I’ve been following Gabriel Teodros on Facebook for a while now (yes, I’m an Internet stalker, selectively though :D). He made an interesting comment a little while back about a guy who wanted to fight him ’cause the guy thought he was a terrorist! It reminded me of my friend’s story about flying out from Tucson when a kid came up and asked if he was a terrorist. Now, I can understand why a kid would say this; kids speak their mind (that’s the beauty in ’em), and don’t usually mean anything by it, but in Teodros’s case, it’s inexcusable. As Lincoln said, “better to remain silent and be thought a fool than to speak out and remove all doubt”.
But this isn’t a politic blog (thank god!), so let’s get to the music. Teodros has created some damn fine music. With Khingz in their group, Abyssinian Creole, and his solo works, not to mention his side projects (well, I guess I just did), Teodros has created some inspiring lyrics on soulful beats. His style stems from deep African roots with a NorthWest flavor, covering topics on racism (hmm… wonder why), sexism, and basically anything but the usual bubblegum pop. His lyrics may not be relatable to everyone, but can be appreciated by anyone!
I decided to feature No Label (Esma Remix) first, so check it and tell me what you think… (I do like hearing your opinion, occasionally ;))
[audio:NoLabel.mp3|titles=No Label (Esma Remix)](Download Link in Full Article)
If you haven’t heard of Jurassic 5 (J5) then you’re in for a treat; although, if you’re at all into underground hip-hop you probably have. J5 is among the greatest hip-hop groups of this era. I might say this about a lot of groups, but along with Hieroglyphics, J5 truly is the best. The group features some great solo acts (again, like Hiero); Chali 2na, probably their most notable MC, has one of the most recognizable voices in the biz. In fact, when I was in London a few months back, the few hip-hop enthusiasts I came across all knew of 2na’s voice, or at least J5’s sound. Unfortunately, 2na isn’t featured on this track, but I did feature one of his solo projects a while back (found here).
The song I decided to feature, High Fidelity, includes Mark 7even & Zaakir with DJ Nu-Mark on the turntables. There were a grip of songs I could have chosen from Power in Numbers (J5’s second LP), but this is by far the most memorable to me. I usually get into why it’s so memorable (and blah blah blah), but it probably bores most of you, so I won’t. There’s not much I can say to give this song justice (I never seem to), but the rhymes are fluid with a finesse that J5 does best. Give it a listen, and if you haven’t heard of ’em before, tell me what you think… If you have, I already know ;).
[audio:HighFidelity.mp3|titles=High Fidelity](Download Link in Full Article)
Who would of thought that this could be considered Christian hip-hop As a Cashew myself :), I’m not really into “Christian music”, but after listening to Braille, I guess I’m a fan of Christian hip-hop (or probably just Braille… yea, I think that’s it). Braille doesn’t necessarily have the traditional Christian lyrics – praising Jesus and… well that’s about it – but you do notice the more subtle Christian influences (I guess). But don’t let that dissuade you, his work is legit; it’s not some fluffy religious junk that only Evangelists could appreciate. No, this can be appreciated by all – Christians, Muslims and even those crazy Jews. Braille is a respected hip-hop artist in the Portland area, and is a member of the Lightheaded Crew, which also features Ohmega Watts and Othello. I’ve only listened to his fourth album, The IV Edition, but I’m definitely going to look into some of his other material. Check it out, and let me know if you’d consider this “Christian music”…
[audio:ConstantlyGrowing.mp3|titles=Constantly Growing](Download Link in Full Article)
I love it when foreign DJ/producers pair up with American rappers (I think I also mentioned this here), and the Jazz Liberatorz are a prime example of this. Their second track on Clin d’oeil, Ease My Mind, features Omni, Tre Hardson and Fat Lip, the latter two previously from The Pharcyde, rapping to a nice jazzy beat (who would of thought) with a playful piccolo… at least I think it’s a piccolo, might be a flute. Whatever, it’s a catchy track with some great featured artists. Check it out! I’m gonna go listen to their new album, Fruit of the Past, which I just found out about from researching this track.
[audio:EaseMyMind.mp3|titles=Ease My Mind](Download Link in Full Article)
I ran into Language Arts Crew a couple years back, and wanted to give them credit for a few of their songs that’ve stuck with me over the years.
9 to 5, being one of them, first caught my attention when I heard it sample a few classic movies lines from Office Space and American Beauty (good Marketing technique!). It has some talented rhyming by the four MC’s of the group and one featured artist, X.I. I would try to type out the lyrics for you to follow along to (since there isn’t any online), but I’m too lazy and it’s too complicated (i’ve tried, it’s not easy). Anyways, give it a listen and tell me what ya think… then maybe i’ll feature some more of their finest!
By the way, the best part of the song is at 2:01 for both it’s rhyming and lyrical ability.
