Ghosts of Venice treat us to some hearty, upbeat disco with a special guest on vocals. And like I love to point out with every song I post of his, Josh Jakq reminds me too much of Justin Timberlake. However, the tables have turned this time around when I heard a song playing it instantly reminded me of Josh Jakq’s voice and it turned out to be none other than JT’s. But besides my not-so brilliant insight that’s probably been pointed out to him too much already, it’s nice to hear Jakq change up his work from the hypnotics of soul to something so disco fresh. A definite match for that falsetto of his.
I get such vivid imagery from something as simple as this song’s title. Same goes for the lyrics with their fun & well crafted ways. However, where this song really shines is in Benoit & Sergio’s disco rework of Hot Natured’s original. Anabel Englund’s voice packs such power without what seems any effort. Natural soul.
So like I always do, I made up my own lyrics to Moon Boots’ Love Strong song or at least parts of it. But when I tried to figure out the actual lyrics, I couldn’t. The weird thing is that these vocals sound so familiar. I thought a simple Google search or a SHAZAM! would do it, but no such luck.
This is why credits need to be given with a simple search.. or simpler. For the first time we have the ability to properly store extensive song data, yet there’s still no widely-known & used service that gives musicians this ability, easily. This has been brought up at a few SF MusicTech discussions I’ve listened to and I’m sure it will be again, but hopefully with someone who has a promising demo to show off this time around. [Dreams]
I remember telling a friend of mine that Daft Punk’s SNL sample was better than most music. Unfortunately, it’s also better than the final version of ‘Get Lucky.’ It’s not that the final with Pharrell on vocals is all that bad, even though I hear far too many criticize it to be, it’s just the sample outweighs the master and far better represents Daft Punk’s mystique & image.
The biggest issue on ‘Get Lucky’ goes to Pharrell. As much as I love the catch in his chorus, his intro (and really everything but the chorus) is outright amateur sounding. I usually criticize a song for not getting to the good stuff fast enough, but this should’ve road the beat out a bit longer, it deserves the solo time. In fact, that Nile Rodgers’ guitar strum is the only thing that’ll be remembered in the long run. Take a look at a few examples of this amazing sample in use and wait for more things to come from this simple guitar strum.
There are a lot of great builds & drops that I’ve heard before, but there’s not many that build as quickly and drop as smoothly as in Yuksek’s remix of ‘Right Now.’ And not many that catch like this chorus. The only thing I could go without is the indie interlude, but it picks up soon enough.
Also make sure to check out the original by Kostrok. Mighty different (not nearly as good).
How have I only just been introduced to Goldroom I wanna say I first heard of him through his heavy Saguaro Mix, but I feel like I’ve known about him even before that. It could’ve been The Knock’s remix of ‘Only You Can Show Me,’ which I may like more than Goldroom’s original, or maybe not. Still undecided.
A thanks also goes to Goldroom for crediting Mereki on the track. Not enough producers credit their vocalists, surprisingly enough. I’ll admit I like to see titles clean, but vocals like Mereki deserve credit at the top as much as Goldroom’s name does.
Someone in, on or associated with Bondax has got one helluva full voice. This Moon Boots remix may not get to it quick enough, but it turns into a catchyass, disco-pop track in no time (about a minute).
Where a good chunk of songs suck because of their repetitiveness, ‘When I See You’ glorifies it. These vocals are so well cut they put me in a state every time I hear them. I wonder what she’s saying. Does it really matter
Check out ‘Cherry Blossom,’ as well, for another blissful minute.
Every time I hear this start off it instantly reminds me of Solange’s Losing You, it’s that rhythm or somethin’. Classixx also enrolled some brand spankin fresh vocals for ‘Holding On,’ one’s I can’t find credited anywhere… (disappointing) Besides that, this is a clear cut classic, as Classixx tends to always push out.
Alright, this shit is just getting too damn sexy. If you knew me in “real” life, you’d know this is just way too sexy for me. I’m in fact the polar opposite of how sexy this is (I’m workin on it). Anyways. These Russian fucks going by 5 Reasons make some soulful shit that, again, is just too sexy for me (I can’t highlight this enough). However, most of the soul in this actually hails from good ol’ Nashville, Tennessee. Patrick Baker has some fuckin charm in his vocals and 5 Reasons adds just the right touch to it. So Sexy.