Oh . no . he . didn’t! ENiGMA made for one of the best dubstep remixes of 2011 with his remix of Afrojack & Steve Aoki’s “No Beef” and now he’s doin dirty on Nate Dogg?? Oh, hell yes!
“I Got Love” gets drumstepped on by ENiGMA and sounds fresher than ever. It’s actually the first time I think I get what the difference between drumstep & dubstep are. But it really doesn’t matter, I’m so damn sick of these subgenre’s, it’s all Bass Music to me.
After he impressed the world with his October’s Very Cold project, mashing up Drake with Coldplay, Chi Duly is back with his latest offering entitled Balloon of Haus. The 11 track offering showcases Chi Duly’s take on some of The Weeknd’s most popular tracks spanning from his three mixtapes.
How the shit isn’t Ghetto Funk lightin up every living room in the Western hemisphere? This shit is the grooviest thang since my days of Earth Wind & Fire – guess which one I am ;)
In this latest Ghetto Funk installment, DJ Wood mashes up Sean Paul & Asteroids Galaxy Tour’s ghetto grooviness. Some of y’all may not be the biggest Sean Paul fans, but you can’t deny his swaveness in this shit! (or you best not)
I’ve heard many chop & skew The Weeknd’s vocals before, but Madeaux does it a little differently in “The Space Between Us.” He doesn’t try and overemphasize The Weeknd to entice people in, but takes what makes the vocals one of a kind and turns it into an even grander hypnotizer. At first I wasn’t quite sure if some of the vocals were even The Weeknd himself, they were that chopped & skewed, but that’s what makes it so special, he lets you glimpse in & out, seamlessly flowing through electro manipulation.
Rooks powerful remix of “Clouds” may just be too powerful for the vocals of Love in the Circus. I’m loving what each is bringing, but Rooks remix is such a dirty one, so dirty that it may trot over Leanna Rachel’s vocals a bit too heavily. Then again, I’ve always had a taste for gettin grimey with such lustrous vocals.
This Camo & Krooked D&B scorcher was produced for the upcoming SSX title. The two mention that it was made specifically to fit the gameplay, which would be interesting to see the whole process they went through, working with game producers and such.
Make sure to check out Camo & Krooked’s Bond remix for the new Goldeneye game. Better yet, check out all the best dubstep remixes of video game classics.
I don’t know if I’ve ever heard/seen more debates over an artist than there have been with Sonny Moore. The man’s explosion onto the EDM scene just over one year ago took everyone by surprise. Practically overnight, he went from being a niche-scene unknown into an ambassador of EDM with 8 of Beatport’s top 10 slots all to himself for a at least a few weeks. I’m pretty sure that’s never happened before.
So this must have some significance, right? I mean we, the music-listening community, are the ones who gave Sonny his throne. Why has his music generated so much (more than normal) backlash?
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Bobby C is know around here for his television ghetto wobblin’ and now he’s up to no good on a classic hip-hop soundtrack. If you haven’t heard the Geto Boy’s “Damn It Feels Good to Be a Gangsta” or the movie that made it so popular, Office Space, then what the shit kinda movies have you been watching all these years? Either way, his upbeat, ghetto funk rendition of this gangsta ass beat is a hell of a romper.