Back in high school a friend of mine invited me to a show at First Avenue in Minneapolis where Prince recorded Purple Rain. One of the side stages was playing all house music and when I stepped in I thought, I am the only white dude here, except one other guy we’ll get to in a second.
I’ve been to clubs in London, San Francisco, Tel Aviv, where ever, but I never saw anything like this. Guys were thrusting their pelvises into women. Women were thrusting women. Men thrusting walls and anything else they could their hands and waists on. It seemed like a comic over embellishment. Some were thrusting so hard they knocked the other person over.
The other white dude I was just talking about thrusted a girl so hard she fell off the stage. When she got back up she thought I was the guy and started bitching me out, but quickly realized I wasn’t him.
Doing some digging on the Symbiosis website and social, I noticed that Madelyn Grant had liked their Facebook page – she’s featured on Emancipator’s latest single, Seven Seas. So instantly I thought, Madelyn might be there too! I asked her, she’s not :(
She’s one of the main reasons I keep this thing around, so I gotta at least try to get her out here and play live with Emancipator at Symbiosis. I think it would be their first time playing live together, at least I’m pretty sure it would be. And who cares! She needs to be there!
So what do we gotta do to make this happen? Mind you, I’m well unaware of the logistics of getting her out here. Or if she’s even available. And I’m probably just being selfish and no one wants it that bad. But they should! And I have to try and so do you if you feel so inclined.
I was introduced to The 13th Grade by way of One T. I don’t know how I picked up on his Audible, but I never would’ve guessed the treasures I’d dig up because of it. Shortly after looking into him I looked into his collaborators. Most notably Josh J the freakin guitar wonderist and the rest of the honeypot collectively known as The 13th Grade.
The supergroup is based out of LA and houses 14 musicians, though a few are based in San Diego, Vegas or London. Not only do they have incomparably talented producers, DJs, instrumentals and vocalists, but their music ranges greatly. And they’re well on their way to making a label as sexy as any of their musicians.
So in good fashion we did what we try to do best, made a playlist out of ’em. Unfortunately we couldn’t get all 14 on here for one reason or another, but managed to get most. The list starts off with some funk n soul into jazz and half way through gets into the harder stuff. We end it where we started off, ’cause there was way too much soulful shit to only feature one from each artist. Like I’ve said already enough, there’s a lot of talent in The 13th Grade.
Paris Wells’ Overbite was produced by Eat More Cake, a producer we’ve covered a few times on this little old thing. And his production is only overshadowed by her lyrics, more specifically how Paris Wells says ’em. So many one-liners.
I have no idea what she’s talking about, what the whole story is on Overbite, but she says it with such pizzazz like Gaga. She got that ‘tude like Tove Lo though. Boogie-oogie sliide gets me every time. Shit’s a hook.
About a week back I was reintroduced to Phenom’s Together Forever. And within 24 hours after that I had danced to it at least over 20 times, no bs. In fact, I had listened to it so much for the remaining part of the day that the chorus was burned into my brain, it got real tiresome.
Day after I was back on the bandwagon and I’ve got more obsessed since. I’ll probably get burned out a few more times before my obsession subsides.
That hook! Gonna get me reminiscing for days.
Shormey’s Party Down was meant for some coming of age movie classic from the 70’s 80’s. At a high school dance or some shit, but she’s more than that. She’s a song for reflecting, tapping into the moment and thinkin about your past.
Marvin Gaye has got to be one of the most sampled singers of all time, but most producers pull off a shoddy side step of his original works. It’s hard as hell to find any rework worth saving, but of course Amtrac pulls it off, again.
The man can do deep house unlike most hyped-producers in the genre right now. It’s always fresh, but far from a fad. His latest takes a few lines from ‘Nothing Like The Real Thing’ (baby) and makes mind numbing, gutter house. I gotta dance to this at the club sometime.
I need a good playlist for reflecting on. Especially when traveling long distances. Music that sounds like Toy Box’s Catahoula.
I know alotta people can’t stand a good kick drum when trying to relax, but I almost need it. There’s a lot of little things in Catahoula that doesn’t make it some basic electronic track. Something you should listen for, for the subtleties. The track has heart, texture. And those vocals chops, woof. Wonder where he got em.
The first time I ran into Madelyn Grant’s name was on Odesza’s Sun Models. I had recently uploaded the track to SoundCloud and she had contacted me about including her name in the title. The only reason I hadn’t in the first place was because they really chopped and skewed her vocals, making her voice barely recognizable. But she was real nice about it and it seemed more than fair.
About two months later and I see Madelyn Grant on FKJ’s Waiting. I didn’t remember she was on Odesza’s track at first, but once I did I was all the more in love. Madelyn has a breathtaking voice, but even better she knows how to use it – a much bigger problem with most vocalists.
Since then Madelyn has collaborated with a favorite of mine, Emancipator. I asked her how she got to collaborate with all these legitimate producers and she said, I sent them my demos.
That’s it. In Odesza’s case they were requesting female vocalists, but the other two she just sent them a sample. That’s all it took. How the fuck does that happen? Oh wait, that doesn’t. Minus with Madelyn.
I’ve put together a playlist of my favorite songs of her’s as well as another list for producers she should also send her music to. Although, this time I think they should be doing the reaching out.