Aeon Magazine just released an article on the role of repetition in music. I haven’t quite read it all yet, but I gotta believe our love for repetition in music comes down to simply knowing the next note, especially when dancing.
I’ve given a lot of shit to musicians that make their music too repetitious, but if you’re talking about a melody so catchy repetition is exactly what it needs. I play songs over & over again and isn’t that really the same thing just on a slightly larger scale?
In the article, they also give an example for you to test out yourself. Check out the two sound bites sequentially and see if a regular sentence can turn into a chorus (though not the best you’ve ever heard).
Since the first edition of our favorite SoundCloud Educators & Storytellers, we’ve grown to love such shows as Blank on Blank, StoryCorps & The Story Colliders even more than before. And better yet, we’ve found plenty more to talk about.
Our list of favorite podcasts range from lost interviews of famous peoples to the most up to date panels in music tech. Not every show will be for everyone, but I guarantee you’ll find one you’ll be listening to for life. I’m sure I’ll be listening to at least a handful of these until they broadcast no more.
If there’s one thing that’s always been difficult for up and coming producers to find is a solid pair of vocal cords. We’ve got an over abundance of DJ’s & producers on SoundCloud & YouTube now, yet most are still relying on remixes, samples or just keeping it instrumental. Some eventually network their way into some talented singers or rappers, but it’s not happening fast or often enough, especially for this digital age. Which brings us to Shoe Scene Symphony’s latest track.
The 3S duo discussed on their SoundCloud page how difficult it was “to find a quality acapella” for their latest beat and didn’t seem too enthusiastic with their final selection — though that may just be my interpretation. It’s not that Aaliyah wasn’t a good choice, it’s just these instrumentals deserve their own original vocals, let alone a better match. It’s just coming up with the perfect vocals that’s been a problem for Shoe Scene Symphony and most other “under the radar” producers. [...]
SF MusicTech’s SoundCloud has been an obsession of mine over the last few months. I loved listening in on all the conversations these music-tech aficionados were having and knew I had to take the train up to San Fran for this year’s conference.
My experience at SF MusicTech 2013 was, however, more of a learning experience in how conferences function rather than the music-tech topics being covered. And as much as I’d love to go into my many blunders at the event, I’ll keep those goodies to myself. Instead, here’s a few of the panels I enjoyed while attending the conference. I’d also like to get into what I thought the conference was missing, other than a babysitter to tell my dumbass what to do.
SF MusicTech is by far my favorite tech education account on SoundCloud right now. Even though I usually don’t take the time to go through too many sounds over an hour on SC, with this many good talks it’s worth a break from music for a bit.
Fortunately, for 2013 I’ll be attending my first summit in San Fran this Tuesday (the 19th). If you’re already going, let me know! I’ll be the 17-year-old lookin kid tryin to figure out what the hell he’s going to write about (I’m sure there will be a lot).
Learning through sound is one of my favorite ways to relax. I can just sit back and listen. However, music seems to be taking up most of my time, but I plan to change that. Since my listening routine with music is mostly on SoundCloud, integrating storytellers & educators into my SoundCloud stream might even out my daily bias towards music.
So I’ve taken to SoundCloud to find & filter the most fascinating SoundClouders around. I’ve rummaged through Voices, the Fellowship program and their “Suggested users” to come up with eleven knowledgable SoundClouders in their own right. It basically comes down to what they say and how they say it (kinda like music), but here’s more specifics on how I determined who to select: [...]
For about a year now, I’ve only accepted music through my SoundCloud dropbox. SoundCloud just makes it much more efficient to organize and search through submissions than traditional email. And as many problems as SoundCloud needs to fix for us bloggers, there’s a bigger problem we have with musicians and their etiquette on SoundCloud.
Here I’ve highlighted the proper etiquette on how to submit your music to blogs using SoundCloud’s dropbox. Mind you, this isn’t some quick fix, but partly a long-term plan to separate yourself from all the other SoundClouders who spam our inbox (you know who you are!)
Getting back from vacation two weeks ago, I was finally accepted into the beta testing of SoundCloud’s latest revamp, ‘The Next SoundCloud.’ My first thought, like most, was that “this looks pretty slick.” But after exploring around a bit, I realized, like most, that I had to revert back to the classic mode for one reason or another.
Many are having issues with the beta and have been bitching about it on SoundCloud’s blog and other forums. As much as I agree with most of their complaints, most forget that this is a beta testing. That said, I do have a few issues myself to “bitch about.” And it’s strictly to do with the new stream, or ‘Your Stream,’ because that’s the only reason I switched back to classic mode so fast, which is why I never explored the other additions to SoundCloud NEXT [...]
Last month, I did a tribute to 31 great producers I’ve come across on SoundCloud in a series I dubbed SoundKlout. It was mostly just to pump out a shitload of good music, but I also wanted to engage more with the SoundCloud community and immerse myself in its user experience.
While searching for the 31 SoundKlouters, and about a year’s worth before that, I’ve noticed that most producers sample & remix other works or produce everything electronically. There just isn’t enough legitimate collaborations with vocalists & instrumentalists. One reason is the musicians that make up these genres aren’t all that involved in SoundCloud’s community. Another reason, which may be even more detrimental, is the lack of tools to help these musicians connect, especially across different genres.
So I’m gonna lay out how I can help SoundCloud attract more of these genres through two communities I’m actively involved in, the hip-hop & blogging communities. I’ll take care of how they can improve connecting between musicians in the next article.
Turntable.fm is a live chat room where music lovers come to share and listen to music together. Rooms can be setup by anyone and consist of 1-5 DJ’s at a time. Topics for each room range from specific genres to music blogs that play just about everything.
The first type of room I got into was dubstep- although, I quickly realized that the crowd and music wasn’t for me. Apparently, I’m not into the “right” kind of dubstep, so I hit up the hip-hop & mashup rooms for a while. As much good music as I’ve found through these rooms, I wasn’t quite connecting with that many people. I started to realize that the best quality in TT.fm wasn’t finding new music, but connecting with [...]