Been a long time fan of Raw Poetic – he’s one of the main reasons for this blog – but when I first heard ‘Stealin Bread,’ it sounded like a whole ‘nother man. Raw P’s been changing up his style lately and it may not compete with the nostalgia of his earlier tracks, but I can more than respect a musician trying to change things up, not enough do!
Way back in the days of RPM, I knew Raw P as one smooth ass rapper who glided over his band better than most singers.
More recently though, he’s been experimenting with his sound in a more blues rock styled pace (still gliding well, though).
His latest release, ‘Stealin Bread,’ however, shocked/confused the hell out of me because I could barely tell it was him at all. Maybe with time, age and everything that goes with it, his voice changed to a more raspy, aged rhyme… or maybe he’s just doing some more experimenting. Whatever it is, I don’t see enough change in most musicians that I see in Raw P and that right there is something to take notice to.
This is how much I love & appreciate what Two Inch Punch does. So much that I’ll post shit from the worst of the Waka Flockas, Flame. In his ‘Rooster In My Rari’ remix, TIP brings that lovely-step to the increasingly popular trap world. It’s like the hyphy movement, more for fun than real enjoyment. I may not be listening to this in a month (or a week), but I appreciate talent wherever it may roam, even in the worst of weathers…
For the next six weeks or so, every friday we’ll be releasing a remix off Fullhaus’ Traplanta in a series we dubbed #TGIFF (see if you can figure it out). Each highlights a rapper from Atlanta remixed with that trap charm.
For our very first week, we’ve get one catchy little shit that’s been spinnin ’round my head all day. ‘See it From the Front’ may be getting a little obnoxious getiin trapped in my head!, but this remix featuring Aleon Craft, Gangsta Boo & Schlachthofbronx is one seriously fun, summertime jam to romp around to. Although, I’m still trying to figure out if trap is catchy in the worst or best of ways… (both)
Love when these mashers take on quality MC’s and mash ’em up with much hotter electro tunes. Mochipet is known for producing some next level bass music, but he’s also one to occasionally throw in some mashup freebies. And these freebies come in the tune of Too Short & Wiz Khalifa, which’ll sure as shit get yo heartbeat bouncin. But which one bounces best I gotta go with Too Short.
Ya know, when I covered Theophilus London in Minneapolis, I appreciated a few tracks of his, but didn’t follow him regularly. However, since his show I’ve caught too many quality tracks from this dude. I can’t tell you how many rappers send their music to me daily and 99% lack what London excels in, character/personality/whatever you wanna call it.
“All Around The World” sports a burly, bass driven beat with this MC’s character expressed as distinct as ever. But Theophilus London is more than just a healthy character in the hip-hop scene, he packs wordplay & beats that few MC’s can manage to muster UP.
Snoop Dogg’s Stoner’s EP just got released, and although I haven’t listened to the whole EP, I did listen to 1 track. “Breathe It In” may just be the usual ode to the kush from Snoop, but that beat is sure as hell new to the Doggg.
Lazer Crunk is an odd set of electro sounds gon estranged, but who knows if ‘Breathe It In’ could be classified under it, these subgenres are killing me. Whatever it may be, Snoop rolls around in it so smooooothly.
Every time I say Skratch Bastid, it’s in the voice of Kyle’s [very] jewish cousin from South Park. But other than that pointless side note, Skatch Bastid does right to the mashup game ever time by taking samples from early soul music and mashing it up with the more recent soul [hip-hop].
In this romp around, Skratch Bastid takes on Three 6 Mafia vs that soulful blend by Dazz Band. His music always takes a few rounds in to get use to, but once you catch on… you caught ;) ENjoy
This is one bad bitch from Toronto, but let’s hope her persona doesn’t get the best of her. I’ve seen too many talents care more about how they come off than what they’re pushing out musically and Tasha seems like the stereotypical candidate.
But until that happens, Tasha the Amazon brings us one chill flow that most female MC’s can’t quite pull off. Her latest track, “Let It Go,” sports production from Bass & Bakery, which I believe she is a part of, but either way, she twirls that sassy voice around it like a charm.
Toronto is a clear hotspot for up-n-coming artists and Tasha, supported by the right people, is destined to be a crowd pusher in that community.
DJ 21azy throws us four new mashups in his Sleeping Through Sunday EP, which features a few of hip-hop’s (somewhat) recent top acts. The mashups are something different, bringing these MC’s into a few new styles, but only half really catch my ear. But make sure to check out the whole EP and see for yourself.
Theo’s lightin up SNG with some flashy artwork and a ‘Big Spender’ sampled track, also featuring ASAP Rocky. Samples sped up and doused with bass to make it one bump for your ride, but this ain’t the main appeal, it’s that Theophilus flow.
Not enough emcees form their flow to the beat like London + switch it up every song to keep his vocals sounding fresh. Every time I hear a new track of his, it’s like hearing him for the first time. Rare form, my man.