They. played at least a few times last year at SXSW, but I missed one because of The Roots fiasco.
They’re kicking off their tour this year and San Francisco is their third stop. I don’t know if I’ll be going to see them in SF, depends on if the lady likes the playlist, but I’ll definitely be seeing them in Austin at SXSW this year.
Especially since the company I work for is hosting them.
See you there?
Spire and his Soda Island friends put on some of my favorite bumble gum funk, generally known as future bass, specifically called kawaii, but I call it vapor (who knows). He does however have much more breath than that.
He has some of the most intricate & introspective music, and a good handful of it, which I don’t see enough. The guy can take what sounds like a scene from a movie and make it music. Beautiful in a way that reminds me of jazz. You don’t know where it’s going next.
Couldn’t have kicked off 2017 any better than this inspiration (other than disco).
It’s been a mess this last week. When the bombshell of an election result dropped, I landed on one of Robots Can’t Dance’s songs and rolled through the rest of his music. It helped.
Here are 10 of his best (my favorites). Let it get you through any madness you’re going through.
So the title. I was listening to some standup on SoundCloud talking about how sexism sounds too close to “sex is mmm,” and how confusing that can be. May not sound that funny, I know, but like a singer that can make cheesy lyrics sound good, so can a comic. Unfortunately I can’t find the bit again. If you have any idea of what I’m talking about, let me know.
And that’s how I come up with these important, but clearly not that thought out titles. Musicians learn from my failues, the package [artist – title, album art] is everything when it comes to introducing your song.
Tom Misch will be playing his first show in San Francisco, November 11 at the Rickshaw Stop. I sure as hell will be there, even though I have no ticket and it’s sold out. Help me.
I love Misch so much for his guitar playing, producing, singing and podcast Are We Live, co-hosted with Jordan Rakei, Barney Artist and Alfa Mist. I’ve listened to every damn episode.
In one of the episodes, Misch talks about how he’s more known now for his singing than anything else. He’s a good singer, but how he plays guitar and puts a song together is far more amazing to me. I do understand why people attach him to his voice though.
Our voice is the most human sound in music. It’s got greater dexterity than any instrument and we connect to it more than any other sound. It’s often what completes a song to me. The beat has a much harder time resonating deep without it.
And when you’ve got a good one, people will be drawn to it. Even if your guitarin’ is just as good (better).
A few days ago I had the bright idea of making this list to hold us over until Frank Ocean dropped his album. That day it did.
The reason I love Frank so much, and why I’m overshadowing all these other artists for him, is because there’s a difference between him and them, for me. All of these singers have at least one good song, but it’s the song, not their singing, that I love. With Frank it’s different. I just love hearing his voice. On anything. Few other singers do that for me.
Not to discredit any of these artists. All of them have that potential, especially Breezy Lovejoy. Now known as Anderson .Paak. It took me two years to come out with another list of favorite male singers. Still got a lot of catching up to do compared to my favorite females.
My first recollection of Flamingosis is not a good one. For me his name is tied to the reshare scheme [trading reshares] I saw a bunch of decent, and better, producers doing on SoundCloud sometime back, even if I’m not 100% he was doing exaxtly that.
Recently I caught his song Next To You and gradually fell in love. I love how he plays with the vocals on it. It always feels like a surprise.
So naturally I went through all of his SoundCloud and found plenty more music to speak about. His music is like that Late Night vibe I love, but with good old soul singers on top.
In the over 100 tracks I listened to, the hardest thing to do was to cut some of the good ones. That’s always the hardest thing to do in making a mix. Cut the fat, as good as it is.
Prince won’t be known for how good of a sound he created, but how many different styles he did it in. I see so many of his predecessors show a glimpse of his depth, only to keep sticking on the same track. It’s hard to get one sound down in this life, let alone two (don’t even get me started on three), but fuck the fans and go off on your own. It’s all yours until you make it theirs.
Here’s a good glimpse at Prince’s legacy from one of my favorite shows in music, Pharrell & Scott Vener’s OTHERtone on Beats1. — We’ll have a list up tomorrow of today’s Minneapolis sound —
The list of soul started off as general relaxing remixes, but it was pretty much all some sort of soul so we trimmed it down to that. Apparently I only like hip hop and soul now.
I Do Love You (It’s Alright) reminds me of Forest Gump. It’s like three movies in one. Going from trap to soul to disco, SO:DF changes up the key more times in one song than techno has in its 30 years plus.
I gotta figure out who they sampled on here, specifically in the disco interlude. 2:37 hits on all sorts of sexy.