[audio:9-5.mp3|titles=9 to 5](Download Link in Full Article)
Well, I’ve featured songs both by Nickatina and Dre, but nothing as good as this. A good friend of mine (from The Bay – the usual case) recommended it to me, so I gave it a listen. Now I could go into words about why it’s good, and blah, blah, blah, but I’m sick of trying to express myself so that you all will think, “my god, he has described this song perfectly”. And to be honest, I’m not really good at it anyway. So, just listen up and tell me what you think Better yet, tell me who you like better, Andre or Mac Dre I’ve asked a few different people, and all have given me the same answer (but I’m not telling)… until maybe I see some f’ckin’ comments :)
[audio:AndreNAndre.mp3|titles=Andre N Andre](Download Link in Full Article)
When I first caught glimpse of Mattafix a couple years back I wasn’t a Big Fan (haha, sorry, just watched this film). I wasn’t really into their style at the time, but thought they had some potential, so I threw ’em into my collection anyway. A couple months went by, and I decided to give ’em another try. At this point I started to realize their talent, eventually becoming obsessed, and playing the album over and over again. I tend to do this a lot with albums I get hooked on, and it really pisses off my roommates (Pyramids in Moscow – being another good example). After my initial obsession subsided, two tracks stood out from the rest (even though I do enjoy a couple others). The first song being Things Have Changed, which I featured a couple months back, and the other being, of course, Stranger Forever.
Stranger Forever doesn’t have as meaningful of lyrics as Things Have Changed, but it does have a quality of its own. The basic premise is about recognizing someone from the past, but not knowing exactly where from. We’ve all had this happen to us… right Well, this is what Preetesh Hirji (vocalist for Mattafix) is trying to get across, and I must say, he does it with grace. Though, the more I listen to his lyrics, it simply sounds like some guy creepin’ on a girl at a bar, but besides that, the song is elegantly done with Hirji’s delicate voice… that’s sometimes confused for a woman’s, but let’s put that aside as well :). So, pop this shizz in (push play), and tell me what you think (of his voice)…
[audio:StrangerForever.mp3|titles=Stranger Forever](Download Link in Full Article)
Every so often I become obsessed with Bone Thugs. I wasn’t a big fan of ’em back in the day, even though I had some friends that were, but after a few decades they finally hooked me. My first favorite of theirs is without a doubt Ghetto Cowboy, even though it’s technically by Mo Thugs, which is comprised of Krayzie Bone & Layzie Bone of Bone Thugs. The song tells a story of a few gun slingers back in the Wild West with a nice ghetto twist. It’s not only a great story, but it’s got a calm & coolheaded composition… not to mention it gives a shout out to good ol’ Tucson, Az… my college town (brings me back :)). It’s also worth mentioning the song features Layzie Bone’s wife, Felecia, on backup vocals. Ghetto Cowboy may just be my top pick in the Bone Thugs collection, but the group has many other chill tunes, so make sure to look out for ’em on here…
[audio:GhettoCowboy.mp3|titles=Ghetto Cowboy](Download Link in Post)
I consider Atmosphere one of the best hip-hop groups of all time. Some may argue differently, but both Slug (MC) & Ant (DJ & producer) have created a style that’s helped inspire a new era of hip-hop. Not just that, the two set Twin Cities on the “hip-hop map” (and I will forever be greatful).
In ’95, the two decided to create their own independent label, Rhymesayers Entertainment, with the help of Brent Sayers, Musab S’ad Ali and Derek Turner. Rhymesayers house some of the premiere names in underground hip-hop, and is no doubt becoming one of the best independent labels.
Over their 16 year reign, Atmosphere has created six LP’s with numerous quality hits, and a whole lot of side projects, as well. This is what sets Atmosphere apart from many others, they are consistent in quality, coming out with fresh, innovative music over and over… and over again. For their first feature, I decided to go with Crewed Up because (1) it’s not that well-known, and (2) it features some of Rhymesayer’s best acts.
Crewed Up begins with Stage One’s naturally smooth & melodic voice. He, like most artists one here, seem to produce a naturally flowing wit. Next up, St. Paul Slim takes over with one of the best flows on the track with a humorous & sarcastic rhyme. The next few MC’s (Muja Messiah, YZ, Brother Ali & Tok Wright) do a great job of keeping with the beat, and yet add their own distinct flavor.
I wasn’t the biggest fan of YZ & Blueprint (mentioned later), but compare ’em to today’s mainstream, and they aren’t half bad. I saw Toki Wright & Brother Ali back at college in good ol’ Tucson. I thought Wright did a fine job opening for Ali (from then on I was a fan), but Ali’s performance was mediocre at best, even though I’ve got a lot of respect for his work over the years.
Second to last, Blueright gives a decent performance, but really nothing to write home about. His name isn’t mentioned above because I ran out of room, :/ so i’ll give him a link to redeem myself. :) Finally, Slug wraps (or raps) it up in a way in which is all his own – the man can weave his rhymes with ease (or presumably so). Overall, this may not be on Atmosphere’s “best of” compilation, but it does showcase some of what the Rhymsayers crew have to offer.
Also, mad respect for Ant in providing another fine-tune.
[audio:CrewedUp.mp3|titles=Crewed Up](Download Link in Post)
The beat is the most attractive part to this song. DiViNCi is a talented producer & beat maker… a lot of good beats have been comin’ from Florida, lately (e.g. Mayday). Swamburger (MC) flows well with DiViNCi, but I’m still not sure how I feel about Alexandrah. She’s got a beautiful voice, there’s no doubt, but I am not the biggest fan in how she uses it – I guess I’m just not feelin’ her intro. Anyways, Swamburger drops in nicely at 1:54, and goes on for about a minute. It’s tough to touch on his lyrics, usually they’re either good or not, and his definitely weren’t bad. After that, Alexandrah cuts back in at around 3:50, and lays a a funk-rhythmic sound down, but the chorus accompanying her seems out of place, though it did take me a while to notice this. Overall, this is a good great listen based on just the beat… not to mention the rhymes. Hopefully, i’ll be hearing more of Solillaquists of Sound… as tedious as their name is to type.
(Download Link in Post)