You know when you come across a song with so little plays and it’s so well put together you think it’s suspect. Like someone is trying to fuck with you and it’s really some famous band you don’t know about because this is really not your genre.
I still don’t know if Sillyboy is legit, but it don’t matter. ‘On and On’ is all I care about. It’s got the funk in the bass that’s pretty much a requirement of mine in today’s listening with a legitimate voice backed. I haven’t locked down the style in his voice yet, it’s soundin depressingly preachy, but it clashes with the guitar well.
We stopped featuring & playlisting remixes for the most part, bigger plans in the works, and cover songs have been even more scarce. Over the last few years we’ve collected a few dozen and finally we get to share our favorites with you! (it’s been a long time coming)
There were quite a few acoustic covers initially, but we wittled ’em down. Like remixes and dubstep, the world of acoustic covers is super saturated and with that comes us & our super powers to filter the shit out of ’em.
Like always, I had no idea what I was getting into with this. All I can remember is listening to this song and thinking how much it sounded like the Coraline soundtrack, the chorus specifically.
What I had no idea on was who this young lady is, Willow Smith (look her up). And despite her young age that’s reflected in her take on The XX’s Your Love, she shows a lot of maturity in how she carries her voice. At least compared to her first hit single.
I never thought Toro y Moi’s side project, Les Sins, would ever top Grind, it was my 2013 groove, but this collaboration with Nate Salman is already there for 2014. Salman has that JT sound on lock, like JMSN & Josh Jakq, but with Toro y Moi and that makes all the difference.
I know I focus too much on chorus too much of the time, but Corinne Bailey Rae’s is damn near perfect in ‘Put Your Records On.’ It quite literally put me to tears. She’s as inspiring in words, for the most part, as she is in vocal zest and Nehzui’s remix gives it the extra oomph it deserves. His electro brass is a bit… brass but essential for the sing-a-long.
Turns out I had heard the Gordon City’s version first, but I got to say this one is miles better. We love our house deep here, which Gordon City provides, but the slight piano in this version gives Laura Welsh the silence her voice can handle.
First Odesza with Zhu and now Classixx with Rufus. There’s nothing I love more than when my favorites remix my favorites (I’ve got a lot of favorites).
We didn’t do a write up on Rufus’s Atlas album simply because we didn’t really have much to say on it. It’s not as easy as you’d think bringing in some other insights. Take this post for example. But with our move towards playlists, our words won’t get in the way of good music no mo. Stay Tuned.
I don’t know if you’re gonna like the chorus, I didn’t, but listening to the full thing through gives a good story to picture. Steven A. Clark has some smooth southern draw to his R&B, which ranges into some sort of indie.
Better question – not that there was a question before – who the hell is the gal? I really don’t understand why musicians don’t give proper credit to their features… [ frustrating ] She does only make a small appearance a minute in and one other on repeat, but somewhere on SoundCloud is not asking much.
I didn’t quite listen to the lyrics on Phonat’s ‘Never’ at first, it’s all about the sound at the start, but they’re my favorite thing about it now. The sound however is something to talk about, especially in Icarus’s version. We’re trying to lay off the remixes right now and save ’em for a collection, but Icarus speeds up the tempo and lays in some disco-house synths to livin’ this one up to where it’s needed.
Sitting here listening to NTEIBINT’s ‘Never Without You,’ trying to think up anything to write on so we can get Stella’s voice out there, gets me thinking about how music has gotten me through so much. We can’t pick our lives or even our minds, but at least we’ve got music to help us cope with this shit show.
As much as NTEIBINT has supported Stella with a fairly fresh beat, the girl gets most our praise. Stella’s got a country blues tone that reminds me of Stevie Nicks. Though Stella leans more city proper than Stevie’s country swang.
[I’m really just comparing the two so I can show off this clip of Stevie practicing ‘Wild Heart’ – but listen to Stella first!]