I swear I’ve heard Izzy Bizu’s White Tiger before, but the best ones always feel that at first. Izzy’s got a pop in that faint rasp voice and her piano counterpart Mika Barroux plays off it well. Kinda jealous of him right now – for that piano dexterity, yes, but more so this look she gives him in their music video.
Shiny Toy Guns reminds me of a few different music influences all rolled into one. First off, Chad Petree’s vocals sound a helluva lot like Damon Albarn’s of Gorillaz and Blur. A similar inflection in their voices, which seemed like a British thing but Chad’s from Oklahoma.
Other influences include Last Lynx and their ‘Killing Switch‘ song. It’s that male // female duet against a lighthearted, upbeat beat that lump the two songs together. It also reminds me of Shallow Hal’s club montage with that 90′s perception of what 70′s disco sounded like — but I’m not even gonna try to attempt to convince or prove it to you.
Forget our favorite ladies (and one dude) of 2013. 2014 is her’ and it’s already topping them all.
And only someone such as Yukimi from Little Dragon could make it so obvious. She’s got something in her voice few singers can compete with in personality & character. Not only that, but the boys behind her are giving her production, like in “Klapp Klapp,” the compliment her sound needs to stay in the spotlight where music’s progressing right now. The only ones that may be able to do them better are Disclosure. Better yet, wouldn’t that be one hell of a collaboration.
Who do you think would collab best with Little Dragon? Gorillaz is tough competition.
Electronic music more than ever shows us that it isn’t just about what sounds good to the ear. If you analyze every single sound in Phantogram’s ‘Fall in Love,’ you’ll miss out in the beauty of when it all comes together. Listen to her voice and let the beat fade into the background.
The only thing more difficult than writing is categorizing these damn top 2013 lists. I messed up our last 2013 favorites, the lady vocals, so I thought I would clarify this list for all of us.
A few years back this would have been called, “Indie to R&B,” in fact it was, but the latter has flipped producer-side and is more accurately classified under electronic for us this year.
While this is obviously intended to be centered around indie & pop music, including alternative & folk, genres are hard to pin down, especially to one or even two nowadays. So to give this list a more accurate, less appealing title, the music here is centered around a vocal-bases.
Like rock before it, indie & pop have become rock’s sliding scale contemporaries, putting the singer smack out in front. Which compared to electronic goes back to a composer or producer-bases, like jazz and classical before it.
And yes, there are elements of electronic, jazz & disco on this list, which is why I had to go on this rant in the first place.
Rarely do I keep going back to the same musician and consistently post everything they put out. I crave novelty and vocals especially tend to dry up fast. Bordeaux, however, is one of a few exceptions.
In my favorite single off his latest side project, Warm Space, ‘Rust Lovers’ takes that voice I love so much and puts it into a very warm piano piece. The other two tracks are still a good taste of Bordeaux’s style & voice, but I love the lyrics in ‘Rust Lovers’ most. Not necessarily just for the meaning, but what his voice brings to it too.
I don’t know if Jess Burgess will end up as the type of music we cover on Silence, but get this girl the right producer and she’s got just as much potential as anyone on here… well, she already does but more so! At first her ‘Rivers and Roads’ cover sounded like any aspiring singer, but when she hit those highs it hit the heart (then the head).
That said, there’s plenty of sweep throughs this needs in production and mastering before anything goes legit. Particularly the ending sounds out of sync and just plain off. I’m not one to promote unfinished work, in fact that’s usually why I don’t, but Ms Burgess is in need of notice with some producers whom I know roam around here. Vocals like these are not easy to find, especially with the bombardment of producers we’re getting today, and Jess deserves her paid dues.
Finally more Broken Bells. The duo put out one of our favorite albums of 2010, back when we actually featured albums, and we’ve been wondering ever since if they’d come out with another.
Just a week or so back, Broken Bells teased us with a short (below) and now finally we get our first single. ‘Holding On For Life’ is a ghostly tune with Bee Gee like backups, but everything else is all Broken Bells signature. That familiar guitar strum, Mercer’s hauntingly good looking vocals, all with a slight build to keep it uplifting til the end.
Can’t wait to listen to the full album. I’m sure it’ll be good for many go arounds.
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I can’t believe I just posted a song about a glitter emcee, let alone the GlitterEmcee. Girls gotta flow a lot like Doja Cat’s, laid back and not as stale as these male rappers nowadays.
But I wonder how long she can keep my interests, I get bored with these female MC’s fast (males faster). I do appreciate ‘Hellorato’ though, it’s a cold trip with a lovely lyricist.
I’ve seen Paul McCartney twice now, once in Minneapolis and the other time at Wrigley Field, and I’m still most excited for him at Outside Lands Festival for 2013. Well, Hall & Oates and Jurassic 5 might be my personal favorites to see, but I’m guessing Paul’s performance will still be my favorite in the end. Which brings up a huge predicament, Pretty Lights plays the same time as Paul. Paul does play earlier, but I couldn’t imagine leaving him to go see PL. If I could only get them to play together…
… also excited to see z Chili Peppers… and even more excited for the food.