction, but unlike his usual, “Pyramids” takes that synth to heights, something similar to a Starfucker beat. I wonder if it’s from a Starfucker beat… I just love saying Starfucker.

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JOSH JAKQ · See You Later

I dunno if it's that falsetto or that tune, but this shit's tantalizing.

Who would’ve thought such soulful music could’ve come out of Australia (other than the Aussies) I guess that’s what I love so much about SoundCloud and the internet as a whole, it breaks down the barriers of where specific styles of music are known for thriving.

This Aussie, who goes by Josh Jakq, sounds like Justin Timerblake taking on The Weeknd, as Zach of FMI points out. I don’t know if he’s got the lyrical forte quite down yet, more so referring to his other track, but he sure has his sound locked down.

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Red Sky Lullaby · Magic In Your Eyes

Featuring the ever so soulful vocals of Frank H Carter III

There’s nothing quite better than stumbling across a gem like this, especially when it’s yet to be pounced on by every other blogger in the atmosphere.

‘Magic In Your Eyes’ borrows vocals from the soulful Frank H Carter III, who carries a tune quite similar to Sam Sparro‘s. But unlike Sparro, Carter is something to be discovered. I don’t know if it’s Red Sky Lullaby’s abrasive neo soul tune, but this shit is hitting righter than anything I’ve listened to in a while (it’s been a long while).

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Madeaux · Song #2

oo, that melody!

Madeaux presents another twisted tune with pretty piano playin on top and Ray J samples. I’ll let Madeaux explain why it’s called “Song #2″…

I wanted to give you a little background into this song because I feel like it’s fun when you can connect with the music you listen to on multiple levels. I wrote this song for my girlfriend a long time ago but I never finished it. Whenever we would talk and I’d tell her about new stuff I was working on she’d always ask “What about song #2” When I had sent her the song awhile back I just titled the mp3 song #2 because I had no concrete titles thought up yet. What I want to ask of all you listening is, what would you call this song What does it make you think of Post what you think in the comments below. I’d love to know your ideas.

So you’re still with the girlfriend I guess “Loved You” wouldn’t make her too happy.

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Frank Ocean · White

+ a nice, little refix from Kief Ledger

Frank continues to push out a story that’s on a whole ‘nother level than any other R&B today and is “frankly” only of a few I actually care to listen to. His sound in “White” is smoothly still and the beat carries the same. Like always, Ocean makes me wanna tear up every time I listen to him, in a good way.

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Bill Withers · Just the Two of Us (LNTG Rework)

Bringing back probably my favorite soulful vocals in the downtempo beaut

Even more than Earth, Wind & Fire or Marvin Gaye, Bill Withers is my go to guy for all things soulster. So if we get any half decent rework of his, you know I’m gonna be all over it.

LNTG’s rework, now that I think about it, starts off a lot live Marvin Gaye’s “Sexual Healing” and slowly works its way into Wither’s classic “Just the Two of Us” vocals. It does take a bit to get into the good stuff, like too many downtempo tracks, but once you’re in, it’s pure suaveness from the man himself – whom I still gotta give most the credit to for this rework, those vocals are on a level like no other.

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